I’ve chosen a very literal interpretation of Paula’s theme at Black & White Sunday. First of all I thought you could not get any ‘lower-lying’ than at sea level, at least not without immersion in said sea. And then I thought of Marram grass being laid low in the gale, and how I was attracted by its bowing texture.
And then I thought of the sand beneath our feet:
These photos were taken last Christmas on a beach walk to Llanddwyn Island on Anglesey, North Wales. You can see more about the island HERE.
Black & White Sunday: low-lying
This buoy at Penmon Point, on the Menai Strait in Anglesey tells shipping to be vigilant – the channel between the main island and Puffin Island is too shallow for passage. The lighthouse says so too in a big notice on its topmost white stripe (out of shot):
This month Paula’s pick a word at Lost in Translation includes: branching, vigilant, pomp, hooked and continual. So I’m laying claim to them all – distantly branching wind turbines off the Great Orme, the need to be vigilant in these waters, the hooked profile of the bay, and the continual ebb and flow of the tide. And as for pomp, well I think the lighthouse has plenty of it.
But for a truly outstanding interpretation of these prompts, please visit Paula, and enjoy her Venetian gallery.
This photo was taken at Penmon Priory on the island of Anglesey. It is a mysterious place, on the shore of the Menai Strait. The stone ruins date from the 12th century, built on the site of St. Seriol’s 6th century hermitage.
The window was in a building beside a dovecote, a much later structure, built by the local lord in 1600, long after the monastic period.
The dovecote’s interior was difficult to snap due to window slots in every quarter, but you get the idea. There are 1,000 nest boxes for pigeons, and both the birds and their eggs were harvested. Originally there would have been a long revolving ladder attached to the central plinth.
And since I know you are curious to see the outside too, here it is seen through entanglements of Old Man’s Beard – the seed heads of wild clematis which adorn Britain’s winter hedgerows and byways:
Black & White Sunday: Through This week Paula has an especially spectacular interpretation of this week’s challenge. Go see!
For this week’s Black & White Sunday Paula asks us to show her an original colour shot rendered into monochrome. It is an interesting exercise, seeing what will work in a different format; and what won’t. Here I’m trying it out with another shot from the Christmas on Anglesey archive. I’m not too keen on the dark smudges around the lighthouse that’s showing up in both versions. I think I had the camera on too much zoom; otherwise, I can’t account for them. Strange irradiating substances?
Please visit Lost in Translation for more Afters and Befores.
While I’m here, is anyone else finding WordPress incredibly clunky, or has my PC been sabotaged again by Windows 10?
It’s back to Llanddwyn Island on Anglesey for my response to this week’s prompt from Paula. Darkness and light – the stuff of fiction writing, but also the source of many diversions from the work-in-progress to play with my camera’s monochrome setting. The hazy uplands in the background are the mountains of mainland Wales. The island in question is in reality a long thin promontory heading out to sea from Newborough Beach, and has, since Dark Ages times, been associated with St Dwynwen, Welsh patron saint of lovers. You can read more HERE and HERE.
And now for a more abstract rendition of darkness and light: an early morning view across Menai Strait, taken from the fields above Beaumaris. Here on Anglesey, the sun in winter regularly puts on these mystical lightshows – shining searchlights through banks of low cloud on to the water. This particular shot was taken with quite a lot of zoom and then cropped.
Two people, three shadows.
Another Christmas shot from Ynys Mon, North Wales: Penmon Point Beach with Trwyn Du Lighthouse, and sea bird haven, Puffin Island, beyond.
Weekly Photo Challenge: Solitude
Here’s another view of, and from Llanddwyn Island, taken on our recent trip to Anglesey. It was snapped on high zoom in high wind and thus has pixilation tendencies, much like the snapper, some might say. So I edited it to exaggerate the silhouette effect. I anyway like the stance of this unknown man on the cliff top. He is so well rooted against the gale; so absorbed by the seascape.
I’ve written more about the island’s story at To the Isle of Dwynwen, Welsh Saint of Lovers.
Now please visit Paula at Lost in Translation. Her rendition of this week’s ‘on top’ theme is stunning.
I like the notion that everything is moving in this apparently static image: time, tide, clouds, shadows, light, the ash tree, me. And maybe even the mountains across the water.
Photo snapped in Dynamic Monochrome setting. For a very finely composed rendition of the theme ‘passage’ visit Paula at:
Black & White Sunday: Passage