Lens-Artists: Lucky Shot

elephants with lunch

For most of the several years we lived in Africa I only had a small film camera – an Olympus-trip. It had a good lens and was great for general landscapes, but of course it had no zoom facility. Obviously, this was a big handicap when driving through bush country in search of wildlife to photograph. Also I did not have the aptitude to make the best of varying light conditions. E.g. The header photo was taken in Zimbabwe in July, winter in the southern hemisphere, with a midday view in Hwange National Park as gloomy as an English November.  In other words, that this photo worked at all was sheer good luck. In fact I could probably say the same for most of the photos in the old Africa album. There’s another problem too: old film does not keep well.

And yet I love this shot. It has the look of a painting; an air of timelessness. And besides which, the scene did seem to materialise by chance.

At the time we were living in Lusaka, Zambia, and had driven down to Zimbabwe to meet up with New Zealand friends and take them on a short tour through Zimbabwe back to Lusaka. We spent two days driving around Hwange under lowering skies. The bush was parched, so many shades of brown, and anyway the likelihood of spotting anything much from a Subaru estate car seemed slim. We thus spent our first morning on a high-rise game viewing platform, gazing at a very distant waterhole with some faraway buffalo and one giraffe. It was very mesmerizing, surreal even, but in the end one forgot to feel grateful for witnessing such a scene, and began to feel frustrated by the limited photo opportunities.

buffalo and giraffe Hwange

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We left the hide and returned to Hwange’s paved access road, trundling between wide grass verges, that truth to tell, had a rather managed, suburban look about them. Finally we found a dirt trail that led to another waterhole, and parked up under a rain tree. There was no sign of wildlife when we arrived, but it seemed a good spot to eat our picnic lunch. It was only as we were driving away that we saw the elephants had arrived. One of those moments you don’t forget.

elephants for lunch and car mirror

Lens-Artists: Lucky Shot This week Sofia sets the theme. Great fun!

The Nairobi Elephant Orphans

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Undoubtedly an ‘aaaah’ moment, but don’t be misled. Nairobi’s elephant orphanage is not about elephant pets. It’s about rearing orphaned infants so they can be returned to the wild. This is a painstaking process, using techniques derived from years of experience by Daphne Sheldrick. She established the orphanage in 1977 in memory of her husband, David Sheldrick. He was the founding warden of Tsavo East National Park (see previous post), appointed to the task of creating the park out of the Taru Desert thornscrub in 1948. For the next 25 years he, with Daphne alongside, laboured there to create access to the 5,000 square miles of wilderness reserve that visitors can enjoy today.

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Part of the Sheldricks’ day to day living at Tsavo involved rescuing orphaned and injured animals. There were losses as well as successes but this work sowed the seeds of the orphanage to come. Daphne had learned that elephant infants die without constant emotional support. She also struggled to make an appropriate milk formula. Finally she evolved the system that provided each infant with its own keeper who, as surrogate mother, would be with it at all times, including sleeping with it.

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Once the infants begin to thrive and grow, they are taken out for walks in nearby Nairobi National Park to begin their bush education. Later, when they grow too big for the orphanage, they are transferred to Tsavo East to continue their education. So far over 300 elephants have been returned to the wild.

Daphne died in 2018 and the enterprise, which extends to conservation initiatives beyond the orphanage, is now run as the Sheldrick Wildlife Trust by her daughter Angela Sheldrick. The website is well worth browsing.

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But for the process of raising an infant and re-establishing it in the wild go HERE

For more about the pioneering work of David Sheldrick go HERE.

#SimplyRed Day 18

 

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