Where Does It Lead?

Wenlock edge and Graham

Paths are mysterious things, tracks through time and space, spanning decades, centuries, millennia; the footworn proof of repeat passing.

This first path runs along the top  of Wenlock Edge, a twenty mile limestone ridge that crosses from east into south Shropshire. These days it is a popular resort for recreational walkers, but the route itself is probably thousands of years old, used by prehistoric traders who travelled the county’s less wooded uplands into Wales. The traded goods included finely worked stone axes of the Neolithic era, 5-6,000 years ago. Later, itinerant smiths (and seeming recylcers of damaged metal ware, including fine cast arrow- and spearheads of the Bronze Age) came this way.

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old railway line Wenlock

This second path is of more recent origins despite the sepia looks. It marks a segment of the Severn Valley Railway, opened through Much Wenlock in the late 1860s and closed in the 1960s. Now the original track bed is much colonised by ash and hazel and ivy, kept in check by the county footpath wardens. It’s hard to conjure the steam trains that once came roaring through here, bound for the Wenlock Edge quarries to take on truckloads of limestone, the flux needed for South Wales’ steel making.

And then there’s that other ghost train, the festive Great Western special that every July brought thousands of people from far and wide to watch (and take part in) the Much Wenlock Olympian Games. Back then, this still popular annual event) comprised many and varied sporting activities, devised by the town’s doctor, William Penny Brookes to foster good health and wellbeing among ordinary folk.  His activism did not stop at health either. There were livelihoods to improve too, so he also fought for the line extension that brought the railway to Much Wenlock.

Over the years we lived in Wenlock this was a favourite place to wander, and in every season.

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And so paths like these extend in ever more dimensions: of imagination; of history;  of recollection and memory; of the telling of tales.

Copyright 2026 Tish Farrell

Lens-Artists: Where does it lead? This week Egidio sets the theme with an enticing gallery of photos. Go see!

On The Horizon

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Winter sea off Port Wrinkle, Cornwall

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This week at  Leanne’s Monochrome Madness, host Dawn from The Day After asks us to post HORIZONS.  The photos here were taken in the Dynamic Monochrome setting of my erstwhile point-and-shoot Lumix Panasonic.

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December on Llanddwyn Island, Anglesey

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Mawddach two horizons

Mawddach Estuary, Wales – two horizons in one

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Hikers on the Stiperstones, South Shropshire hills

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I gave this final photo a sepia look: the black and white contrast seemed too harsh, but that’s all I did to it. Where did the sky go? A case of a lost horizon? All in all, a rather strange photo, but then the Stiperstones ridge top is a very strange place…

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Copyright 2026 Tish Farrell

Knowing My Ground: Spring On The River Avon

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This week Patti at Lens-Artists asks us to consider fore- middle- and background when framing our photos.  And it just so happens I took a few (I think) suitable photos back in March when we were staying beside the river at Bidford-on-Avon in Warwickshire.

The house had a fine view of the town’s fifteenth century bridge. On the afternoon we arrived there was brilliant sunshine. I’m glad I caught it! I liked the shimmery reflections of trees and church tower in the river, but also that you can glimpse the upstream banks  through the arches. Can you see the swan?

Bridge sunset

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Bidford Bridge upstream view

A view from the bridge

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And lastly a couple of photos from our visit to nearby Hidcote Manor Gardens:

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I liked the layered look of the magnolia blossoms near and far against the flat grey sky.

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Hidcote tearoom window

What’s not to like about this red-framed window in the Hidcote tearoom, and such a rich red too. Then there’s the garden border beyond, still slumbering for the most part, and in the distance the manor house roof.

Choose a pane, any pane…

copyright 2026 Tish Farrell

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Lens-Artists: Framing your shot – fore-, middle, and background

This week Patti sets the theme, and gives us some excellent examples and guidance. Go and see!

The Power Of Juxtaposition

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Grasses, sky and clouds on Wenlock Edge

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Sometimes you need to lie down to take a photo; taking this header shot was one of those moments. I wondered how the thin stems of meadow grasses would look against the fiery sky. They had much to compete with. Some more distant treetops got a look in too. Earth to sky: we’re holding our own despite the light show.

And a different take on earthly-aerial juxtapositions; this time a barley field, sun reflecting off the tufty awns that surround the grain. I liked the contrasting textures of spiky crop and meringue-soft cloud; the green against the blue, white-grey contrast:

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The colour red always makes its presence felt. Here a single red bird cherry leaf:

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The showy crab apples somehow make a lowly snail all the more remarkable.

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I do take an awful lot of landscape photos, but perhaps you can have too many ‘good views’. The presence of some living/moving element generally makes for a more engaging shot:

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This rather strange view of a Stiperstones tor was shot in monochrome in gloomy midday light. Odd things seem to happen in this mysterious Shropshire upland: so who knows where the sky went. But then I liked the happenstance appearance of the tight-knit group of hikers. They walked into the shot, their group posture conveying group purpose: they will reach the top.

And you want to follow them.

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This is another chance Stiperstones photo, taken on the same day. Despite the poor light the tor does seem to radiate something. That’s my other half on the skyline. As ever he has stopped to see what had become of me, dawdling somewhere behind. I was so pleased when he stood still. There he is – a tiny human beside a momentous stack of geology, remnant of the ancient days when this quartzite ridge was crushed and fractured during the last Ice Age.

Back then, two great glaciers (one from Ireland, the other from the heights of Plynlimon in mid-Wales) convened in the Shropshire hills. They kept the ridge company, not covering it, but nudging the tops through alternating periods of freeze and thaw. Needless to say, this would not have been a human-friendly landscape. Even now, in bad weather, it is a brutally exposed spot.

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And closer to home, the not quite live elephant on Wintles Hill adds a certain something (if only viewer puzzlement) to this Shropshire autumn landscape. The different layers of sunlight and shadow also caught my eye:

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Copyright 2026 Tish Farrell

#IAmNotACrop

 

Lens-Artists: the power of juxtaposition  This week Patti at Lens-Artists asks us to consider the power of juxtaposition in our compositions. Please see her super post for guidance and inspiration.

Winter Fields And Hedgerows ~Minimalism in Black & White Photography

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I’ve been missing photo-moments in black and white. Things have not been the same since my Panasonic Lumix point-and-shoot broke. It had a dynamic monochrome setting, which I used a lot. I haven’t replaced it with another Lumix because they  seem prone to acquiring dust spots on the lens, and quotes to have them professionally cleaned seemed  higher than the original cost of the camera.

So ever since, I’ve been using a little Canon Ixus, which is fine for snapping, but somehow its monochrome setting does not enthuse me. I can of course do a spot of post-shot editing to perk things up, and there are also times when conversions from colour turn out quite well.

All the photos here, then, are from my archives. Actually I’m quite pleased to see some of them again. The first three were taken around our previous Wenlock home.

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Bradley Farm walk

 

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This next three were taken in various parts of wintery Wales:

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Marloes

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Lens-Artists: Minimalism in Black & White   This week Ritva gives us masterclass in monochrome. Please pay her a visit.

2025 Favourites: Looking Back To Ynys Mon

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We didn’t go far last year, but we did spend a week on the North Wales island of Anglesey (Ynys Môn). We often go for Christmas, but this time we were there in late March. As ever, the view across the Menai Strait to the Welsh mainland came with its own enthralling light and shadow show, from the sublime to the mistily mysterious. It was hard to tear ourselves away.

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More Anglesey posts:

In a winter’s light: Ynys Mon

Island of old ghosts

The day the sun fell into Henllys Woods and other stories

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Lens-Artists: Favourites from 2025 Tina starts the year by showing us the stunning land- and seascapes of her Kiawah Island home.

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Last Posting For Lens Artists: The Dew Pond Walk

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Green lane, hollow way, sunken road: there’s a hint of mystery in these byways, not only in the names, but in the sense of times past, centuries of footfall embedded in the earth between ancient hedges; the passing of cottage folk, farmers, drovers with their herds and flocks; times when most people only had their feet to rely on if they needed to go anywhere.

This particular green lane is one of my favourite spots in Bishop’s Castle. The following photos are ones I forgot to post, taken on a late November walk. It was a brilliant day too, following a brief snow fall and several days of hard frost.

The frozen grass and leaves were crunchy under foot, gripping boots and making the walking easy as we climbed up Wintles Hill. We were heading to the dew ponds.

There are essential landmarks en route of course: a hoar-frosty Long Mynd…

Longmynd

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The barns with their rusty roofs that always insist on having their photo taken…

barns

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The skyline ash tree that looks like an arboreal version of Munch’s ‘The Scream’…

Wintles hill ash

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As for the dew ponds, there are three on the hilltop, one very much in use, as you can see from the well-pocked mud around it…

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One dwindling in the next door arable field and so only used by wildlife…

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And the largest in a now enclosed enclave where it is producing a fine crop of bullrushes…

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I don’t know why this corner of the field has been hived off, access provided by two stout kissing gates either side of it, but the Shropshire Way footpath passes through it.

It’s a good spot for holly trees, which reminds me. Holly was once grown in farm hedges both to shelter stock and as a valuable winter fodder for sheep (and sometimes cattle) when hay was in short supply. And yes, it does seem an unlikely foodstuff with all those prickles, but apparently the leaves become less barbed as the tree grows taller. And so it was the upper branches that were lopped off for the animals to feed on, the holly trees doubtless thriving on the pollarding (if our brute of a garden holly hedge is anything to go by).

holly trees

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Water was the other essential in hill country where streams were lacking. Dew ponds have been used at least since Neolithic times. They were also much used in mediaeval times and in the 18th-19th centuries, both periods reflecting a vibrant market for sheep wool.

Pond construction required skill and heavy labour. First a saucer shaped depression was excavated, about 3 feet (1 metre) deep. The diameter varied between 10 feet (3 metres) to 45 feet (15 metres). The whole surface was then covered with straw followed by a layer of mud which had to be puddled to seal the surface. (Canal beds were sealed in the same way, the puddling usually done by labourers in bare feet). Once sealed, rain and field run-off duly collected in the ponds.

In the past, Welsh drovers would have driven their stock through Bishop’s Castle, and on to the town and city markets of the Midlands. This next photo shows the country they would have trekked through – not so tamed and tidy in the eighteenth century. (Wales ahead, dewponds behind me). Perhaps the flocks and herds were gathered and watered at points like these before the drovers broached the town.

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And it was at this moment that thoughts of watering holes had us turning on our heels and  heading downhill to town. Toasted sandwiches at The Castle Hotel suddenly beckoned, plus a glass of delicious Clun pale ale.

Cheers and happy festive season to all the Lens-Artists (and their followers).

Many thanks for setting us so many diverting challenges through 2025.

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Lens-Artists: Last chance for 2025   This week Patti sets the theme: last chance to post photos that missed previous posting opportunities.

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In Light And Shadow ~ Lakeside Reflections

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These are the last photos from our Friday day out to Mellington Hall, caught in a brief burst of sunshine. The far glimpse of two swans across the lake had magic in it – a gentle scene for All Hallows’ Eve.

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November Shadows Day 4 Becky has the most fabulous shadows on show today. She’s flying high in a mass aerial display.