Every year these mad-cap daffodilly-narcissus make a fine show up the allotment. In fact they light up a deep-shade spot under a very ancient damson tree and her offspring thicket. No one seems to care for them in any way. They simply come and go. For some reason they make me think of Cadbury’s cream eggs.
The telegraph pole over our garden wall provides a handy look-out for jackdaw-kind. These, the smallest of Britain’s crow family, are renowned, like magpies, for their thieving ways and proclivities for bling. But they are companionable birds. They mate for life, and form large flocks. They also gather with rooks and starlings, joining in their aerial sundowner displays.
The common name derives from their call: tchak-tchak, but they have many other apt descriptors including ‘chimney-sweep bird’. Anyone who has ever had to remove a jackdaws’ nest in their chimney will never forget the astounding deluge of soot and sticks and bird detritus. So if you have an unguarded chimney be warned. They do like the pots to nest in; also holes in trees and nooks in castle ruins.
I’m wondering what this one is thinking about. It looks like a bird with a plan.
Bird Weekly #42 Lisa at Our Eyes Open wants to see what we’ve seen bird-wise in the past fortnight
…it’s a reed bunting, but it’s the only good bird photo I managed to take when we visited the marvellous Dyfy Osprey Centre a summer or so ago. The osprey nest was too far away for my little zoom lens to cope with and the light was poor.
But the good news is the ospreys are back to breed in the Dyfy estuary, and an egg is expected any day now. Since last year the project has upped its game on the live streaming and camera quality. You can tune in here and check on progress:
The coast in winter is a special place. When we came to Port Wrinkle beach on a late December morning we found the seascape lived up to its name. From the clifftop at least the incoming tide looked scenically ‘wrinkled’.
But down on the shore it was another story. Those ‘wrinkles’ reared and unravelled with such force they left you breathless. This was Cornwall where for centuries past communities had depended on the sea, and not only for fish, but for smuggling and the harvesting of washed up cargos from wrecked ships. Soon you were wondering how it would be if life and livelihood meant the daily taking on of such seas. Would you have the heart for it?
You know you wouldn’t. But never mind. We were only there to look. And spectators can afford to be thrilled. And so thrilled we were. Bring on the white horses!
copyright 2021 Tish Farrell
That would be wood anemones and lesser celandines – the bright stars of English wildflowerdom. The celandines have been flowering for weeks and weeks and usually are among the first spring bloomers. It’s hard not to smile when you first spot their mini-sunbursts popping out the dreary over-wintered grass.
This year they have also colonised our front flower bed that runs down to the road. There must have been hosts of seeds among the wood chippings that I gathered up last year after tree and branch felling in the Linden Field. A double bonus then: first the autumn mulch, then an unforeseen spring flowering. They grow very low to the ground in coronets of lush green leaves, and so have most discreetly filled gaps between the daffodil clumps. I expect I’ll let them stay. The pilewort common name of course denotes an old herbal application.
I’m not expecting any wood anemones to emerge from the front garden mulch. As their name suggests, they prefer wooded terrain, or at least ground where woodland once was. I found the one in the photo growing beside the path between the Linden Field and Windmill Hill, under the oaks and conifers, keeping company with primroses and violets and dog’s mercury and wild arum. Legend has it that only the wind will make them open their delicate petals. I beg to differ. When I took this one’s photo it was embracing the sun full-on, as you can see. The next day when I returned to the same spot, the anemones were all hanging their heads and shivering in the cold wind. With no sunshine on offer, they looked like bedraggled waifs, much hard-done-by.
Today in Shropshire the snow flurries have stopped. We have sun and wind. A good moment then to check on the plant life in the Linden Field, and also to gather supplies from a fresh cache of wood chips from a felled oak tree. They chips are brilliant for allotment paths and dosing the hot compost bin. The things one does!
Copyright 2021 Tish Farrell
…and we are for the dark.”
The back of our cottage looks towards the edge of Wenlock Edge, we atop the twenty-mile escarpment, the land dropping off to the west, falling straight, many hundred feet, through hanging woods of beech and ash, oak and yew, wild cherry and service trees, hornbeams, whitebeams, wych elm, field maple, chestnuts, holly, hazel and lime; these the trees that settled here, each species in its own time as the ice sheet retreated from Shropshire some ten thousand years ago and the new soils built up on our 400 million-year-old upthrust seabed.
This thought of departing ice and arriving soil and trees reminds me that the climate has always changed, and is ever changing; even during ice ages there were warm periods. In one such warm phase 125,000 years ago, animals that we of the north now associate exclusively with Africa – hippos, lions, elephants, hyena inhabited the Thames basin where the city of London now sprawls. It’s quite some thought. Another is, and not so flippantly either, that today’s wind across the Edge is so bitingly frigid, that it rouses the suspicion in this gardener’s mind that we might actually be heading for colder times.
All of which is to say that the congruence of time and climate and geology have much to do with the fine skyscape displays behind our house. That the land drops away beyond the Edge provides us, on this side, with a false horizon, and thus expansive views of atmospheric activity, ever shifting and endlessly absorbing. This particular sunset (header photo) appeared during our recent brief warm spell. A few days ago it came instead with ice-pink ribbons.
Quote from Shakespeare’s Antony and Cleopatra act V, sc 2, l 192
Copyright 2021 Tish Farrell
Magnolia stellata in yesterday’s spring gale
“Learn then to dance, you that are princes born,
And lawful lords of earthly creatures all;
Imitate them, and therefore take no scorn,
For this new art to them is natural.
And imitate the stars celestial;
For when pale death your vital twist shall sever,
Your better parts must dance with them forever.”
Stanza 60 from Orchestra or Poem of Dancing by Sir John Davies English poet, lawyer and politician (1569- 1626). You can find the full work HERE.
And more about Sir John Davies HERE.
But for now, why not do as the poet and Mr. Bowie says: Let’s Dance…
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
A E Housman A Shropshire Lad
The Loveliest of Trees is the second poem from the Shropshire Lad cycle, and probably the one best known. It is easy from today’s perspective to dismiss the apparent simplicity, sometimes ditty-like quality of these poems. But Housman was a scholar of Olympian proportions, an atheist too and, it is said, suffering in love for a man who could never love him in return. Sensibilities run deep here.
The verses speak of love and loss and going to war; the fleetingness of things; all set against landscapes seen only in the mind’s eye, or as if looking from a long way off across time and space. There are many voices too, even ghostly ones, the sense of old country airs remembered. It is not surprising that they spoke so compellingly to composers who then set many of the poems to music: George Butterworth (Bredon Hill and Other Songs), Ralph Vaughan Williams (On Wenlock Edge), Ivor Gurney (The Western Playland), Samuel Barber (With rue my heart is laden ) to name a few.
Here is Butterworth’s evocation of the cherry tree, sung with perfect poise by Roderick Williams. If you choose to listen you may imagine Shropshire here today. As I write this we are having flurries of light snow just like falling cherry blossom.
All a green willow, willow;
All a green willow is my garland.
From A ballad of the green willow by John Heywood c.1497-1580 English Dramatist
The weeping willow on Much Wenlock’s Church Green is in spring cascade mode.
For more about John Heywood see Regina Jeffer’s post England’s First Great Dramatist HERE.