I find it hard to credit that this pretty little Victorian ink bottle was a throw-away item, of no more value than the empty juice cartons, tins and the general supermarket packaging trash that we
junk attempt to recycle. They were cheap of course, perhaps a penny or two. The base is only 1.5 inches square (4 cms). When it was bought it would have had a cork stopper, suitably sealed. But once opened it was eminently functional. The neck is angled for easier nib dipping and then there are ridges across the top for resting one’s stick pen, and the ridged sides and heavier base would also make spillage less likely.
The one in the photo was found behind our old privies when we were having a hedge of alien snowberry dug out. Graham had a fine time pretending he was on Time Team and excavated quite a little stash – mostly medicine and condiment bottles. But this is my favourite find. It reminds me of Roman glass and I love the colour. I haven’t been able to get its innards quite clean of Silurian clag, but it’s just the thing for a single small flower, a rose bud for instance, one that some careless gardener has knocked off while not paying due care and attention.
Line Squares #30
In the last post I featured the clay tobacco pipe gleanings that I’ve been picking up from Townsend Meadow, the broken stems and bowls of pipes discarded by haymakers, harvesters and ploughmen of times past. Or dropped by lime burners, tanners and quarrymen on their way to restore lost bodily fluids in one of Wenlock’s many inns. But there’s another explanation too, and this could also account for the pot shards I’ve been finding in the field. Up until the not too distant past, broken domestic items were usually thrown into farm cesspits, privies and middens. Later they would end up spread over the fields, mixed in with manure.
My trek across the field follows a broadly similar route, give or take a metre or two. These shards are all separate finds, though not found too far apart, and I think they could belong to the same dish. My trawl on the internet tells me these are examples of comb decorated slipware. Once they would have made a broadly rectangular loaf or baking dish of a type common in the late 18th century. Very handsome pots in fact.
The shards with the yellow swirly pattern on a dark ground are also from slipware loaf dishes made in the late 18th century. They come in round and rectangular versions. You can see stunning examples of these and other English pots at the John Howard Gallery.
Line Squares #29
Today by way of an intermission from Two Go Pottering About In Pembroke, I’m back on home ground here – the field behind our house just after the wheat was cut in early September. It’s nice to recall the glorious sunshine too (since we returned from Wales it has been wet, wet, wet, the country locked inside jet stream weather effects). Also I thought I’d combine Becky’s line squares with Patti’s challenge to fill the frame. So here goes: bales, stubble, light and shadow, false horizons, landscapes and cloudscapes, textures and colour blocks. And lots of stalks.
Lens-Artists ~ Filling the Frame
Line Squares #11
There it was lying among the chaff and wheat stalks, a small fossil brachiopod, the size of my thumbnail, both shells of the bivalve quite intact, but washed free of its sedimentary matrix, to be found by me as I wandered about in Townsend Meadow after the harvest. I was out in the field, relishing the new views, seeing the town from fresh angles as I climbed the hill, and much like Monet with his many haystack renditions, as I went, snapping multiple views of the large straw bales. With the morning sun on them they looked like some rustic art installation.
I saw the fossil from the corner of my eye and instantly switched to archaeologist mode, at first hoping it might be a Roman coin. It was a similar size and pewtery dullness to the ones I’d uncovered at nearby Wroxeter Roman City when I was digging there aeons ago. But no. It is a washed up remnant from the Silurian Sea, the 400 million-year shallow ocean, whose bed in more recent eras thrust upwards to form Wenlock Edge.
But that’s not all that is marvellous. Before the upthrusting, back in the oceanic days when this little mollusc was still busy sifting warm currents to find its lunch, the land beneath my feet was lying south of the Equator, somewhere near the Comoros Islands in the Indian Ocean. It takes one’s breath away: Shropshire to the Comoros. Is all too hard to grasp. Too much time, too much planetary expanse for the mind to girdle. I mean how could the world’s parts have done so much monumental shunting about? And we humans with all our technology think ourselves masters of the globe. Silly, silly us.
Anyway, I brought the little fossil home, and it sits on my desk. It feels like a touchstone, an omen, a talisman. What meaning might I take from it? This 400 million-year-old mollusc found by chance among the chaff and sawn-off stalks after the wheat harvest.
copyright 2019 Tish Farrell
Today in the UK the heatwave continues, the Met Office predicting an all time July temperature high of 37’C. So things are not looking good on the climate change front. Yesterday Greenpeace volunteers wearing ‘Climate Emergency’ vests and sashes briefly blocked the Boris Johnson motorcade en route to Buckingham Palace where he was to meet the Queen.
Greenpeace say they handed the new PM a guide on how to tackle the climate crisis. But will he take action, they ask. It now transpires, as reported by Peter Geoghegan at openDemocracy, that both he and Jeremy Hunt received campaign funding of £25,000 apiece from First Corporate Shipping Company, the trading name of Bristol Port whose influential owners, the report says, are climate change sceptics. (Hunt has declared the donation here).
But let Boris speak for himself as he pronounces on the 2015 Paris Climate Summit at the end of his account of a most exerting game of makeshift ping-pong at his office Christmas party:
It is fantastic news that the world has agreed to cut pollution and help people save money, but I am sure that those global leaders were driven by a primitive fear that the present ambient warm weather is somehow caused by humanity; and that fear – as far as I understand the science – is equally without foundation.
Boris Johnson The Telegraph 20 December 2015
For further insight into the jolly japes chappie we now have as PM, you can read the whole thing HERE
July Squares #25
I noticed last night that the wheat in Townsend Meadow is on the turn – the silver-grey ears taking on the faintest sheen of gold. Out in the guerrilla garden there is also much gold on the go. The chamomile daisies are over a metre tall, and the giant mullein are being truly gigantic. Soon the helianthus will be blooming and it will be full-on yellow, here on the edge of Wenlock Edge.
July Squares #11
The header photo was taken early on Friday evening, after my orchid hunt on Windmill Hill. It was hot on the hill, the light reflecting off the windmill’s masonry. No shade up there, only sweeping views of the farmland behind Wenlock Edge. I was glad to retreat to the path through the woods. It brings you to the old railway line and the Linden Walk. Stepping into that pool of greenery was like a soothing embrace. I was struck, too, by the play of light through the canopy.
But when I turned to look back across the Linden Field I was amused to see a true sun worshipper, flat out on the grass and soaking up every last ray.
And in case you missed the last post’s orchid expedition here are more shots. Click on one of the images for larger versions:
Back at the Farrell house, the garden has also been looking very wonderful, while over the fence the guerrilla plot is thriving, as is the wheat in Townsend Meadow beyond it. ‘Meadow’ is of course a misnomer in this mono-crop context. A meadow is the kind of thing you have just glimpsed above – full of exuberant diversity that lightens the spirits. Still, it looks as if this year the farmer will have a good harvest, and along the field margins there are still havens for grasses, blackberries, dog roses, oh yes and a very tiny crab spider that instantly tried to hide, but then decided I posed no threat and came back to show itself off. I also have to say I quite like the visual drama of the mega-tractor’s agri-chemical delivery tracks, though it does make me wonder what most of us are eating.
The Changing Seasons: June 2019
Last December we had over a foot of snow which lasted for a couple of weeks. This year we’ve barely had frost. Anyway, prompted by Lens-Artists, I thought I’d finish 2018 with ‘a year in the life’ of Townsend Meadow behind our house.
Happy New Year everyone, and may sanity and kindess be restored to Planet Earth and all who voyage on her.
Ann-Christine asks for a photographic review of 2018, however we choose to do it.
Those of you who come here often (thank you faithful readers) will know that our cottage garden overlooks a field called Townsend Meadow. Ironically, few of today’s Wenlock residents probably know this unless they have looked at the old tithe map. Doubtless our good neighbour Trevor knows because he has lived his whole life here, and his father before him. The manorial landlord and his agent probably know it too. Anyway, as to origins, the name says all. The field’s present fence-line along the Sytche Brook (which gathers in the run-off from nearby Wenlock Edge) once marked the northerly limit of Much Wenlock.
Of course the town has sprawled beyond it since, but not very far. The presence of two great limestone quarries with their regular programmes of blasting and accompanying dust storms well into the 20th century, probably discouraged development, though did not deter the erection of the Lady Forester Memorial Hospital opened in 1903, now a care home, or in 1953 the building of the Much Wenlock Modern School (now the William Brooks School), the latter proving in 1981 to be well in the flight path of exploding debris from neighbouring Shadwell Quarry when three pupils were injured during a blast. Now the quarries are abandoned and silent, and out on Townsend Meadow it is usually pretty quiet too, apart from the calls of rooks, jackdaws and buzzards. Now and then the farmer arrives with another dose of agri-chemicals.
This field has been our view for twelve years now. We never tire of it, and especially the play of light and cloud movement along the false horizon to the west. I never stop taking photographs of it either – usually on my way to or from the allotment. So here are some of my monochrome images, taken with my Lumix point-and-shoot digital camera on its monochrome setting. i.e. they are not edits of colour images, and some are taken in low light conditions which accounts for the grainy look.
First comes summer and a view that makes me wonder if we should have been calling for ghost busters:
And in winter:
Taken this afternoon on the winter wheat:
Cee’s Black & White Photo Challenge: Field Many thanks to Cee for hosting this challenge.