Ripening barley
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It’s pretty much a truism when it comes to prose, the fewer words the better. This is a hard lesson for most writers to learn: how much to leave in; what to cut. Of course timing is involved too, not only scene setting. To build suspense, a sense of drama, irony, mystery, you can’t rush things. But then too much detail and description can bog things down, or worse, bore.
For most of us, honing the craft of captivating verbal particularity, the sort of writing that transports readers, heart-and-mind, right to the spot takes much practice and perseverance. And there may come a point when the attempt to conjure with words becomes too darned hard. Well, aren’t we humans, above all, moved by visual stimuli. Just think. If Word Press blogs were solely prose, how many of us would be here?
And so to images. These are all views from the field behind our house: the things that catch my eye: light and shadow; blocks of texture; earth colours. In this space, between our garden fence and Wenlock Edge, it’s usually the sky that creates all the drama.
The fence at the top of the field in winter
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Over the garden fence
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Summer grasses on the field path
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After the wheat harvest
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Winter hedge-top
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Midsummer sunset
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Lens-Artists: minimalism/maximalism Sofia at Photographias has set this week’s theme. Please pay her a visit.