Another day, another drenching. But sometimes we get rainbows too. This one was spotted at the allotment, though it’s not the one I saw the day before yesterday, because I didn’t have my camera with me. Pretty dramatic though, looking over the town to Walton Hill.
The quotation is from Shakespeare’s King Lear Act 3 scene 2
Six Word Saturday Now please pop over to Debbie’s for a very astonishing vista
Dare one say it – suddenly spring seems more intentional, as if it’s meaning to stay for more than five minutes? These lesser celandines were blooming hell for leather yesterday when I was delivering stuff to the allotment. Even the spider seems to be having a bit of a sun bathe (apologies arachnophobes) rather than being sneekily on the hunt.
Things being transported to the plot included three black bin bags of leaves gathered from mother-in-law’s lawn (they will take a couple of years to turn into very useful leaf mould) and twenty new seven-foot canes. These last are not for this year’s runner beans, but for peas. After seeing last summer’s mega-pea-crop success of fellow allotmenteer, Dave, I thought I would give climbing pea Alderman a go. This is a heritage variety, apparently favoured by ‘good old boys on their allotments’, and not much to be found elsewhere.
You need to treat them like runner beans using plenty of tall supports because they may end up growing six to eight feet tall i.e. heading for around 2 metres. The beauty of this variety is that it crops without surplus production over several months. Whereas modern pea varieties tend to produce all at once, which is why you need to sow the seed successionally e.g. every couple of weeks, which can be a faff if you lose track of time.
At the moment the pea seeds are just germinating (I sow in trays due to allotment mice), and yesterday I moved the first batch into the cold frame, so I truly am hoping that winter has gone. I will report back in a few months time on how this good old girl is getting on with the Alderman.
copyright 2018 Tish Farrell
This month Paula has given us 5 words to spark our photographic imaginations: dawning, condensed, coalescing, verdant and sempiternal. This skyscape view from our house on Wenlock Edge says everlasting (sempiternal) to me, though that could be wishful thinking on my part – to think the world as I know it will always remain the same. I think, with the different cloud formations, this image also covers condensed and coalescing. No hidden verdant though, for this is a winter scene – the big bare ash tree in the corner of the allotment. And it was definitely taken at sunset and not at dawn.
Cee’s current black and white challenge is store fronts and building signs, so I thought I’d give you a quick tour of Much Wenlock’s High Street and Square, starting with the Museum (once the Market Hall) and opposite The Guildhall built in 1540, and still a market place several days a week. Most of these images were shot in monochrome.
The town grew up around the early medieval priory, first catering for the many pilgrims, and then with the Dissolution of the Monasteries in 1540, growing into a thriving manufacturing and mercantile centre. Most of the oldest buildings along the town’s main streets would have been shops, workshops and inns rather than private houses. There were blacksmiths, nailers, needlemakers, clay tobacco pipe makers, brick makers, cloth and leather workers. There was also a thriving in trade in cattle, horses and agricultural produce. The grant for the first weekly market was issued by Henry III in 1224. We can thus be pretty sure that an awful lot of shopping has been done since then.
Cee’s Black & White Challenge Store Fronts and Building Signs
With this winter that will not end, my thoughts are turning to our Africa days with a longing for some tropical warmth.
After one fine day yesterday (wherein I managed to plant out some onion sets and broad bean plants) the rain returned in the night. And today it has rained and rained and rained. There was also fog over the fields for most of the day. Only as I write this at 7pm (and I’m wondering if looking at this Zanzibari scene hasn’t worked some magic) is there a hint of watery sunlight over Wenlock Edge. But there is more rain forecast for the rest of the week. If it keeps up like this Shropshire will float away back to where it began 400 million years ago, and pretty much in the location of this photograph – off East Africa in the Silurian Sea.
It’s an amusing thought, floating back to Africa. I can already smell the jasmine and the sea-salted frangipani. And the soft lap of waves. And watching the sun go down over mainland Tanzania.
Daily Post: Rise/Set
Somehow I feel this image says much about our relationship with planet earth. I’m wondering what you think?
Location: Little Haven, Pembrokeshire
Baleful is Debbie’s word for today
Over at Lost In Translation, one of Paula’s recurrent themes is the conversion of a colour image to monochrome. It’s always interesting discovering what will or will not work; which details become more or less significant. Sometimes there are quite striking and unexpected differences in mood. All of which is to say, I’m not sure why I even thought of converting this first photo to monochrome. As an indoor, night-time shot with too many light sources, I wasn’t expecting it to work at all. But then I found I rather liked the monochrome version. It somehow has a more formal or stately feel about it. It was taken in the hall-drawing room of St. Bride’s Castle.
Coming up is the front entrance. I don’t think the conversion does much for the image here:
This next exterior shot perhaps works better: austere geometrical silhouette against active clouds:
And I do rather like this clump of monochromed daffodils found in the castle grounds:
Black & White Sunday: After and Before
More about St. Bride’s HERE
In which Six Go Potty In Pembroke With Cockapoo Puppy – holiday snaps #10
Well, it’s almost a circle, this gorgeous tulip. And it does come with its own bee. And I’m sure everyone who has had fun with March squares in squares and circles in squares will want to say a big ‘hurrah’ and thank you to BeckyB for keeping us so alert and amused with this challenge even as she’s moved between two countries and not been very well.
Not only has it been fun, this challenge has also opened my eyes to the quite surprising compositional dynamic of the square format. Laura (at Eljaygee) and I have been having a bit of chat about this. If you go to her post linked here you can see a range of photos that she feels have been given new life by applying a square crop. It’s all fascinating stuff, and anything that makes you LOOK with fresh eyes is always a bonus.
THANK YOU BECKY AND HAPPY EASTER
March Square Please visit BeckyB for her final March Square
Six Word Saturday Debbie has also been doing some fine squares so I’m also linking to her 6WS – another challenge that keeps us thinking as well as viewing.
Sometimes it takes me a long time to reach the allotment. I set off with great purpose, shouldering a big bag of vegetable waste for the the compost heap. It is only a short hike across the field, although after rain it can be treacherously slithery, thus requiring due care and attention to avoid all outbreaks of undignified slippage. And then there are the distractions. And if I happen to have a camera in my pocket: well then, gardening must wait.
So that’s what happened when I spotted these apples that someone had slung over their hedge in the autumn. During the winter the blackbirds had nibbled the insides so neatly that only the skins remained. Not only that, the delicate apple ‘shells’ had now accrued quite new and surprising properties. Lying scattered in downtrodden grass and browning leaves, they were now capturing and emitting that too rare glow of winter sunshine. Thank you, blackbirds. A fine light show.
Thursday’s Special: recycled
copyright 2018 Tish Farrell