Thursday’s Special: Double Trouble?

P1040105

I was in the formal garden of Erddig stately home, thinking of photographing the avenue of shapely yews when these two young men walked into the frame. They lingered, clearly wanting to be photographed in their costumes as 1900s serving lads. Then the kitchen maids arrived  to send them back to their duties, and they were gone. On the other hand I could have captured a time slip: a  pair of fleeting Edwardian ghosts?

Now here’s the yew avenue I was aiming to snap.

P1040104

 

Thursday’s Special: Double

#ThursdaysSpecial

Changing Seasons: September And The Rook Ballet

101_0365

No one quite knows why they do it. Or they didn’t the last time I pursued the matter. But as summer ends so the rooks begin their twilight dancing. There is a large rookery in the wood behind the house. Many scores of birds. Jackdaws live there too. Now each evening, as the sun slips behind Wenlock Edge we watch the rook and jackdaw ballet. Flock after flock flies in, flies out, sweeps up, round, back, spirals, dives in sequences so swift and coordinated that there must surely be some corvid dance-master somewhere orchestrating the moves. The show may last for many minutes, subside into the treetops, then burst out and start all over again. Finally, as the light goes, every bird finds its perch, and the wood subsides into companionable darkness and gentle rook chatter.

 *

To join in this challenge please visit Changing Seasons Monthly Challenge over at Cardinal Guzman’s

TheChangingSeasons_6367

Clandestine Capture & Ancestor Sleuthing In Derbyshire: Thursday’s Special

P1050619

This was where I was last Thursday morning – not posting on Thursday’s Special, but trying to find a good spot on a field path outside Hathersage so I could photograph Callow Farm. This was the place where four generations of my Fox family ancestors were tenant farmers from around 1700 to 1892. Before that, during the late 1600s, they rented another Duke of Devonshire farm, The Oaks, up on the wilder heights of Offerton Moor, not far from Callow.

As you can see, the house (centre) is covertly situated, in the lee of the hill beside the wood. I had to use a lot of zoom, hence the hazy look, though such haziness is perhaps fitting for this piece of ancestral snooping. The more readily visible buildings on the right are the farm’s barns, now an upscale holiday let.

If you go to the previous post Stepping Stones Through Time you’ll find more of the story behind this photo. This was the reason why I  had hoped to cross the stepping stones, to achieve a closer view than this one. Ah well. Maybe next time.

*

There’s still time to take part in last week’s Thursday’s Special. Paula says ‘Pick a word in September’. Choose from: populated, time-sensitive, companionable, burgeoning, clandestine, but first go and see her gallery of photos and be inspired.

#thursdaysspecial

 

Stepping Stones Through Time

P1050609

This photo may serve better as an idea than an actuality. It’s the layers that attract me – not only of light and shadow, surface reflections and leafy river bed, but also of present and past: the stones that,for two and more centuries, my maternal ancestors used to cross the River Derwent.

Or at least so goes the family tale, the one my great grandmother, Mary Ann Fox, passed on to my grandmother, Lilian Hickling, who passed it on to her daughter, my aunt, Miriam Wilkinson, who passed it on to me. The photo, then, could be taken as a physical rendition of Chinese Whispers. Well, aren’t all family histories like this, word of mouth down the generations? There are bound to be omissions, distortions, total fabrications even.

But there are some certainties too.

Great grandmother Mary Ann was a Derbyshire lass, born and raised at Callow Farm, the child of tenant farmer George Brayley Fox and lead miner’s daugher Mary Ann Bennett. The land all around belonged, as it does still, to the Dukes of Devonshire. The stone-built farmhouse was (is) tucked high into the hillside below Highlow Hall and Offerton Moor. From Callow’s garden wall, the fields fall steeply down to the River Derwent. The stepping stones crossing was the quickest route from the farm into the Peak District village of Hathersage across the river, and the path there, across Callow’s meadows, still survives on OS maps. And so we have a scene, relayed to me by aunt via grandmother, of a young wife and mother living in the close and gloomy streets of industrial Farnworth. There she conjures her girlhood life, telling her four town-born children how, if she needed to buy the slightest thing she would have to traipse across many a field before reaching the stepping stones to Hathersage.

Other scraps have reached me. There is one that now lurks in my memory like a small haunting. For it seems my grandmother often told my aunt that Mary Ann was ‘a sad woman’. Nor is this surprising. She was widowed twice: at 30 and at 41. After the first loss, and with four young children to raise, she took up inn keeping beside the Manchester Ship Canal at Hollinfare. Grandmother said that as Mary Ann moved about the inn, she recalls the waft of her black silk dress always carried the scent of lily of the valley; a touching image until you learn the scent was dabbed on to cover the smell of gin.

But before the sorrow, I have a sense that, as a young woman, Mary Ann was headstrong and passionate. Though it may well be that those very characteristics were precisely  the source of some poor decision-making. In 1886, aged twenty two she went against family wishes and married Thomas Shorrocks, a spindle and flyer manufacturer, who worked with two brothers and a widowed mother in the family firm in Farnworth, Bolton, part of Greater Manchester. His first wife, Mary Ann Wright, had died around the time their first child was born, leaving Thomas with a young son. How Mary Ann Fox in Derbyshire met Thomas Shorrocks of Farnworth, Lancashire is still a mystery. Grandmother’s only surviving comment on the matter was that her mother fell for the first man she saw wearing a stove-pipe hat, that she was a country girl swept off her feet by a townie. Grandmother also said she scarcely knew her father. He had no time for children and kept away from home until they were asleep, staying on at the works or at his club. And then too, he died very young. Around 1891-2 the family firm of Robert Shorrocks & Co was in grave financial difficulties. The machinations to keep the business afloat involved a high profile court case, but then all was lost anyway. By 1893 Thomas Shorrocks was dead. He was only 39.

But how did Mary Ann adapt to life in industrial Farnworth?

Her first married home, 8 Kildare Street, Farnworth, was not far from the Shorrocks works on Bridgewater Street. It was a modest terraced villa with a small front garden and a back yard – a far cry from the sweeping high-moors vistas around Callow. And if she did not see much of Thomas during daylight hours, was she abandoned to her own devices? We know from the 1891 census that she did at least have the company of Lucy Stubbs, a young Derbyshire girl from Grindleford Bridge employed as a domestic servant. There were also other Shorrocks households along Kildare Street, including mother-in-law at number 23. Mary Ann also formed a close friendship with her husband’s younger sister Mary, though it was in every way subversive. Mary was being wooed by one John Hamer (later to become an wealthy mill owner), but Thomas and the Shorrocks family in general disapproved of him. It was Mary Ann who allowed the couple to meet in secret at Kildare Street, a kindness that was long remembered; for in the end John Hamer did marry Mary Shorrocks, and after Mary Ann died it seems they did much to support her children.

It also seems Mary Ann did not fall over herself to fit in with Farnworth mores either. There’s a clue in another of Grandmother’s snippets. She told my aunt that the traditionally dark clad women of Bolton and Farnworth looked askance when Mary Ann went abroad in her bright print country frocks. Did she ever back down, I wonder. Or did she flaunt? In my mind’s eye I see the flash of free-spirited obstinacy that brought her to that place. Much like the light flickering through the riverbank trees and onto the Derwent stepping stones.

The collapse of Shorrocks’ fortunes coincided in 1892 with Mary Ann’s father’s decision to leave Callow Farm where his family had been tenant farmers for four generations. Derbyshire farmers were having a hard time in the early 1890s: prices for crops were low, and rents were high, and landowners unwilling to compromise on the rents. It seems likely that some of the proceeds of the farm sale of stock, crops, horses and household belongings were used to secure the licence for the inn in Hollinfare, Cheshire, where Mary Ann began a new life as innkeeper.

My aunt said the Fox family had decided that taking the inn was the best means of securing a home and living for her with three young children and an adolescent stepson. It  stood on the south bank of the great Manchester Ship Canal, which linked the vast industrial heartland of northwest England with the port of Liverpool. It had only recently opened in 1895 when she took over the inn. In every way the Foxes must have thought it a shrewd decision, anticipating plenty of passing trade.

Mostly what it brought, and pretty rapidly too in January 1895, was another marriage to another widower – one Charles Rowles, a ship’s pilot on the canal and a former sea captain. My grandmother disliked him, although she adored her young stepbrother, Giles, born in 1896. She said it was only once her mother had married him, that Charles Rowles produced two teenage daughters from his first marriage. These young women apparently moved into the inn and tried to rule the roost which, I know for sure, would not have gone down well with my grandmother. If any roosts were to be ruled, she would be doing it.

When I tried to discover more about these interloping young women, I found a hint of scandal. It very much looks as if Mary Ann’s younger brother, George Fox, then aged 26, eloped with one of his sister’s new stepdaughters. Hannah Louisa Rowles was probably only 15 when she married George, although she claimed to be 18  on the marriage licence. At the time, November 1895, there were both living on York Street, Manchester. The following August their daughter Dorothy was baptised although she does not survive. In 1901 the census indicates that George was running ‘on his own account’ a large public house on Oldham Street, Manchester. By 1908 he had died, and in the 1911 census his young widow is listed as a servant, working in another Manchester pub. What happened to her remains to be discovered.

As for Mary Ann, in 1905 after ten years of marriage, Charles Rowles died. She survived him only by another four years, dying in the Manchester household of her stepson, Robert Shorrocks. She was 46. Her youngest child Giles was about 12 years old at the time. The 1911 has him living with a widowed Rowles aunt in Cardiff and employed as an apprentice shipping agent. He was to die at Gallipoli in 1915. Nineteen years old and buried at sea somewhere off Lemnos.

Now as I look at the stepping stones photograph, these are the thoughts that run through my mind. It is all too easy to look back to Mary Ann’s growing up at Callow Farm and see a rosy past. It’s how we tend to view things: the glamour of an imagined rural idyll – the stepping stones back to happier days. I had hoped to cross here too. I badly wanted a closer view of the farmhouse. But on the day of my visit there had been heavy rain, making the Derwent far too active to attempt to cross without rubber boots and a stout stick for support. A quest then, for another time? Perhaps.

Mary Ann Williamson Fox of Callow b.1863

Mary Ann Fox (1863-1909) sometime before her marriage, and before her father sold her pony. He had threatened to do this if she persisted in jumping the farm gate on horseback. She did not listen. You can tell that she would not just by looking at her.

Copyright 2016 Tish Farrell

Spirit of the Past: Black & White Sunday

holiday 029

I’ve written about the Iron Man of Llanbedrog in other posts. (Personally I think it could be a woman – Boudica perhaps, the last of Britain’s Celtic warrior women). I’ve also posted variously edited versions of this shot before, but not this one exactly. This week at Black & White Sunday, Paula is reprising the popular Traces of the Past challenge, and I thought that although this iron figure is not especially old, everything about it speaks of the ancient Celtic spirit. And of course there are the ‘rocks of ages’ just visible in the distant mountain range of Snowdonia. In many senses, then, Wales is an old, old land, and the traces of the past are everywhere across the landscape.

 *

You can read more of the Iron Man’s story at Warrior Wind-Singer Of Llyn

Blown-Away Opium Poppy: Thursday’s Special

IMG_1812

Paula has truly set us a challenge this week: DECONSTRUCTION. So as my stab at this school of philosophical thought, here is an abstracted opium poppy, its stamens and petals being blown off in the wind: caught in the act of deconstruction then: from flower to seed capsule. The cycle of life in all its parts.

Thursday’s Special: Deconstruction

Shore, Reef, Ocean, Sky: Edge On Edge

dawn over Tiwi lagoon more contrast - Copy

Some of you will have already read the essay below. It won first prize in a Quartos Magazine competition years ago. The magazine is no more, but I’m posting the piece again for those of you in need of  a long, soothing wallow beside an African beach. Enjoy!

 Going to the Dogs on Mombasa’s Southern Shore

It’s a dog’s life on Tiwi Beach, the white strand where ocean roars on coral and trade winds waft the coconut palms; and where, best of all, as far as the local canines are concerned, there are quiet coves sparse in holidaymakers. It means they may do as they please. After all, it is their own resort, and every morning they set off there from the beach villages along the headland, nose up, ears blown back in the breeze, ready for the day’s adventures.

But the dogs are not churlish. They can take or leave the odd pale human wrestling to right his windsurfer on the still lagoon; ignore the sentinel heron that marks the reef edge beyond; pay no heed to the etched black figures of the Digo fishermen who search the shallows for prawns, parrot fish, or perhaps a mottled lobster or two.

But in this last respect at least, the dogs are smug. For the fishermen come down to the beach only to make a living. And when they are done hunting, they must toil along the headland from beach village to beach village, then haggle over the price of their catch with the rich wazungu who come there to lotus eat. Hard work in the dogs’ opinion.

The dogs know better of course; know it in every hair and pore. And each morning after breakfast, when they take the sandy track down to the beach, they begin with a toss of the head, a sniff of the salt air, a gentle ruffling of the ear feathers in soft finger breezes. Only then do they begin the day’s immersion, the sybaritic sea savouring: first the leather pads, sandpaper dry from pounding coral beaches, then the hot underbelly. Bliss. The water is warm. Still. Azure. And there can be nothing better in the world than to wade here, hour on hour, alongside a like‑minded fellow.

There’s not much to it; sometimes a gentle prancing. But more likely the long absorbing watch, nose just above the water, ears pricked, gaze fixed on the dazzling glass. And if you should come by and ask what they think they’re at, they will scan you blankly, the earlier joy drained away like swell off a pitching dhow. And, after a moment’s condescending consideration, they will return again to the sea search, every fibre assuming once more that sense of delighted expectation which you so crassly interrupted. You are dismissed.

For what else should they be doing but dog dreaming, ocean gazing, coursing the ripples of sunlight across the lagoon and more than these, glimpsing the electric blue of a darting minnow? And do they try to catch it? Of course they don’t. And when the day’s watch is done, there is the happy retreat to shore ‑ the roll roll roll in hot sand, working the grains into every hair root.

And if as a stranger you think these beach dogs a disreputable looking crew, the undesirable issue of lax couplings between colonial thoroughbreds gone native: dobermanns and rough‑haired pointers, vizslas and ridge‑backs, labradors and terriers, then think again. For just because they have no time for idle chit-chat, this doesn’t make them bad fellows: it’s merely that when they are on the beach, they’re on their own time. But later, after sunset, well that’s a different matter. Then they have responsibilities: they become guardians of the your designer swimwear, keepers of your M & S beach towel, enticing items that you have carelessly left out on your cottage veranda.

By night they patrol the ill‑lit byways of your beach village, dogging the heels of a human guard who has his bow and arrow always at the ready. And when in the black hours the banshee cry of a bush baby all but stops your heart, you may be forgiven for supposing that this bristling team has got its man, impaled a hapless thief to the compound baobab. It is an unnerving thought. You keep your head down. Try to go with the flow, as all good travellers should.

But with the day the disturbing image fades. There is no bloody corpse to sully paradise, only the bulbuls calling from a flame tree, the heady scent of frangipani, delicious with its sifting of brine. You cannot help yourself now. It’s time to take a leaf out of the dogs’ book, go for a day of all‑embracing sensation ‑ cast off in an azure pool.

And in the late afternoon when the sun slips red behind the tall palms and the tide comes boiling up the beach, the dogs take to the gathering shade of the hinterland and lie about in companionable couples. Now and then they cast a benign eye on you humankind, for at last you are utterly abandoned, surrendering with whoops and yells to the sun‑baked spume. They seem to register the smallest flicker of approval: you seem to be getting the hang of things.

copyright 2016 Tish Farrell

Edge

Nightfall Over Wenlock Edge

100_5021

This photo was taken from the field path in Townsend Meadow behind our house, a scene captured one day last winter when I was late home from the allotment. I often stop at this  point on the path to take photos. The ash tree silhouette always catches my eye, whatever the season, and I love the way the day seems to slip behind the hill as night shuts down on top and shadows creep up to meet it. It’s a bit like a stage set. Or it could be Rip Van Winkle Land.

*

Be inspired by things of the night over at Paula’s Thursday’s Special: Nocturnal

 

The Railway Men 2 ~ Black & White Sunday

P1040806

Here’s another portrait from our Victorian day out on the Talyllyn Railway in June. Looking at their website this morning I see they’ve got a very special trip coming up next month – The Halloween Steam and Scream. Oh what a hoot. I think I want to go. It’s my birthday too. There will be a choice of two Steam and Scream trains departing from Tywyn station at 5.15 and 7.15 on several October nights including the 31st. Everyone can dress up as ghouls, goblins and witches; there are prizes for the best carved pumpkin lantern, and you can book a feast at the railway cafe.

Join us for a fun spooky evening train ride along the Talyllyn Railway to the haunted woods at Dolgoch, says the blurb.  Those woods are pretty spooky in broad daylight, but on a dark autumn night in the Welsh hills…Watch out for the Hessian Horseman  and his Celtic brother. Yikes! And double yikes!

*

Now please visit Paula at Lost in Translation for more B & W Sunday portraits.

 

@TalyllynRailway

#RheilforddTalyllynRailway