sunday stills: Get your pumpkinhead now

 

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We had left Maine in late September sunshine, heading for Boston on the last leg of our journey before returning to the UK. We arrived mid-afternoon after mooching around Portsmouth. The sun lasted long enough for a fine view of Jamaica Pond, and then the rain moved in. By supper time it was cold and dreary and we did not feel like walking far from our B & B. We wandered a couple of blocks up and down Centre Street, looking for somewhere to eat. Nowhere beckoned, but at least the red glow of Costello’s sports bar looked welcoming. And it was welcoming. A query about the best brew on offer very quickly led to this:

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DA-DAAH! A round of applause for Shipyard Pumpkinhead Ale.

I have to tell you that this was a whole-body experience. The rim of the glass came coated in caramel, sugar and cinnamon, which then proceeded to dribble down the sides. And all over our hands, which then required clean-up trips to the rest-room. But never mind. The ale was delicious, and required further sampling, and more de-sticking, and finger-licking. To hell with it. Who needs supper.

I now discover that this ale was created first in 2002, and that the Shipyard Brewing Company had its beginnings in Kennebunkport Harbor ME. In 1992 entrepreneur Fred Forsley joined forces with English master brewer, Alan Pugsley and started Federal Jack’s Restaurant & Brew Pub. This was the birthplace of Shipyard ales, but so popular were their English and seasonal ales, they soon had to move production to bigger premises in Portland ME.

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The other thing you need to know is that Pumpkinhead Ale is strictly seasonal, and only available between August and November. So get yours now. It is described as “a crisp and refreshing wheat ale with delightful aromatics and subtle spiced flavor”. 

I’ll second that, or even third it. But just to finish off, and continue in the seasonal vein  (since autumn has definitely come to England a month early), this last photo was taken at a farm shop just outside Kennebunkport. It’s the sort of quite understandable confusion that might arise after a beer or two. Chin-chin!

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copyright 2014 Tish Farrell

 

 

Sunday Stills

Have i Got Moos for you

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To my eye these Highland Cattle definitely have a frayed look. Their shaggy coats are of course designed to fend off the bitter rain-filled gales of their West of Scotland homeland. They are also one of Britain’s oldest breeds, and all-round tough guys. They are long-lived; they thrive on the poorest grazing, and cows produce  up to 15 calves in their lifetime. This sturdy durability also explains why the breed has been exported world-wide – even to the barren uplands of the Andes. This bunch, however, is having a very cushy life in Much Wenlock, both weather- and food-wise. It’s nice to come upon them on our walks around the town’s surrounding fields. You never know where they will be next, which is a cause of much a-moos-ement on the part of the Team Leader aka Graham, who has formed a deep affection for the great, hairy beasties. (We simple souls are easily pleased out here in the shires.)

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For more info: The Highland Cattle Society

 

DP Photo Challenge: fray

Where’s my backpack challenge: orange

sunday stills: from my garden today

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There’s a rainstorm brewing along Wenlock Edge, and the garden has taken on an autumnal air. All afternoon I’ve been watching this harvester ply the wheat field. At close quarters the cutting blades are of a scale more suited to the Canadian prairies than to a small Shropshire field. I feel the soil compact beneath the giant machinery, and it strikes me that industrial farming does not care much for the welfare of the earth, or ultimately for the nutritional quality of the crops produced.  I have this image of starvation in the face of plenty, and think how skewed have our rich-world values have become. But before I make everyone feel too dreary, here’s a brighter shot of my garden earlier in the summer.

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Sunday Stills

giant gwendol makes the wrekin

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As hills go, The Wrekin (pronounced REE-kin) in my home county of Shropshire is not very high – just over 400 metres (1300 feet) . But then, as estate agents say, location is all, and this is the only big hill for miles around. It rises over a county of farm fields and the flatness of the Shropshire Plain beyond, and thus is a useful landmark when navigating the county’s ancient network of sunken rural roads. It has also long loomed large in local imagination. As with significant natural features the world over, it gives people something to think by, prompting many a tale and joke.

For instance, we have a saying whose usage extends into neighbouring  counties. To go all round The Wrekin means to ramble on for hours before arriving at the point. Hopefully not exemplified in this post. Because yes, I will get around to Giant Gwendol before too much longer. But first some geology. Please don’t groan. I’ll make it snappy.

Looking at the photograph above, the first thing that strikes you is that the hill looks like an old volcano, and I seem to remember being told that it was in year 3 geography at secondary school. This apparently is not the case, although it is composed of volcanic rock. The vent that spewed it out is no longer around or visible. This is perhaps worrying. One has to put faith in notions of volcanic dormancy and, since the spewing forth of rhyolites, tuffs and agglomerates took place in the Precambrian some 680 million years ago, we can perhaps rest easy in our beds: Shropshire has had long enough to get over its hot phase. 

This is also good because as you can see from the second photo, the place where I live, Much Wenlock, is rather close to The Wrekin. The yellow wheat field in the middle ground is behind my house.

But now for the Gwendol story.

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There once was a Welsh giant called Gwendol. For reasons unknown he had conceived a grudge against the mayor and townsfolk of Shrewsbury, in the neighbouring county of Shropshire. Since the town lay within a nearly closed loop of the River Severn, Gwendol came up with a dastardly plan. He would dam the river and so drown the town and all who lived there.

He set off from Wales with a great spadeful of earth to do the deed, and headed for Shrewsbury. He tramped for mile after mile, but somehow lost his way, ending up instead near the town of Wellington. Weary with the search, and from carrying a heavy load, he sat down to rest.

After a time, an itinerant cobbler came walking by. He had walked from Shrewsbury and was heading for Wellington. Over his shoulder he carried a big sack of used shoes for mending.

Gwendol stopped the man and asked for directions. He even told the cobbler his plan to fill in the River Severn and so drown Shrewsbury and all who lived there.

The cobbler was horrified, and especially appalled at the prospect of losing so much trade.

He thought fast.

“Oh dear me,” he told the giant, “that town is so far away. Many days’ walk.” Then he opened his sack of  old shoes. “See,” he said. “I have worn out all these shoes and boots walking from Shrewsbury.”

At this, the giant groaned. “I am too tired,” he said, “to carry my load of dirt that far. I had better leave it here.” And so he emptied it out there and then and, as a parting shot, before setting off back to Wales, he cleaned the mud from his own boots, and so left behind little Ercall, the small hill that stands nearby.

And so now you have the true story of how The Wrekin was born. In fact, for a not very bright giant, I think Gwendol did a pretty good job, landscaping-wise. Also the damming plan would never have worked. Old Shrewsbury town may sit inside the loop of the River Severn, but it is also on a very steep hill. Just as well, though, that Giant Gwendol trudged back into Wales and was never heard of more in Shropshire.

 

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copyright 2014 Tish Farrell

SOURCE: This tale appears in Charlotte Burne’s Shropshire Folklore 1883. In other versions the Devil is the hill-builder.

Flickr Comments ‘G’ words

Cee’s fun foto challenge: water/winter

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These photos of the C-Curve by Indian sculptor, Anish Kapoor, were taken on freezing cold winter’s morning in London’s Kensington Park. The marvellous stainless steel creation was one of four Kapoor pieces sited across the park for the Seeing the World Upside Down exhibition hosted by the Serpentine Gallery and Royal Parks in 2010-2011.

Some of you will have seen these  shots in earlier posts, but I thought they were perfect for Cee’s challenge for all sorts of reasons. For one thing, the stark silhouettes of trees say ‘winter’, but the bright sunlight also says that life goes on; and the trees themselves, though dormant, are still full of life. I also like the reflections of the couple and the trees in the puddles on the plinth, and the reflections of the puddles in the sculpture. It is all so playful, yet reflective too – and in every sense.

 

Cee’s Fun Foto Challenge: water or the season of winter    Go here to see more bloggers’ takes on this challenge

Floating not flooding: Adeyemi’s ‘Ark-ademy’

 

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Photos © 2014 NLÉ

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And what is this extraordinary structure?

Why, a floating school of course. It is also a prototype building created by Nigerian-born architect, Kunle Adeyemi  and his Amsterdam-based company NLÉ. Adeyemi has more plans too, ones that will relieve the dire conditions for the 100,000 people who currently live in this, Nigeria’s Makoko slum. The fishing settlement in Lagos Lagoon has been there since the 18th century. To cope with changing tidal levels, the shanties are built on stilts, rising from the lagoon mud; the main way to get around is by boat. There is zero sanitation, and consequently much disease. Life expectancy is reckoned to be less than 40 years.

For the past two centuries Makoko slum dwellers have adapted to tidal changes, but now climate change, with rising sea levels and increasingly extreme weather events, is putting them at grave risk.

Recently the Nigerian authorities have addressed their plight by demolishing many of the stilt-built dwellings, making the inhabitants homeless. There will be re-development  naturally – not for the poor who have long lived there, but to replace their community with flashy lagoon-view high rises. Makoko as it stands is deemed a blot that must be erased. It is an interesting approach to social deprivation: to make it worse.

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See instead Adeyemi’s vision:

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Now doesn’t this make your heart sing? Homes to live for.

And here is where it begins:

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Diagram courtesy of NLÉ.

 

Makoko floating school, then, is literally the flagship of NLÉ’s proposed waterborne city. The structure was designed and built in collaboration with the Makoko Waterfront Community and with input from Dutch naval architect, Erik Wassen. It is movable, and capable of dealing with storm surges and flooding. The triangular frame which is mounted on 256 floating plastic barrels makes it very stable and with a capacity to keep 100 people safe in storm conditions. PV cells on the apex generate solar power, and there are facilities to recycle organic waste and harvest rainwater. Most importantly of all, it was built using the techniques and skills of local craftspeople. It is a building that fits with people’s view of themselves. And it is beautiful.

 

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Photo © 2014 NLÉ

The school has three levels with a capacity for 60 -100 pupils. The 1st level is an open play area for breaks and assembly. Out of school hours this space may be used by the community. Level 2 is an enclosed space for 2-4 classrooms, and Level 3 has a partially enclosed workshop space.

The only fly in the ointment of NLÉ’s scheme for Makoko’s regeneration is the fact that Nigerian authorities say the floating school is an illegal structure, and should not be there. NLÉ are currently in negotiation with Lagos state government and are said to be optimistic that no immediate action will be taken.

I for one hope that this African solution to an African problem will be seen for what it is – an amazingly wonderful, life-giving, life-enhancing scheme of which Nigeria should be heartily proud. The floating school addresses both present need and future uncertainty, and in ways that its community can reproduce and embrace. It has inherent sustainability. It is a pattern to build on, adapt, develop, replicate, but on an individual human scale that everyone can understand. And as time goes on, we may all have need to tap into some of NLÉ’s ingenuity if we wish to continue living well and safely on our home planet. Town Planning that gladdens my heart and gives me hope, and believe me, that does not often happen.

text copyright 2014 Tish Farrell

 

Further info:

Kunlé Adeyemi Founder NLÉ

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The Architectural Review Jan 2014

http://www.nleworks.com/case/makoko-floating-school/

 

Flickr Comments F – archive

living textures: ageing with dignity

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Today, 10 August 2014,  is World Lion Day, and I’m posting this photo of a rather threadbare old lion. He might look world-weary lying here in the Mara oat grass, but he still conveys a sense of the powerful creature he once was. Of course in these days when humanity and wildlife increasingly compete for territory, it is wishful thinking to hope that all lions might live out their natural life span in the wilderness they have left to them.

World Lion Day

DP weekly photo challenge: texture

 

did anyone know private victor rowles 1896-1915?

SHOT AT GALLIPOLI, BATTLE OF LONE PINE,  8TH AUGUST, 1915

IMG_0568   My Great Uncle Giles (Victor) Rowles left little trace of himself on this earth. There is only this childhood photograph inside my great grandmother’s locket. For one thing he lived so briefly. Nineteen years. For another, he does not even have a grave. He was dropped from a hospital ship into the Mediterranean, two miles east of Mudros Harbour off the island of Lemnos. This happened around 10pm on the 10th August 1915 two days after admission. I know this only from the First Australian Imperial Force (1st AIF) records that the Australian National Archives have posted on the internet. I thank them for their dedication and care in making these records so freely available. I have written what little I know of Giles Rowles in two earlier posts, but I have reason to repeat it. On October 15th 1914, Cheshire born Giles (he later, and for unknown reasons, changed his name to Victor) enlisted in the 14th Battalion AIF in Melbourne, and then went directly for training at Broadmeadows. On 22 December 1914 he embarked for Egypt on HMAT ‘Berrima’, arriving there for further training in January 1915. In April the 14th Battalion took part in the landing at Gallipoli, and so began the hell-on-earth siege that achieved nothing but the pointless deaths of thousands of brave young men – Australian, New Zeleanders, French, British and Turkish. 480_2[1]

Landing at Anzac Cove 1915.  Photo: localhistory.kingston.vic.gov.au

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Conditions at Gallipoli were unspeakable; it was a case of death by sniper, grenade or disease. Giles survived long enough to also take part in the August Offensive. This involved the Australian and New Zealand Army Corps moving up the coast from where they had been dug in for months to attack two peaks of the Sari Bair range while the British and French forces defended Helles. Giles it seems was hit by a Turkish sniper. In the military records he is listed as Private Victor Rowles no. 1402, admitted to the hospital ship Devanha with gunshot wounds. Two days later he was dead. There are several mysteries here. The first is how did this English lad end up volunteering with the AIF in Melbourne? The last certain record I have of Giles on English soil is from the 1911 census. He is listed as 15 years old and working as an apprentice clerk for a shipping broker in Cardiff. He is living with his widowed aunt, Louisa Rowles of 10, Despenser Gardens, where his older cousins, Beatrice a spinster, and John, a shipping agent also live. He is named after his uncle, Louisa’s late husband, Giles, a mariner. The Rowles family, it seems, have generations of seafaring connections. Giles’ own father, Charles, was a retired ship’s captain, and thereafter a pilot on the Manchester Ship Canal. He was my great grandmother’s second husband. As a young widow with three small children and a stepson, Mary Ann Williamson Shorrocks (née Fox) ran the Old Red Lion Inn and farm in Hollinfare (Hollins Green), Cheshire. Her father or brother, (both were named George Fox), had taken up the license in 1894, a year after selling up the family farm of Callow in Derbyshire. At this time Mary Ann would have still been in mourning for her first husband. He had died in his late thirties, a bankrupt shuttle manufacturer. It seems that the Fox family had secured the inn on Mary Ann’s behalf to ensure she had an income. It stood beside a then busy thoroughfare to Manchester, overlooking the new Ship Canal, which doubtless explains how the pretty young widow soon came to catch the eye of one Charles Rowles. IMG_0007

Mary Ann Williamson Fox at Callow Farm, Hathersage, Derbyshire sometime before her first marriage to Thomas Shorrocks, a Bolton spindle manufacturer.

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The sea captain was much older than Mary Ann, a widower with two grown-up daughters. They married in 1895, but by 1903, when Giles was only seven years old, Charles Rowles lay buried in Hollinfare’s quiet little cemetery. Six years later, Mary Ann joined him. She was forty six. She had died of heart disease at her stepson’s house in Moss-side, Manchester, where her simple-minded sister, and the three Shorrocks children (including my grandmother) also lived. Whether Giles went to live with his Rowles relatives before or after his mother’s death is not known. Certainly he would have finished at Hollinfare village school at twelve years old, and the photo in the locket could well date from that time. It seems likely that the chance of a secure career in the shipping business prompted the move. In 1912 there is a passenger list record for one G. Rowles travelling as labour to Halifax, Canada on the SS Hesperian, but there is no conclusive evidence that this is Giles. I could anyway find no evidence of his arrival in Canada, although if he had signed on as crew, he could have sailed onwards to Australia. A comment by a now deceased aunt repeated the family story that he had chosen to settle in Australia, and this line of enquiry remains to be followed up. By the time Giles enlisted in Melbourne, he had changed his name to Victor. On the enlistment papers he calls himself a sailor, and responds to the question of whether he had ever served an apprenticeship, with a decisive ‘NO’. And perhaps this is the reason for the change of name. Perhaps he broke his apprenticeship, and used the knowledge gained in the shipping office to find a ship and run away to sea? The Broadmeadows medical officer records him as being eighteen years and seven months, 5 feet 5 and a quarter inches, and 135 pounds in weight. His complexion is described as ruddy, his eyes green and hair brown. His only distinguishing marks are two vaccination marks on his left arm. The reason he has given Aunt Louisa Rowles as his next of kin is also a mystery. She was not in fact a blood relative, and I know for a fact that his Shorrocks half-siblings adored him. It must have been they who had the tribute to Giles added to his parents’ gravestone in Hollinfare. DSCF9350 On his death, records say a brown paper package containing Giles’ few effects – a handkerchief, pipe, cigarette case, manicure-set, letters and photos, was later sent to Aunt Louisa, followed by his three service medals, a memorial scroll and plaque. All these items are now lost. He is nonetheless commemorated in his ill-fated name of Victor at Lone Pine Memorial, Turkey and on the Australian War Memorial at Canberra. On his parents’ and grandfather’s stone in Hollinfare it says: “Pte Giles son of the above Charles and Mary A Rowles, who died of wounds received at the Dardanelles on August 10th 1915 aged 19. He hath done what he could.” And why am I posting this story once again? Well surely someone knew Giles Victor Rowles? He must have had mates – at sea, at Broadmeadows, at Gallipoli. Did not some girl love him? Doesn’t his name occur in a fellow private’s letters home? Is there not some diary entry that mentions him? Doesn’t anyone know what happened to his medals? The photo in his mother’s locket shows a boy with determination. His gaze is direct. He looks cherished. And it is his photo in the locket, and not one of his half-siblings. On the other side of the locket, delicate strands of hair from all five children – Robert (stepson), Mary, Lilian, Thomas Shorrocks and Giles – are woven together. Mary Ann would have been able to identify each child from the varying shades of blond and brown. This small locket, then, contains the only physical evidence of Giles Rowles’ existence. 100_6264   #nogloryinwar

copyright 2014 Tish Farrell

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