Windfalls – with thoughts of Andrew Wyeth
Thursday’s Special This week Paula challenges us with ‘imitation’. Please go and see what she has come up with for her own post.
I often snap this view before I dive through the gap in the field hedge and into the allotment. I’ve said before how fascinated I am by the movement of weather beyond the brow of the hill. Sometimes I think it looks as unreal as a theatre backdrop, and especially so on blue-sky days. But as I am writing this, the sky is leaden, and the air full of chaff from the combine harvester as it thunders up and down the hill. Farm machinery these days is so over-sized and overbearing, the wheat cut and threshed in one process. The whole field will be cleared in an hour.
Anyway, that’s beside the point. This is an exercise in photo-editing, courtesy of Paula at Black & White Sunday. This week she asks us to show her a colour photo that has been transformed into monochrome – and ‘after and before’. Below is the original:
Please visit Paula at the link above for more afters and befores.
According to the old tithe maps the field behind our house was known as Townsend Meadow, and for obvious reasons: it lies on the north end of town directly below Wenlock Edge. For nearly a year now Shropshire Council has been building a large attenuation pond just over the brow of this hill. The objective is to reduce the effect of flash flooding, holding back storm water that runs off surrounding hills, turns all the roads and brooks into rivers which then converge in the centre of Much Wenlock.
In July 2007, over fifty houses in the town were badly flooded. Ours was fortunate not to be one of them; although our house is built into the foot of this hill, the main burden of run off flows around rather than through our property.
The fence in this photo was the first thing to go up before work on the pond began. The tree that appears to be in the corner is a piece of ‘borrowed landscape’ and is actually some distance away in the field hedgerow. And the rooks were just passing.
Before the fence went up I did not particularly notice the tree, but now I like the way this visual convergence gives an accent to what before was a rather featureless wheat field.
It was even more exciting when the big digger moved in.
copyright 2017 Tish Farrell
Black & White Sunday This week Paula’s challenge is STRUCTURE
And no, the place isn’t haunted by the ghosts of bibliophiles past, at least I didn’t meet any while I was there. That’s me caught accidentally in the mirror, and with a daftly blissful look that reminds me of the Bisto Kid adverts wherein lads do much paradisal sniffing of delicious aromas. And of course books have their own parfum – from well used and hypnotically musty to freshly pressed. So why would I not be looking happy in Scarthin Books? This well known Derbyshire emporium has 100,000 thousand volumes, old and new – spread over three floors (often literally) and stacked up to the rafters in 13 rooms.
The bookshop was once voted the 6th best in the world and, in the forty odd years since it began, it has become a landmark and institution in the small Peak District village of Cromford. And if that name rings a bell, then it is the place where in 1771 Richard Arkwright built his cotton mill, thereby bringing us the factory system and all that went (still comes) with it. But please overlook that bit of unsavoury orientation. Overbearing capitalism is not the atmosphere one finds in the bookshop. Far from it. You can tell that, can’t you – even before you set foot inside.
In fact, once in there, it’s as if time has stopped, despite the ticking of the clock. There is nothing you need do; no schedule to keep; no quota to fill or target to reach. It’s more like stepping into Looking Glass Land then.
Do I know this man?
Books, books and more books on every conceivable topic. You could spend days and years here. And the good thing is there’s no need to leave because they feed you too – delicious vegetarian and vegan dishes, produced from behind a bookshelf in what passes for a kitchen.
And if the bookish experience becomes too overwhelming, you can take the air with the sunflowers up in the roof garden. What an utterly sound establishment.
And in case you are wondering which books tempted me, I bought Margaret Atwood’s Negotiating With The Dead: A Writer On Writing, which I am yet to read, but made its presence felt from a nearby bookshelf while I was eating the delicious carrot soup, and Jean Rhys’s Wide Sargasso Sea, which so completely entranced me that, once home, I set about tracking down everything Jean Rhys had written, and so mislaid the Atwood. Fortunately, writing this post has reminded me to locate both books, so I can re-read one and make a start on the other.
The places then – both physical and metaphorical – where words take us, including the disgracefully dusty bookcase under the bedroom window. So thank you Ailsa for this week’s prompt at Where’s My Backpack. Please follow the link below to see her ‘words’ challenge photos.
This post is for my good friend Kate who is also a devotee of Scarthin Books.
Now please watch the video which will tell you more about the bookshop, how it began and the people who love it.
Where’s My Backpack: WORDS
No, it’s not a joke question, but there’s clearly a lot of satisfaction going on in these photos. So many hoverflies, and different kinds too. Also photographer satisfaction – in that I managed to capture them so I could show you. Then there’s gardener satisfaction too – always something new to discover out in the garden, with or without camera. The only problem is I’m sure Ark is going to ask if I know what species they are. Nope, I don’t, but here’s the place to find out, which further adds to my satisfaction, because I can now provide this very fascinating link – at least as far as hoverfly lovers are concerned.
This week at Lost in Translation, Paula’s prompt is ‘SLOW’. So here is another vista from our recent trip to South Shropshire’s Stiperstones (see also the previous post.) And the reason I’ve chosen it is because I cannot think of anything slower than the trans-global journey of the landmass on which these hills sit. It has been travelling an inch a year for 450 million years, moving up from its source on the southern shores of the Iapetus Sea, 60 degrees south of the equator and roughly where the Indian Ocean is today. I’m not sure if the land beneath our feet is still heading north, or if one day Shropshire will be in the Arctic.
That’s quite a thought.
The other aspect of slow-going to be seen in these photos is the gradual weathering of the folded, upthrust former beach from which this 5-mile ridge is mostly formed. Much of the shaping began with the last Ice Age when the glaciers extended across Shropshire.
A far more recent, and somewhat bizarre reshaping apparently took place during World War 2, when the Luftwaffe, flying over the north end of the Stiperstones, mistook the rocks of the Devil’s Chair outcrop for a town with ammunition dumps, and duly bombed the place. How they came to this conclusion is hard to understand. Even in the heyday of the local lead mining industry, the communities were small and sparse and tucked into hillsides and valleys. There has never been a town in these parts. Perhaps in the dark the strangely glowing quartzite exercised some mystical, mystifying interference in pilot perception. Who knows?
It is anyway another good yarn to add to the tales of witchcraft and devilry that, in the human imagination of ages, enmesh these bleak uplands.
We certainly saw no signs of bombing, though it might be hard to spot among the heaps of fragmenting quartzite. These particular shots were taken at Cranberry Rocks at the southerly end of the Stiperstones. We did not make it as far as the Devil’s Chair; it was too hard underfoot and too windy. But we do mean to make another visit one day soon, and tackle the hill from the northern end. We just have to remember not to go when mist threatens, or we might come on the Devil himself, brooding nastily on his craggy, Luftwaffe-remodelled throne.
copyright 2017 Tish Farrell
The come-hither finery can be safely shed: the insect lure has done its work, leaving the fruit capsule primed and fattening; its contents – miniscule parcels of poppies-to-be – busy ripening, waiting on sun and wind to complete the enterprise. Nature in action. Where would we be without it?
The endless envisioning of how plants will grow and crop is what keeps us gardeners gardening. In the face of failure we regroup, and start again – perhaps a different variety is required, or more careful cultivation techniques; maybe weather conditions were against us, so prompting us to think how we might come up with new strategies to reduce the worst effects if the same thing happens next year.
So it becomes an on-going pursuit of forward thinking, learning, re-learning and visualizing. I find it also helps to try and see things from the plant’s point of view. If I were it, am I getting everything I need: food, appropriate levels of moisture, protection from extremes (which among others can include ravages by aphids, pigeons, drought and tempest). With climate change we may have to rethink entirely the kinds of fruit and vegetables we grow.
This year I am probably growing too many sweet corn plants. I thought the first lot of seedlings were set to fail after being assaulted by several days’ torrential rain while I was away. Just in case, I sowed more seed. But then the shredded little efforts rallied, and the second sowing burgeoned, so now I have about three dozen plants on the go. They are greedy crops too, and also need lots of watering, which is hard work up at the allotment where cans have to be filled and hauled from the water tank. The site is also very exposed, and its heavy soil prone to turning to concrete at the slightest hint of a drought.
To cope with this I have adopted two different approaches. The later batch of plants has been planted out in a bed of deep litter from a dismantled compost heap. Hopefully this will both shelter and feed the plants as they get going and stop them drying out or needing quite so much watering.
The earlier batch I set out in a plot where I have overwintered trefoil and fenugreek still growing. I sowed these plants at the end of last summer as a green manure, and had meant to dig them in this spring. Then I had a much better idea, one that relieved me of much digging. When it came to plant out the sweet corn, I simply popped the seedlings in amongst the green manure plants.
There are all sorts of advantages to this. The fenugreek and trefoil are nitrogen fixing so should nurture the sweet corn. They also act as weed suppressants as well as providing shade and shelter to the developing plants.
So far this seems to be working quite well. I’m also trimming back the trefoil and fenugreek as the corn grows, so acquiring a crop of green stuff for the compost heap and to use as mulch around the beans, which also like to keep their roots cool and moist.
So now my vision is of summer’s end and lots of juicy golden cobs – perhaps enough for us and all my allotment neighbours. We’ll see…
This first photo sums up our best March highlight so far – a trip to Ludlow a couple of weeks ago – a day of near summer weather where we sat out at a pavement cafe without coats, and had a delicious pasta and spicy clam lunch; followed a couple of hours later by afternoon tea and cake at the riverside Green Cafe, where we were still outside and coatless. Bliss. Ducks in companionable clumps were sunbathing on the river islands, the River Teme was teeming over the weir, the more active ducks were using it as a duck chute, and people and dogs were lazing about the place, soaking up the sun. The whole day seemed like a dream.
But now we are not dreaming, for if March came in like a lamb, then today it is definitely in lion mode – all biting, icy teeth, and I’m being a weak and feeble woman, and failing to gird myself for an allotment visit. It’s much more pleasant to assemble a gallery of warm-day-out photos. Welcome to Ludlow, South Shropshire’s loveliest market town:
copyright 2017 Tish Farrell
To take part in The Changing Seasons challenge, please visit Max over at Cardinal Guzman. The rules are simple, and you get to see Max’s photo shoots around Oslo.
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