Author: Tish Farrell

Clamour Of Rooks On Sytche Lane

Or it could be a parliament, a building, a storytelling of rooks.

The people who lived in our house before us called it Rookery Cottage. We didn’t adopt the name. The house actually sits beside the main road out of Wenlock and the rookery is behind us on Sytche Lane, with a stretch of Townsend Meadow in between. Even so, we do hear its clamour, especially on spring and summer evenings. And we do have ring-side viewing of the whisking-whooshing corvid ballets that feature over the field in the twilight hours of early autumn. These aerial displays are a sight to behold, and are among the Farrells’ household treasures.

Cee’s Black & White Photo Challenge: Birds

Six Word Saturday

Apple Snaffling

For the last couple of days this male blackbird has been tucking into our garden crab apples. He has a technique. Using his beak like a dagger, he jabs downwards with great vigour, slicing off morsels. Sometimes, though, he ends up with a mouthful he cannot swallow, which then requires a descent to the garden path where sets about cutting the apple down to size. All part of the morning’s seasonal entertainment at the Farrell establishment.

Lens-Artists: ‘A’ This week Patti asks us for subjects that start with the letter ‘A’.

Over The Garden Fence

It does seem perverse to photograph the guerrilla garden’s very colourful crab apples in monochrome. I anyway didn’t much care for the result. Then I started tweaking the exposure and contrast in my editing programme and thought that this was quite an interesting ‘take’ for Cee’s challenge this week of circles and curves. And then I had a look at the photos I’d taken of the dewy grass over in the field – some very gentle curves and glittery droplets, blue or sepia tinted. Pleasing, I thought.

Cee’s Black & White Photo Challenge: circles and curves

My World In Sepia

I seem to be having a ‘sepia season’ just now. It’s suiting my mood. And I anyway like the ‘antique’, slightly mysterious cast it gives some of the shots. I took them earlier in the week – along the lane from the Wenlock Priory ruins. The magnificent Corsican pines tower over the Priory visitor entrance, the place shut up for months now. I’ve no idea how these trees came to Shropshire, but I’m guessing that the Milnes Gaskells who once lived in the Prior’s House, or The Abbey, as they called it, may have planted them. This would be back in the days when Henry James was a repeat visitor and the priory ruins were something of an extended garden feature for his genteel English hosts.

The next two photos provide views of what was once the Priory ‘parkland’, now mostly owned by Wenlock Estates, a family trust, and grazed by sheep. In the Priory’s heyday the monks apparently had a high old time, hunting on horseback across their extensive domain. And not only that. One wild young monk, William Broseley, headed a gang of bandits, Wild West style, and Prior Henry de Bonvillars in 1302 was charged with raiding and horse stealing over on the Welsh borders.

Sheep were also an important monastic commodity, the wool a source of great wealth in the early Middle Ages. In 1284 another slippery Prior, John de Tycford, caused consternation and monkish fury within the sacred confines when it was found he had robbed the house of its wealth through a spot of canny futures dealing. He managed to sell seven prospective years of wool and then make off with the loot. Things are much more peaceful here these days.

Lens-Artists: You Pick It This week our excellent hosts, the Lens-Artists, invite us to choose our own topic.

The Changing Seasons ~ November 2020

I could swear it was only yesterday I was compiling October’s Changing Seasons post. Fascinating how time flies under lockdown and loss of civil liberties. Still, here on the Edge things are peaceable if rain-sodden, though we have been blessed with some perfect-sun interludes.

On rain-free days my gardening mind has mostly been on leaf collecting. This year the field maple and oak have been delivering double servings on the lane beside the allotment so I don’t have far to go to fetch them. I have created various ad hoc silos out of wire to store them, and this method does seem to speed up decomposition. Though adding some comfrey leaves and grass cuttings also helps. Anyway, already by September last autumn’s leaf stores had yielded sufficient quantities of chocolatey compost to give the summer raspberries a good, deep mulching.

There is also much tidying to be done on the allotment plots – taking down the bean poles, turning compost heaps, netting winter greens against pigeon attack. There’s still been lots to pick on the outside beds – beetroot, carrots, leeks, some chard and perennial spinach. The polytunnel goes on producing too. I took out the last of the tomato plants this week. As each plant finished I’ve been using the space for spinach, lettuce, kohl rabi, Russian kale and cauliflower seedlings. At the moment they are still growing, and I even had to remove some highly unseasonal caterpillars. I also have a very impressive bed of coriander, and some Chinese mustard greens. How they will all over-winter is a matter of waiting and seeing, but at the moment there’s plenty to make a good green salad. Lots to be happy about.

The Changing Seasons: November 2020

Please visit Su to see her New Zealand November gallery.

Iced!

The other morning I found the frost had left this ice skin on the very top of the garden water butt. We’ve had days of rain and it was filled to the brim with downpourings from the old privy roof. Most curious, I thought. It looks like a pile of actual leaves, some reedy plant, say. Or else in some mysterious way the water’s surface had replicated, as it froze, the flattened leaves of the Crocosmia that grows a few feet away over the fence. So does this mean that a common or garden water butt can make art; or create, when the elements conspire, its own version of monochrome digital images? It would seem so. I herewith proffer the evidence.

Cee’s Black & White Photo Challenge: close-ups

This week Cee gives up lots of close-up inspiration. Please pay her a visit.

Apple Tumble?

My allotment chum Phoebe had pushed this pile of windfalls under the field hedge so the wildlife could tuck in and be sheltered. I spotted them other day, spilling through the undergrowth into the field, and instantly thought of the Andrew Wyeth water colour ‘Frosted Apples’. I didn’t have a camera with me that day, and anyway the light was poor, but I caught them instead a couple of days ago, the afternoon sunshine tumbling after them.

Crab Apple Heaven

Today, the 26th of November, we woke to the first autumn frost, though by the time I was dressed and out in the garden, it was melting fast. Not a cloud to be seen. There was a moment, too, when the sky was a perfect shade of lavender. Who knew it could do that in Much Wenlock! The last time I saw such as sky I was at Hunter’s Lodge in Makindu, Kenya. Nor was it only the atmosphere making earth magic. Over the fence in the guerrilla garden the crab apple tree was also emitting its own extraordinary radiance: each miniature apple aglow, if slightly tearful. In fact before posting the first photo I had to desaturate it a touch. Even so, it’s still a glow worth popping in your heart or head space to light up gloomy days.

Windfalls

I took these photos on Sunday afternoon in a fit of late-day sunshine. These are the allotment apple trees, their produce free for anyone to pick. The only problem this year was the crops were so plentiful, and the October winds so fierce, that most of the apples were blown off their stems and into bruising piles. And then there are only so many apple crumbles and pies you can eat if you do not wish to expand to fill one’s particular lockdown premises and so be inextricable by the time we, along with our personal resident viral-bacterial populations, are liberated to the wide world. In the meantime the wildlife of the creeping, pecking sort has a plentiful store to graze on, which in turn serves as a timely reminder that there usually is a positive side to most situations; someone benefits.

Passing thought: the chair in real life is a weathered sage green plastic effort, one of a pair that sat outside my polytunnel for years before I donated them to the communal apple-tree-tea-break-zone. It’s strange it looks so white and also unfocused in these photos; something oddly reflective going on here.

Tish Farrell

Writer on the Edge