Captured on the beach at Little Haven, Pembrokeshire using my camera’s monochrome setting.
And a sepia version:
Captured on the beach at Little Haven, Pembrokeshire using my camera’s monochrome setting.
And a sepia version:
I don’t need to be asked twice to reprise photos from my bugs and butterflies archive. And this week at Lens-Artists, Donna is doing the asking.
Comma butterfly on Doronicum ‘Little Leo’ aka Leopard’s Bane.
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Peacock and the bee.
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Marmalade hoverfly visiting the crocosmia, a variety which I’m pretty sure also had marmalade in its name.
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And another kind of hoverfly on a lace flower.
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Elephant hawk-moth found one day on the garden wall.
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This ladybird has found the perfect ‘platform’ on a Dyer’s chamomile daisy.
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White-tailed bumble bee ‘bathing’ in Hollyhock pollen.
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We could call this a bee line: oriental poppy here we come. BZzzzzz!
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Lens-Artists: What’s bugging you? That’s this week’s question from Donna at Wind Kisses. Go see her fine gallery of close-up bugs, bees and butterflies.
It certainly looked like spring as we pursued our May explorations of Broseley’s lanes and jitties – but then looks can deceive. The trees in these photos may be bursting with greenery, the hawthorns hanging in blossom, and the cottage gardens bright with late spring flowers: Welsh poppies, columbines, clematis and wisteria, but this past month has been COLD. Even on the sunniest days we have had winds that feel as if they have just blown over an ice field. In fact, come the first of June, we switched the central heating back on for a spell.
Still, we’ve not let draughty climes stop our walks. We’ve made some special finds too, in particular the Haycop Nature Reserve, a wooded ridge a short walk from the High Street. It was once a coal mine (1760-1860), the coal extracted from it coked and used for firing two nearby blast furnaces. Later it was used to fire local brick kilns.
The mine shafts were capped in the 1970s and the ground reverted to grazing land. Then in 2007, the Haycop Conservation Group began restoring the natural habitat, including the pond that had once been the holding pool for pithead winding gear. This week when we visited the flags were definitely ‘flying’:
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The 9-acre site is a warren of trails through mature woodland, meadow and heath, the main paths smartly sign-posted at intervals, and provided with information boards highlighting the local wildlife, including several varieties of butterflies, moths and dragonflies and some 58 bird species, among them sparrowhawks and nuthatches. From the top of the ridge there is a fine view of the parish church, All Saints, built in 1745 and an excellent example of the perpendicular:
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Looking at these views now, it’s hard to envisage Broseley in its industrial heyday (17th to early 19th century), the fumes from steam engines, furnaces, kilns and coking ovens, the clatter of waggons on the network of wooden railways, the carts pushed by humans, hauling coal, bricks and iron through the town to the River Severn.
One of Broseley’s famous industrialist residents was John ‘Iron Mad’ Wilkinson, who pioneered the use of cast iron, including the first iron boat, and the accurate boring of cannon. By way of thwarting any attempts of industrial espionage, his two furnace sites were in secluded spots just outside Broseley at Willey, on land owned by the lord of the manor. From 1763 he lived in the town, not far from the church, leasing a rather grand house called ‘The Lawns’. Nearby was a building wherein he operated a mint, producing his own token currency, a common practice among ironmasters to keep their workforce in thrall.
The Lawns was first leased by John Wilkinson in 1763. Later it was the home of porcelain manufacturer, John Rose, who founded the nearby Coalport China Works
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John Wilkinson’s mint, next door to The Lawns.
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This town boundary sign takes a bit of spotting; the hawthorn hedge is definitely winning.
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And now for a few ‘hanging’ roofscapes in and around the Broseley Wood jitties:
Speeds Lane – John Wilkinson’s personal railway apparently ran down here to the River Severn – the waggons loaded with iron from his Willey Furnaces
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And to finish – another visit to the Quarry Road duck and hen ‘farm’:
The Changing Seasons: May 2023
Kindly hosted by Brian and Ju-Lyn. Please go and see May in their respective home territories – Australia and Singapore.
Horse Chestnut leaves
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Sundowner grasses
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Globe artichoke leaves
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Raindrops on Crocosmia leaves
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Teasels
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Cee’s Black & White Photo Challenge: Patterns in nature This week Cee wants to see some natural designs.
I do miss the ever changing sky-show over the field behind our Wenlock cottage, the weather and cloud effects heightened by a false horizon created by the crest of Wenlock Edge and the way the ground there falls steeply through some thousand feet of hanging woods to farmland and the North Shropshire plain.
I think our elevated viewpoint of the lowland’s rising clouds might explain an unusual ‘rainbow’ phenomenon witnessed one fine, dry June evening after the sun had dropped behind the Edge. Here it is (it was rather more vivid in real life)…
At the time I thought it was a fire rainbow, but I’m not sure it was. They apparently occur in fluffy cirrus clouds at around 20,000 feet when the sun shines at a particular angle through ice crystals. Anyway, I’m assuming the reason for the effect seen in the photo is something similar – to do with rising cold air above Wenlock Edge, some icy vapour caught by the sun shining up from below. Further info welcome from any atmospheric scientists out there.
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Another early evening sky in June
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February sunset and shower from the office window
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Winter at the Sytche Lane rookery
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Late summer storm brewing
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A rare dawn shot
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And a soothing cloud view to finish – because it’s definitely good for our well-being to gaze at clouds. It helps to broaden our visual and mental perspective. I learned this last week while listening to an interview about mindfulness and anxiety with Harvard Medical School professor and psychotherapist, Dr. Ron Siegel. He has some recorded guided meditations HERE for anyone who needs a bit of extra soothing.
Lens-Artists: Skyscapes or cloudscapes This week Amy sets the theme with some stunning examples.
The Broseley Jitties are quiet these days. On our early evening rambles we meet only a now-and-then walker with their dog. And then perhaps a stray chicken. Or a watchful cat in a cottage gateway. The atmosphere is somnolent; a sense of falling back through time. There’s the subtle scent of cow parsley along the verges, of garden flowers wafting over the walls and hedges.
Yet a hundred/two hundred years ago there would have been no quietness (or cleanly odours) here. Only the shouts and chatter of working men, women and children; rattle of clogs as the folk of Broseley Wood went about their day – to the mines and quarries, to the pot and pipe factories, to the taverns, to the chapels, to the wells.
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Botswell Lane Jitty down and up – and as the name denotes, a main route for fetching water from the well in the valley bottom. Hard work fetching washing and cooking water, especially in the winter.
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Another water source was the spring on Spout Lane, not far from the bottom of Jews Jitty where the Wolfson family lived and ran their pottery factory. The daughters of the house apparently carried out the ritual bathing rite of mikvah at this spring – a somewhat public spot.
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Jews Jitty up…
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And Jews Jitty down …
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And a final up on Gittings Jitty yesterday evening, the cow parsley in full flourish…
The Mawddach Estuary in mid-Wales is one of my favourite places. We stayed there for a few days last October.
On the southern shore there’s a fabulous footpath, the Mawddach Trail that starts in Dolgellau and follows the long-gone railway track. You can walk all the way to the coast and cross into Barmouth via the old viaduct, and then catch the bus and travel back to Dolgellau following the northern shore line. The trail is flat and even and accessible to all.
For those who missed my earlier post, the Broseley jitties comprise a hillside maze of passages and pathways that served the ancient mining community of Broseley Wood. Today they wend between erstwhile squatter cottages, now restored and extended to make highly desirable homes with terraced gardens and magnificent views across Benthall Woods and the Severn Gorge.
In the early evening sunshine, the place feels idyllic, but back in the seventeenth, eighteenth and early nineteenth centuries this hotchpotch of dwellings built on the wastes around coal, iron and clay pits would have been more shanty town than orderly village. For one thing think taverns on every corner to quench the thirst of hard labouring folk. And for another think no sanitation.
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There are seventeen jitties, most of them cross-paths between more substantial lanes and each named after individuals, wells or particular landmarks associated with them. We began this particular exploration at Crews Park Jitty, hiving off Woodlands Road not far from the town May Pole.
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At the foot of this hill is Gough’s Jitty, that runs crosswise, left and right to Crew’s Park. We turned left and soon came upon the very noteworthy retaining wall built entirely of saggars. These are fireclay boxes, the remnants from one of Broseley’s clay tobacco pipe factories.
Adaptive re-use: the pipe factory saggars make a fine wall.
There were three Broseley factories in the 19th century, although pipe-making had begun in the area by at least the seventeenth century. The pipes were exported across the world and often referred to as ‘broseleys’. During firing, and to protect them from ash damage, the pipes were packed inside saggars, which were then stacked up inside the bottle kilns.
And by way of a further digression, talking of clay pipe factories, here’s a glimpse inside Broseley’s last surviving pipe works, operated by the Southorn family until the 1950s and now owned by Ironbridge Gorge Museum Trust:
Pipe-maker Rex Key demonstrating his skills at Broseley Pipe Works Museum.
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The museum is closed at present, but you can glimpse the top of the King Street bottle kiln from the end of our road.
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See also an intriguing article from the 1950s that talks about the Southorn family and their Broseley pipe works: https://www.broseley.org.uk/cutting/kings%20head.PDF
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But back to the jitties.
As I said, Gough’s Jitty runs crosswise from Crews Park, and following the south westerly end along the saggar wall you soon collide with Mission Jitty heading north east. Near the intersection there’s a delightful ‘farmyard’ filled with fun activities: swings, coops, rails and ponds, for ducks and hens. You can buy the eggs too (honesty box provided). The hens came hotfoot to the fence when they saw me:
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At this point we left the jitties and stepped out on to Quarry Road which then presented us with a choice, downwards towards Ironbridge:
Or upwards towards home…
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…passing the cottage that was once the Broseley Wood post office:
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And a new jitty sign:
It might have been a protocol blunder of imperial proportions, but then it tells you much about the man almost responsible for it. And so it was that when the high-spending William Cavendish, 6th Duke of Devonshire, thought Tsar Nicholas would visit his Chatsworth domain in 1844, he commissioned Joseph Paxton to build the world’s tallest fountain; this to outdo both Chatsworth’s existing Great Fountain (then the tallest in Britain) and the Tsar’s own grandest fountain at his Peterhof Palace in St. Petersburg. So: a back-handed sort of honouring, and I wonder how the Tsar would have taken this spectacle of extravagant one-upmanship: smiling through gritted teeth perhaps?
He anyway did not come, although the fountain was named ‘the Emperor’ to mark the non-occasion. The jet has been known to reach nearly 300 feet, although it was ‘turned down’ on the day I took this photo due to high wind.
For more about Chatsworth and a small family connection see my earlier post To Chatsworth and how Mary Ann went to the ball
Cee’s Black & White Photo Challenge: fountains and sprinklers
This week Ann-Christine at Lens-Artists wants to see our backlit subjects – always an appealing approach as far as Mrs. Farrell’s concerned. This year, though, the sun has been so tricksy – more going than coming – there seem to have been few chances for new naturally backlit shots.
Which means dipping into the archive: a Much Wenlock retrospective in other words; I know some of you won’t mind revisiting Sheinton Street.
Underneath the Horse Chestnut tree, last summer on the old railway line
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Wild Arum Lily/Cuckoo Pint/Lords and Ladies last spring on Windmill Hill
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Evereste Crab Apple blossom over the garden fence
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On the kitchen table: lilac and hawthorn blossom
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Looking up into the ‘upstairs’ garden: lemon balm and montbretia leaves
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Winter sunset in the Sytche Lane rookery
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Late summer sunset on Townsend Meadow with nettles