Basket case? Tales of bravery and betrayal

 

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These glorious Nubian mats adorn my kitchen. They decorate our every day, their colours radiating like mini-suns however dull the weather. It is hard to imagine, then, that there is a dark tale behind their creation, a tale of statelessness and discrimination.

The makers of the mats are women from the Nubian community of Kibera, in Nairobi (Kenya). They, their parents and grandparents before them, were born in this quarter of the city suburbs. This has been the case since the early 1900s, when British colonial authorities gazetted an area of land for settlement by Sudanese Nubian soldiers of the British Army, men who had first been recruited during the 1890s when Britain was trying to establish control over the peoples and territories of East Africa.

This next photo thus shows another form of decoration – a Nubian KAR officer’s chest adorned with medals that attest to years of brave service in the cause of the British Empire.

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Copyright Kenya Nubian Council of Elders

This photo was taken in 1956, during the British colonial era. The officer is showing his invitation to a garden party at Nairobi’s Government House. The gathering was in honour of the visit to Kenya by HRH Princess Margaret of England (Kenya’s Nubians: Then and Now, Open Society Foundations).

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The Nubian people (also known in the distant past as Kushites) have a long, long history, their homeland once stretching along the upper reaches of the River Nile in North Sudan and into southern Egypt. Much of their territory was taken in the 1960s for the building of the Aswan Dam by the Egyptians, and this was another cause of displacement. But way back in time, the Nubians were a people to be reckoned with. The earliest evidence of a metropolitan culture  (the Kingdom of Kerma) has a date contemporary with neighbouring Ancient Egypt.  Nubia was the gateway to the African hinterland, and a great trading nexus.

Dr Stuart Tyson Smith (University of California, Santa Barbara) says the Kerma culture “evolved out of the Neolithic around 2400 BC. The Kushite rulers of Kerma profited from the trading such luxury goods as gold, ivory, ebony, incense, and even live animals to the Egyptian Pharaohs. By 1650 BC, Kerma had become a densely occupied urban center overseeing a centralized state stretching from at least the 1st Cataract to the 4th, rivaling ancient Egypt. Kerma was sacked in c. 1500 BC, when the entire region was incorporated into the Egyptian New Kingdom empire.” 

The Nubians and Egyptians traded, intermarried and warred with one another over many centuries, the Nubians finally ruling Egypt for half a century during the 25th dynasty (c. 750–655 B.C.E.) And though it may be a big surprise for some people to know this, there were Nubian, black African pharaohs, Nubian pyramids, and a Nubian form of hieroglyphics that were later developed into a 23-letter alphabet (yet to be deciphered). Clearly as time went on, Nubian culture was influenced by Ancient Egypt (though why not the other way around?), yet it also evolved in its own very characteristic ways.

The strikingly tall Nubian pyramids below were built at the time when Britain was a land of Iron Age farmers who lived in thatched round houses and constructed hill forts of earthen banks and ditches.

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Fabrizio Demartis Creative Commons

The Nubian Meriotic kingdom developed from the 25th Dynasty when Nubia ruled Ancient Egypt. It is named after its capital Meroë (begun c 800 BCE). Over 255 pyramids belonging to the Meroitic period have so far been discovered.

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But back to more recent times, and the story behind my lovely mats. In World War 1, Sudanese Nubian forces were deployed in  defence of British-ruled Kenya along the border with  German controlled Tanganyika. This East African campaign was a brutal affair, fought over waterless, disease-ridden bush, as British forces attempted to thwart Count Von Lettow-Vorbeck’s ingenious guerrilla tactics, carried out by other Africans – the Count’s highly trained  askaris from German East Africa (now Tanzania).

The British Army, with a few exceptions late in the war, did not allow the native peoples of Kenya to carry arms at this time, so it was the Nubians who were the main combatants. Kenyans were instead conscripted into the Carrier Corps to transport army provisions since mules and horses could not survive in tsetse infested bush country.  Tens of thousands of young men died of starvation and disease in the British cause, their families often never hearing what had happened to their sons. They simply never returned from the war with Jerimani.

(For a vivid fictional version of this conflict see William Boyd’s An Ice-cream War).

In 1912 the British colonial administration in Nairobi gazetted 4,197 acres near the city for the settlement of Nubian soldiers and their families who could not be repatriated to Sudan. The Nubians called this place Kibra, the forest land.

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Nubian Family c1940s, photographer unknown. Copyright Kenya Nubian Council of Elders. For more wonderful photos see Kenya’s Nubians: Then and Now, Open Society Foundations

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By this time, all British East African (Kenyan) tribes had been categorized, and the land they occupied, at the point of British incursion, designated as native reserves. Africans were not allowed to have title deeds to their own and and, in theory, European settlers (who did have title to vast acreages) were not allowed to encroach on the reserves.

The Nubians, however,  were specifically categorized by colonial authorities as ‘Detribalized Natives’, and non-natives of British East Africa. This meant they could not claim any rights to have their land made into a reserve, nor could they build permanent structures on the land.  The community, however, continued to provide further generations of soldiers who would serve in the King’s African Rifles. 

During WW2  Nubian soldiers fought for Britain, alongside other black Kenyan recruits, in Somalia, Abyssinia and in the terrifying war against the Japanese in the jungles of Burma. It is another little remembered  fact that the African troops of the King’s African Rifles played a determining role in the winning of the Burma campaign.

By 1955 the Nubian community of Kibra numbered 3,000. Back then it was an attractive rural village, the houses surrounded by large gardens. But in successive decades as Nairobi grew into a city, hundreds of thousands of rural Kenyans, seeking work, invaded Kibra, putting up  shanty dwellings. Kibera, as it is currently known, is now one of the biggest slums in Africa.

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A cropped image of Kibera, Nairobi. Photo CC 2014 Schreibkraft

Kibera cc Blazej Mikula

Photo: CC Blazej Mikula

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During colonial times, Kibra land remained the property of the British Crown. At Independence in 1963, ownership of Crown Land passed to the new government, and so became state-owned land. The new state also inherited an administration that was still largely operating under State of Emergency regulations from the 1950s Mau Mau uprising. Being able to prove  who your tribe was and the associated right to domicile were essential proofs of citizenship. The Nubians’ former colonial categorization denied them on both fronts.

From 1963 until 2009, when the Nubian community in Kenya was finally accorded official existence as a Kenyan tribe, the Nubians of Kibera and elsewhere in Kenya had been stateless. While the colonial generation did have identity cards, the post-independence generations could only acquire them, if at all, with great difficulty, and after many years of persistence.

This meant they could not be formally employed, open bank accounts, acquire title deeds, participate in the affairs of their country of birth, vote, or even leave their own homes safely, since to be caught without an identity card is a criminal offence.  The only opportunities to earn a living were in the informal sector, and for women, this included/still includes making baskets for sale through non-governmental trading operations, and Nairobi’s tourist curio shops. Hopefully now, with official recognition, the fortunes of the Nubian people will change  for the better, but there is still much ground to make up, and in all senses. For more of these people’s story see the excellent short videos below, and also the full length BBC programme about Ancient Nubia at the end.

In the meantime, back to the beautiful baskets, and a Nubian woman at work. The method of construction involves coiling lengths of papyrus stems or dried grasses then wrapping them round with coloured and natural palm leaf strips. Truly great works of decorative art, and not only that, but life-enhancingly useful too. Expressions of spirit undaunted despite lives of grave hardship unimaginable to most of us?

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Photo: http://in2eastafrica.net/home-stays-growing-ugandas-tourism/

 

Flavia Lanyero 2011 Uganda

Article on Nubians of Uganda: Flavia Lanyero 2011 Daily Monitor

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text copyright 2014 Tish Farrell

Greg Constanine’s video explains the Kenyan Nubian dilemma

 

This brief film explains the history of Nubian statelessness in Kenya

 

Recent archaeological discoveries of the ‘lost’ Nubian civilization

 

Ailsa’s Challenge: Decoration – Go here for more bloggers’ decorative posts

Life Entwined at Ogunquit

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Cee’s ‘Circles and Curves’ challenge is giving me the chance to  show again this work by New England sculptor Antoinette Prien Schultze. ‘Life Entwined’ is circular in every way – suggesting not only the cycle of human life and love, but also the turn of the seasons, the circle of time itself.

It is made from Vermont Danby marble and weighs 4 tons. You can see it in the beautiful shore-side garden of the Ogunquit Museum of American Art in southern Maine. I have written more about the Museum HERE. It is one of the most beautifully situated galleries in the world, and well worth a visit for the setting alone.

Another fine thing about Ogunquit is the Marginal Way, a cliff top path along the rugged shore. It was here I found this natural sculpture which also fits the challenge.

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copyright 2014 Tish Farrell

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For more about Ogunquit Museum of American Art see my earlier post:

Only One Ogunquit: the little gallery by the sea

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Click on the image for more bloggers’ circles and curves

Feeling shy, but darned if I’ll show it

Kikuyu child

I took this photo while we were out on  Kenya’s highland farms looking for smut infested napier grass. You can read the full story HERE. This little boy was torn between wanting to know what we were doing on his farm, and not wanting to talk to us. I love the nonchalant drape of his arm on the fence post.

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Go here for more bloggers’ compositions in response to the Daily Post photo advice: http://dailypost.wordpress.com/2014/02/27/rule-of-thirds/

Double take, double bass and all that jazz down at the Eagle Tavern

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Sunday jazz at The Eagle Tavern was a regular haunt for us in the early 2000s when we lived in Rochester in Kent. The local jazz club worked its socks off to secure a programme of first class trios and quartets. We were never members. No one even asked us to join, but for the price of a few raffle tickets we could sit with a glass or two of good Kentish ale and the Observer crossword and enjoy some of the best jazz musicians around.

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Gilad Atzmon at the Eagle Tavern

Bands would drive down from London to perform at The Eagle. Gildad Atzmon, Renato D’Aiello, Derek Nash, Alan Barnes – all top names in British jazz – were among the musicians who often came to play for a couple of hours over a Sunday lunch-time. In return they received nothing more than a pub meal and  the raffle takings, but they came because they knew that every note they played would be listened to, appraised and appreciated by the dedicated members of the Medway jazz club. Besides which, it was a good place to warm-up for their paid Sunday night gigs back in the capital.

Unfortunately the Farrell filing system – both mental and physical, failed dismally when trying to access the name of the double bass player rendered severally above. For which apologies all round, and most especially to the musician himself. To make up for this omission here is Gilad Atzmon, first  in whimsical mode, then a more serious piece.

© 2014 Tish Farrell

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TAGGED ‘D’  JOIN THE CHALLENGE: GO TO FRIZZ’S BLOG FOR MORE GREAT ‘D’ STORIES

#jazz #GiladAtzmon

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AAA Challenge: A For Allotments

http://flickrcomments.wordpress.com/2013/07/02/aaa-challenge/

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A is for Allotment, and here is mine.  I inherited the shed from previous allotmenteers. It leans and snails roost in it. Last year I found a 1725 halfpenny in front of the door. The Team Leader has to come at regular intervals, armed with hammer and electric screwdriver, to keep the old place upright. He does the same for the tenant – me that is, not the snails.

When I’m not writing, this is where you’re most likely to find me, so  thank you, Frizz, for your ‘A’ prompt. I’ve been toiling on this plot for around six years now, and when I first started, the soil was as heavy as lead. Gardening on the shores of the Silurian Sea is hard work. In between the layers of soil from a decaying tropical sea (c. 400 million years ago) is bentonite clay. As a substance this may have many useful properties. In the allotment, it is a guaranteed pain in the back. When remotely damp, it clings to the bottom of your wellies until you have giant’s feet. In dry weather, it goes crusty and it’s like digging through bricks.

I have learned recently that this unappealing greyish clag is formed from volcanic ash. Sometime when Much Wenlock was lying down on the Equator, all those aeons ago as our world was shaping itself, there was a volcanic eruption of unimaginable proportions. I now grow my beans and peas its degraded outpourings. Below are some pickings from last year’s crop, so you can see it does work – with effort.

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I grow several varieties of broad bean including the lovely rose coloured ones which go pale mauve when lightly steamed. They don’t seem to mind growing in the heavy soil.

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I’m afraid my plot looks a bit rackety, tidiness being sacrificed to the time needed to dig, weed, and keep the wretched pigeons away. Almost everything has to be netted or covered with enviromesh at some stage during its growing. Recently I have been following ‘Garden of Eve’ and suffering severe poly-tunnel envy.

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To improve the soil, I grow areas of green manure, in this case mustard, but also phaecelia, buckwheat and alfalfa. It can be sown late summer or early spring and then dug in before it goes to seed. The difference in the soil afterwards is truly remarkable.

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Comfrey grows itself all over my plot. I tear it up and use it to protect seedlings or newly planted young plants. I also fill old compost bags with it, cut the corner off the bags seal up the top with a peg, and balance them over buckets lined up inside my leaning shed. As the leaves rot down the resultant brown gunky liquid collects in the bucket. It can then be diluted with water – 15 parts water to 1 part comfrey to make a really good crop feed. Comfrey  also has valuable therapeutic properties, and has been used to mend injuries for centuries, hence the folk name ‘knit bone’. The bees like it too.

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Unlike me, my fellow grower, Phoebe, has a beautifully neat plot. She also kindly mows my path. And that’s one of the wonderful things about allotments, not only can you grow delicious food (pigeons willing) but you meet such lovely, generous and creative souls up there.

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Phoebe has created these simple baskets across her plots at intervals. The uprights are embedded directly in the soil and the sides made with dogwood and hazel whips. Her aim is to use them for the rotting down of pernicious weeds like dandelion and couch grass, and then grow marigolds on top while this is all happening underneath. Gardening artistically.

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This is the allotment’s insect hotel to provide attractive accommodation for over-wintering insects. Also courtesy of Phoebe who begged some pallets from the local timber merchant. When he knew what they were for, he delivered them free to the allotment.

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This is the view from my plot. I can hear the clock of Trinity Church chime as I work, and the mewing of honey buzzards over the fields behind.

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I call this the Garden of Eden tree, also The Tree of Life,  because it has gloriously red apples in September. Phoebe created the wild flower garden in the foreground – lots of pink campion this year.

The bunting makes the raspberries look very festive and sees off the birds.

Below are two blogs that are well worth following for lots of useful gardening advice.

http://gardenofyvonne.wordpress.com/ Garden of Eve

http://peopleexcitedaboutcoexistence.com/ People Excited About Co-Existence

And when you’ve grown the produce, here are two great cooking blogs. ENJOY!

http://fromthebartolinikitchens.com/ From the Bartolini Kitchens

http://nourishingchow.wordpress.com/ Nourishing Chow

http://flickrcomments.wordpress.com/2013/07/02/aaa-challenge/

© 2013 Tish Farrell

Lamu Dreaming

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…to sleep, to dream…

Anyone who has seen my post on The Swahili will know that I’ve had Lamu on my mind. The island lies off Kenya’s northern coast, and its Stone Town is one of the best preserved Swahili settlements, lived in for the last 700 years.  We went there one Christmas, flying out of Nairobi in a small plane that let you watch the ground all the way there. This was comforting in some ways, but in others not: the bush country east of the capital is arid and little inhabited except by wildlife, and the coast hinterland, then as now, too often the haunt of Shifta (Somali bandits). Yet there was one especially striking moment that at once distracted me from other anxieties. It was the sight as we flew over the Tana River Delta and saw the red earth of the Kenya Highlands flowing out into the sea like blood: the country’s life force pumping away. It looked like a shark attack of epic proportions. I was glad when we touched down on Manda Island and our only concern was to catch the same ferry to Lamu as our luggage.

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Map: www.theafricanaviationtribune.com

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A storm blew up as we chugged across the strait in a Lamu fishing dhow. We tourists huddled under the awning to keep dry as the world turned steely grey. Our captain though, out in the rain, simply secured his hat and looked resolutely to shore. The rain did not last, and by the time we had put into Shela  harbour, the coral rag walls of the houses were steaming; scents of jasmine and frangipani filling the air. As we followed our guide up a sandy path from the shore, I remembered it was Christmas Eve. It seemed we had stepped into a dream.

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The hotel was also a dream for someone as nosy as Nosy-Writer. It occupied an old merchant’s house in the centre of the village, and best of all our room was up in the palm thatch with the whole top floor at our disposal. Not only that, most of the walls were open to the elements and overlooked the village. Sadly it seems, the place no longer exists, so perhaps I really did dream it.

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Shela village square from our room with many views. In the foreground is a  stack of the coral rag building blocks from which  most of the houses are built. The spreading thorn tree was the place where the donkeys were parked until needed for transport.

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On Christmas Day we bumped into Azrael who sold us the most delicious, freshly cooked, fish samosas – a local speciality.

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The only problem with our room’s open-plan arrangement was that not only could I see into people’s kitchens, gardens and bedrooms,  but we could hear everything too. It made for nights of fractured sleep – radios playing, pots clattering, cats yowling, but mostly hee-hawing donkeys, Lamu’s equivalent of night-sounding car alarms. Then just as you were drifting back to sleep, the dawn call to morning prayer would begin, the sacred strains of Allahu akbar (God is greatest) winding through my faithless semi-consciousness. It was a disorientating start to Christmas Day. Yet later on, when we set off on the two-mile beach hike between Shela and Lamu town, from every quarter the locals greeted us – Happy Christmas, Happy Christmas. There was no stinting on hospitality, and that extended to the plentiful provision of nice things to lie down on, and what with the steamy tropical heat by day, and the wakeful nights, these were more than welcome.

Lala salama, as they say in KiSwahili – sleep peacefully.

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© 2013 Tish Farrell

Weekly Photo Challenge: COLOUR

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Fruit Bowl by Penny Rees

Last week I posted a photo of tulips in my snowy garden. Now here are the tulips in my kitchen. This painting shouts undiluted joy to me; tulips that want to party. It was painted by Herefordshire artist Penny Rees and I love it. It hangs beside our dining table and encourages frivolity even on a Monday night.

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And now you’ve seen my tulips, here are my crab apples: another view from my kitchen taken back in the autumn. Red hot colours for a freezing April in Much Wenlock