Lens-Artists: Abstract Patti’s set the challenge this week. Please go and view her abstract creations.
Some forecasters are telling us to look out, bad weather is on the way, and especially come UK election day on the 12th December. I’m hoping they’ll be wrong. Meanwhile, and in response to Tina’s cold theme @Lens-Artists, here are views around Wenlock taken in early December two years ago. It had its scenic moments, but caught us out too. We’ve grown rather used to mild, wet winters. The header photo was taken in a bit of blizzard, as was the next photo on the Linden Walk.
But there were ‘Christmas Card’ vistas too – and especially out in the Wenlock Priory parkland:
And all was very quiet around the town:
And along the old railway line:
It’s always best to wait when an elephant decides to cross your path. This particular elephant crossing episode happened in Hwange National Park, Zimbabwe. The photo was taken in July, southern Africa’s winter. The bush country was tinder dry and the skies overcast, and the nights chilly. We were living in Zambia at the time and had driven down for a couple of weeks meandering. Zimbabwe is a very fine country for a spot of meandering.
This photo was a piece of pure happenstance. I’d just walked out of the post office somewhere in down-town Harare. These security guards were waiting to start the 6 o’ clock night shift. I was invited to take their picture. A treasured shot.
We’re in Lusaka, Zambia for this dotty photo. One of the institutions that the colonial British left behind in the African territories they invaded is the annual agricultural show. These days it is a big family day out for Zambians and but oddly also includes (mostly for members of the European and Asian communities) a dog show. Here we see entrants in the terrier class waiting for the all important judging moment. I seem to remember it was the Manchester terrier (far right) that got the first prize rosette.
Kids doing what kids do everywhere – hanging out in hopes something interesting might happen.
A patient zebu bull waiting for his moment in the judging ring.
Woodside shopping centre, Lusaka. Parking boys waiting for their guarding fee from the car owner. All over the continent, where millions of young people are unemployed, this is how some lads make a living.
Waiting to make a sale: Kamwala furniture market, Lusaka. We bought most of our big household items, beds, chairs etc, from roadside craftsmen. They made good stuff, a lot of it from recycled shipping crates, or by simply repurposing reeds and timber from the highway verges. I miss this way of life. It’s how we should be living: local produce, locally sold by the people who made it, and no need to drive to the out-of-town shopping mall; and none of it shrink-wrapped in sheaves of plastic.
We’re in Nairobi now, at the Ngong Racecourse. These are members of the Kenya Police Anti-Stock Theft Unit who operate in the arid northern district. This was supposed to be a race, but the camels couldn’t summon the enthusiasm – either to start or to finish. So here we are waiting for them to pass the finish post.
The Ngong Races are another hangover from colonial times, wherein the institution of ‘Race Week’ was laid on over the Christmas period to provide white settlers with the excuse to come to town, get totally blotto and so escape the lonely toil on their isolated farms. These days the races are popular with Nairobians from all walks of life, though a glimpse of the members’ enclosure and of the memsahibs in their big hats might make you think you’d landed at an English county race meeting.
Waiting for the next race.
Race Day is also very much a family event, so there is lots to keep the children amused: face painting, donkey rides, ice creams and Mr. Magik doing tricks.
Lens-Artists: Waiting Amy set this week’s challenge. Go and see how she has interpreted ‘waiting’.
Well, the name alone is enough to set the nerves jangling. Stiperstones. There’s more than a hint of menace here, and local Shropshire folk will tell you exactly what that menace is. They will say that when the mist settles on this ridge of strange and craggy outcrops, that the devil has come, returned to his quartzite throne to preside over a gathering of witches and evil spirits.
These photos were all taken on a summer’s day, though it’s hard to believe looking at them here. For more about that particular visit and more about the Stiperstones go here.
Lens-Artists: creepy Ann-Christine has set the challenge this week. She has posted some marvellously creepy images. Please take a look.
Please visit Patti who set this week’s challenge.
Late September and the locals had abandoned Peroulia Beach because, they said, ‘it was too cold’. Even to us Brits the sea was a touch cooler than hoped for. Still, you can’t come to Greece and not have a swim. And the glass-clear waters of the Messenian Gulf were so beguilingly blue. And then there was the backdrop view – the Mani that never quite came into focus all the time we were there, the rugged scarps of the Taygetos ever mirage like. Perhaps we dreamt it.
Lens-Artists ~ Layered This week Amy wants to see layered looks.
Today by way of an intermission from Two Go Pottering About In Pembroke, I’m back on home ground here – the field behind our house just after the wheat was cut in early September. It’s nice to recall the glorious sunshine too (since we returned from Wales it has been wet, wet, wet, the country locked inside jet stream weather effects). Also I thought I’d combine Becky’s line squares with Patti’s challenge to fill the frame. So here goes: bales, stubble, light and shadow, false horizons, landscapes and cloudscapes, textures and colour blocks. And lots of stalks.
We were past it in a second – the road sign that warned of wild horses ahead. I blinked – mentally anyway. Had I seen such a sign before? The equine form black on white, lissom, tail whisking out, suggestive of a sprightly canter. And no sooner had I thought this, than there they were – in the flesh, and nothing less wild could be imagined. Two colts, flat out and dozing in September sunshine, while below the lush farmland of north Pembrokeshire joined them, stretching out and out.
It was last Tuesday, just after breakfast, and we had taken the hill road out of Newport (Trefdraeth in Welsh) where we were having a few days’ holiday. My notion at least had been to climb Carn Ingli to explore the ramparts of the Iron Age hillfort that surrounds the summit. I’d read it was one of the largest hillforts in West Wales with traces of 25 hut circles within. A fortified village then, perhaps seasonally occupied.
And not only this, there are also Bronze Age burial cairns and the suggestion too that the mountain top was first enclosed in Neolithic times. In fact the whole area, from coast to hinterland and all across the Preseli Hills is littered with traces of prehistoric occupation: henges, standing stones, chambered tombs, hill- and promontory forts, burial cairns. The land of ancestors indeed, and for those of you who know your Stonehenge prehistory, you will recognise the name Preseli, and remember that the so-called bluestones of the inner circle were transported 140 miles from West Wales to Wiltshire. Recently the actual prehistoric quarry sites were discovered by a team of geologists and archaeologists. You can read the report here.
By the time we had gathered ourselves and tried to fathom the map, the wild horses had peaceably regrouped and we were joined by two mares, one in foal. Overhead the sun bore down very hotly for September; two ravens cronked and glided; the air filled with the scent of gorse and fading heather.
We set off up the track, eyed by a white-faced bullock. The path went up and up, past tumbled rocks which may or may not have been part of some ancient hut circle.
But the higher we went, the further we had to climb, and I was soon aware that he who is not so passionate about ancient relics was thinking thoughts that contained words like ‘wild goose chase’ and ‘hare-brained’. We gave it up, gazed awhile at the upland vistas and then drove on, wending on narrow lanes overhung with beech and hazel and ash, following the steep cleft of the Gwaun River valley down to Fishguard on the coast.
P.S. In case I’ve whetted you appetite for a better glimpse of the hillfort, coming up is a view taken a couple of days later when we attempted to climb up from the seaward side. You can make out weathered ramparts. Below is Nevern Estuary and the tiny settlement of Parrog Quay, once a thriving ship-building yard and port for nearby Newport.
copyright 2019 Tish Farrell
Lens-Artists This week Amy asks us to show her countryside or small towns.
We’re back in Corvedale, the lovely valley that lies between Wenlock Edge and the Clee Hills, not far from the ancient Heath Chapel that featured in Over the Edge and faraway.
Wildegoose Nursery is a plants persons’ dream, conjured within an old Victorian kitchen garden. The owners lease the walled garden from Millichope Park and, over the last few years, have transformed decades of dereliction into a magnificent showpiece for uncommon varieties of herbaceous plants. We went there because my sister Jo kept saying we should. You’d love it, she said.
She was right. We did.
So: I’m posting this set of photos in response to Lens-Artists’ weekly theme. This week Amy asks us to think about how we frame our shots, and as this happened to be my particular challenge during our garden ramble: how to capture the essence of the whole, as well as the particular, it seemed a good opportunity to post them.
The colourways and combinations of the Wildegoose planting schemes are captivating, painterly, often flamboyantly informal, sometimes riotous.
Incidentally, I think this lily is hosting an invader harlequin ladybird. They originate in Japan and according the Royal Horticultural Society, were deliberately spread about the planet as a biocontrol for aphids, though not in Britain, whence they came of their own accord. They began arriving here in 2004. Unfortunately they also eat butterfly and moth eggs and our native ladybirds, and there are fears they will outstrip our native strains.
One particular challenge camera-wise was how best to photograph the astonishing Millichope Glasshouse. This too had been restored, all 12,500 postcard sized hand-made glass overlapping panels replaced. The glasshouse dates from around the 1830s and is highly unusual with its curved profile.
Restored from this:
Originally a Victorian kitchen garden such as this would have been cultivated by a small army of garden men and boys, all under the stern eye of a head gardener like Charles Ashford, my own grandfather. The glasshouses would have been devoted to producing exotic fruit, tropical plants for table and drawing room display; the garden walls used to support espaliered fruit trees – peaches, apricots, cherries, apples of many varieties, pears, each sited according to the most beneficial aspect. There would have been hot beds for melons and cucumbers and for forcing early crops, strawberry and asparagus beds, salad crops and vegetables of every kind, and also borders for cut flowers. Such production units were very expensive to run and by the interwar period most big gardens like that were beginning to be abandoned.
Wildegoose Nursery does have some vegetable beds, but mostly the garden is given over to exuberant herbaceous planting. There is also a small, beautifully arranged plant sales area, and a very welcoming tearoom which served such lovely food, we forced ourselves to stay for lunch, even though we’d not long sampled their coffee and cake for a late elevenses.
And here are some planting schemes that especially caught my eye:
And here are some general garden views with Clee Hill in the background. I should add there was also a particular soundtrack to these scenes: above the hum of a million pollinators and the soft chatter of garden volunteers, the thrum of combine harvesters in nearby fields, and overhead, the plaintive mew of buzzards.
P.S. There is a fee for going round the garden, but we thought it worth every penny.
Between Wenlock Edge and Clee Hill.
[This photo is by way of a prologue, just to give you a gist of place – a glimpse of the ‘lost world’ where we found ourselves last Friday. This is actually an autumn scene taken from the Wenlock Edge viewpoint, the freshly sown winter wheat just sprouting in the field to the left. Beyond the middle horizon lies Corvedale, one of the loveliest valleys of the Shropshire uplands. Today this country is mainly agricultural land, arable and pasture, but back in the Middle Ages coal was mined on the Clee Hills and the valley then would have gushed with fumes and smoke from blast furnaces and iron foundries – an industrial scene then, and well before the actual Industrial Revolution of centuries later. And generations before the fumes, in 7th century Saxon Mercia, all this land was a small part of the domain held by Milburga, a Saxon princess and abbess of Much Wenlock’s first convent – a double house for both nuns and monks. Doubtless the Saxon villagers who farmed this land back then would have paid tribute to Milburga’s establishment, or to one of its daughter houses.]
If in a madcap moment you turn off the Craven Arms-Ludlow road that runs out of Wenlock and along Corvedale, and then head down one of the many side-lanes, you will soon find yourself meandering through tiny hamlets of old stone cottages, farmhouses and the occasional manor with surrounding parkland. Oaks and ash trees shade the narrow byways that dogleg round wheat fields and cattle and sheep meadows, nudge between tall hedgerows of wild flowers, scuttle across farmyards, elbow their way in and out of cramped cottage-clusters where the signpost to the place you are seeking is hidden by trees. Progress, then, can be slow and also nerve-wracking. Mostly the road is only wide enough for one vehicle, and passing places, by way of field gateways, are sometimes scarce. One may spend much time going backwards.
There are no shops or inns and and, now and then, only the sight of an isolated notice board at a crossroads alerts you to the fact of a community’s existence, somewhere behind all the greenery. Of course there are old churches whose towers you may glimpse as you wend and bend through the hinterland. And then there are VERY old churches, and it was the pursuit of one particular ancient chapel that last Friday had lured us into uncharted territory (for us that is), if barely a dozen miles from home.
In short, we were having ‘a day out’, a break from the ongoing domestic chaos that had begun with exchanging an old bathroom for a new one, but then morphed into an unexpected schedule of re-decorating – one big mess somehow multiplying into several others. Also, after last Thursday’s 24 hours of rain, we had seen more than enough of the chaos in particular and of indoors in general.
The road out of Wenlock and into Corvedale is narrow and steep, and as main roads go, is more of a lane to begin with. It wanders up and down through Bourton, Brockton and Shipton, then straightens and widens through Broadstone and Hungerford. But before we reached Munslow we left it, turning off at the staggered crossroads where there’s a sign for Wildgoose Nursery (more of which in another post), zigzagging through Baucott down Sandy Lane, skirting Bouldon (though it looked beguiling), taking a sharp left to Heath, peering through overgrown hedgerows.
And suddenly there it was, alone in its field – and looking just like the Shropshire guide book photos – Heath Chapel built around 1150 CE, and at some point in the late Middle Ages left high and dry by its community which, for reasons unknown, simply ceased to be. In a nearby field you can see the humps and bumps of house platforms that were once its village. In fact the map shows a number of deserted medieval village sites along the dale. All rather mysterious.
The notice board at the chapel gate tells you that key is hanging behind it. At first I was sceptical. But here it was. A good 10 inches of it.
I was further surprised to learn from the board that loo facilities are available behind the chapel, along with car parking. I also noted the paths that have been mown across the meadow, and the wrought iron seats placed for quiet contemplation in this secluded spot. Although I soon saw we were not quite alone. Across the field I spotted a small graveyard where three young calves were grazing. While Graham manhandled the huge key to open the chapel I went over to say hello to them.
Back at the chapel door I considered its rustic Norman arch and the time-line progress of humanity that has passed beneath it: the Saxon serfs of some local Norman overlord, monastic labourers perhaps, since the reach of Wenlock Priory under the rule of the French-speaking Cluniac monks was long, and they had diverse money-making projects, most especially in sheep wool. Later, after 1540 when monastic rule was broken, and Wenlock Borough managed by burgesses, town worthies of the rising merchant classes, perhaps the manor’s lord and lady and their retinue worshipped here. No one knows. The chapel is simply there, silent about its history although there are some tantalizing hints inside.
And inside it was dark, dank and musty, though apparently still sometimes used for worship. Only by holding the door wide open was there enough light to photograph the font.
I weighed up the box pews and thought they would have been little defence against the cold rising from the stone flag floor, or a winter’s wind under the door. But I also noticed something else. Here and there, where the white plasterwork had fallen damply from the walls, there were faint outlines of Gothic text and more besides.
It seems there were once religious texts illuminating the walls above the pews. Later I discovered these were added in the 1600s, inscribed atop the whitewash that had blotted out the earlier medieval wall paintings. And then astonishingly up on the south wall there is the ghost of such a painting, and said to be the image of Saint George. It is a full-scale work, and even these faint vestiges suggest that this modest little chapel was once very grandly adorned. But by whom and why here?
It was good to step back out into the sunshine. Graham locked the door and the chapel continued to keep its secrets. We walked around the field perimeter and, under a large tree at the furthest point from the chapel, we found a small, and discreetly placed garden shed. The loo. There really was one and provided there by the thoughtful chapel custodians. It also proved an attraction of sorts in its own right and made us laugh when we looked inside.
A valuable introduction into compost toileting arrangements then. The same kindly people who created these facilities presumably had also put a pack of bottled water in the chapel. Heath is in on a popular walkers’ route, and so if you’d forgotten, or finished your own water, you could help yourself to a bottle and drop a donation in the box. It was all so heartening; a piece of English heritage that was well loved and cherished and generously shared by unseen souls.
View from the loo
The key re-hung and the gate string re-looped, we returned to the car that Graham had parked tidily in a hedge, and meandered on. More narrow winding lanes – more unfamiliar terrain with Clee Hill now looming on our right, more searching for signposts in the overgrowth which involved a U-turn or two. We headed for Abdon, then Tugford, inching past farm vehicles, slowing for a girl on a horse, narrowly missing being run over by a speeding parcel delivery van, admiring picturesque stone houses with pretty gardens, the well farmed fields, and at last regaining the road home at Broadstone.
Back in Wenlock, we felt we’d been a long way away, and for a very long time. It was that well known Rip Van Winkle effect that often happens in Shropshire if, in a madcap moment, you choose to leave the main road.
copyright 2019 Tish Farrell
Lens-Artists ~ Taking A Break This week we’ve followed Tina’s wise advice.