#LensArtists

Cooling Off In Kiboko

Every time there was that gasp of relief, as if we’d not been breathing for the last hundred miles. Ahead, through the heat haze, appeared the stand of fig and fever trees, rising tall and green above the dry bush country. After two hours of truck fumes, heat and dust and no shred of shade since leaving home in Nairobi, it seemed like an oasis.

It could be a mirage of course. But no. Next the scene would solidify and we’d see the Akamba wood carvers’ stalls set out under the trees. And then, thanks be, we’d be turning off the Mombasa highway, bumping along the dirt track, that was scarcely more bumpy than the road, and into the cool sanctuary of Hunter’s Lodge.

And this is what we had left behind – the highway looking north towards Nairobi, caught here in a rare truck-free moment. There is currently talk of this route being replaced by a 300-mile multi-lane, super highway-toll road to be built under the auspices of the US government. Some Kenyans are sceptical of its ever happening.

The trip to Kiboko and Hunter’s Lodge was one we made every other week during our first year in Kenya. Graham had been seconded to the Kenya Agricultural Research Institute to work on the eradication of the Larger Grain Borer, a voracious pest of stored grain, introduced to the continent on consignments of food aid. The project had its base at Kiboko field station, which, most conveniently, was behind the garden at Hunter’s Lodge.

There’s more back story here: Once in Africa: everyday moments at Hunter’s Lodge…until the crocodile

The Lodge was built in the 1960s as the retirement home of big game hunter, the blunt-speaking, no-nonsense Scotsman, John Hunter. He belongs to the era of grand shooting safaris for maharajas and European nobility. (Out of Africa Bror Blixen and Denys Finch Hatton were colleagues and friends). He also spent much of his shooting career working for the colonial game department, tracking down ivory poachers while ridding the lowland bush country around Kiboko of ‘troublesome’ rhino and elephants. The former were terrorising the Akamba farmers, the latter destroying the sisal and orange farms of British settlers. He chose this spot for his home because he remembered it as an elephants’ waterhole, where he had enjoyed much time simply watching them. He seemingly saw no irony in the fact that he’d helped eradicate the local population.

The waterhole, which was fed by a rare local water source, the Kiboko River, was remodelled into a garden lake, and traversed (in our day at least) by an extraordinary bridge that led to the vegetable shamba.

There was said to a leopard living at the top of the lake, though I never saw or heard it. We did hear bush babies screaming at night, and also watched the nightly firefly show over the water. It was also a fabulous place for birds: over two hundred species including many varieties of kingfishers, weaver birds, herons and storks. Sadly, I had only my small Olympus – trip camera, so there are few bird photos. The very distant marabou storks in the next photo’s tree tops are actually huge in real life.

Kiboko isn’t marked on the map. It’s a centimetre above the border with Tanzania, due north of Kilimanjaro, roughly midway between Sultan Hamud and Kibwezi. The area east of the highway north of Tsavo East Park is Ukambani, traditional territory of Akamba farmers and herders. To the west is Maasai land, though you will of course see Maasai herders along the road, at the trading centres, and spot the red flash of their shukas as they drive their herds across the bush country north-east of Kiboko.

Sometimes along the road you may also catch a glimpse of Kilimanjaro, on those odd occasions when the mountain chooses to show itself. As you can see, lowland Ukambani is a sear land of thorn scrub and savannah. It hardly rained at all in the times we visited. The header photo was one of those rare moments.

Lens-Artists: Cool Colours John at Journeys with Johnbo sets this week’s theme and says he is open to any or all interpretations.

Still Life After The Allotment

I’m still pondering on how I feel about giving up my allotment. Hmm.

But then given the long, wet and laboured lead up to spring, I know the soil on my plots will be cold and claggy and in no way suitable for any kind of cultivation. Probably for weeks yet. I also know the wind will be whistling up there, and I can do without the added chill factor. Yet there’s no denying it (as I look at these photos), we’re going to miss the produce, freshly gathered as needed and all grown without the taint of pesticide.

We do have a small garden at our rented house, and I’ve already sown lettuce, rocket and spinach in big buckets. I have them covered in a large plastic covered cloche affair, and they’ve all germinated despite unpromising temperatures. I’m also going to get carrots going in large pots (they anyway often work better in containers) and peas in seed trays for sprouts. Yesterday I sowed cherry tomato seeds (in heated trays on the kitchen cupboard) and hope to plant them out along the sheltered walled border, though at this rate probably not till June! And then there might be room for some French climbing beans.

On the other hand, we might suddenly find we’ve bought a house. In which case, my (mostly) portable garden will be moving with us.

Lens-Artists #246: Still Life This week Patti sets the theme, a favourite with me when it comes to photographing garden produce. I’m sure I’m not the only one to see beauty in freshly dug new potatoes.

In An Equatorial Light

In another life-time I ran away to Africa and fell in love with light. I must have noticed light before, but I do not remember this kind of rapture. There’s the land too: the visceral, eviscerating redness of the earth. It strikes the eye, fires every neuron in the cerebral cortex, then jabs you in the solar plexus. The hue of life and death then; no wonder traditional peoples make so much use of this pigment. There were times when I felt I could eat it.

The place I ran from is very near the town of Broseley where we have recently come to live. There’s an odd sense of ‘full circle’ and a musing of: should I be worried about this unexpected retracing of steps; is there a reason I’m back here; some unfinished business to be dealt with now that I’m ‘older and wiser’? Etc. etc. I decide this line of thinking is a distraction, although it has me looking back through thirty years.

The place I ran (or rather flew) to was Nairobi, Kenya and so to a nine month stint of roaming up and down the Mombasa highway, accompanying a plant pathologist who worked both at the Kenya Agricultural Research Institute (KARI) in the city and at the Kiboko field station, a KARI outpost, a hundred miles south in Ukambani, homeland of the Akamba people.

Mombasa highway, looking north from Kiboko

Said plant pathologist, aka Graham, was working on a British government funded project to eradicate a maize-gobbling beetle known as LGB, the larger grain borer. (Everything you need to know about the science is at this link).

The pest had no known predators in Africa, having been introduced from South/Central America in consignments of US food aid in 1980s. And so finding itself free to infest the granaries of people who subsisted on grains, and on maize in particular, it quickly established itself across the southern and eastern continent, then in West Africa, travelling along major railway routes.

The aim of the project was to breed up stocks of a (safely) introduced predator beetle as a biological control and then release it in LGB infected areas. Meanwhile, the habits and destructive capacity of LGB were being monitored in various store experiments at Kiboko and at the coast near Mombasa.

On days when Graham was working at Kiboko, we stayed at Hunter’s Lodge. In our time it was an eccentric hostelry that seemed to survive for the benefit of its staff; there were rarely other guests there. Once it had been the home of John Hunter, Great White Hunter and doyen of the colonial grand safari era, friend of Baron Bror Blixen and Denys Finch Hatton, guide to sultans and European princes.

He had chosen the spot to build the house near the Kiboko River, at a place where elephant once came to drink at sundown. He also made a pool by diverting the river, and so created a marvellous haven for birdlife (some 3-400 species recorded there). I spent hours watching night herons, grey herons, weavers, pied, giant, brown headed kingfishers, ibis, white eyes, and storks. I took few photos: it was beyond my Olympus Trip’s capacity.

There are no elephant photos here either. They no longer came, nor would be welcome. Anyway, Hunter did a thorough job of official game clearance in Ukambani, where the colonial authorities deemed elephants a nuisance to settler farmers’ plantations. The nearest herds these days are an hour’s drive south in the vast national parks, Tsavo East and Tsavo West.

The bridge led to the hotel’s fruit and vegetable shamba

Rain and sunshine together: ‘a monkey’s wedding’

And speaking of monkeys, the garden was home to a troop of vervets, who soon learned we had a stash of food in our room. They were quick to relieve us of anything they could grab:

While I was staying at Hunter’s Lodge I met Esther, a young Akamba woman who had a stall selling wood carvings out on the highway. She also dealt in second-hand clothes and, an astute business woman, soon had me exchanging some of mine for her carvings. I think she had the best of the deal. I was useless at bargaining. She also had a notion that I would like to take a photo of her with young son Thomas. She knew exactly where she would pose, and took me along to the nearby petrol station where there was a cafe with a zebra mural. So please meet Esther and Thomas:

And here’s lovely Joyce who, on our return to Kenya a year later, used to keep our room tidy:

There were times, usually in the early morning, when we were leaving Kiboko that we’d catch sight of Kilimanjaro. There it rose on the horizon like a mirage. In seconds it would be gone, like a snuffed flame but without the tell-tale drift of smoke. You’d be left wondering if you dreamed it.

I fell in love with fever trees too, the graceful acacias that, incidentally, have no disease-bearing capacity, although the watery places where they live may well do so. The bark and foliage has a warm spicy scent that is unforgettable, and as for their looks in sundowner light, well, what is there to say…

When, at the end of our nomadic nine months, we went to live in Zambia (a very fresh-airy state) I truly missed the scent of fever trees. I couldn’t believe our luck when Graham was posted back to Kenya. It was then he had the rather dismal job of winding up the LGB project at the Kiboko field station. He threw a long, loud party for the lab staff at Hunter’s Lodge, and the next day everyone lined up to have their photo taken.

Most had other jobs to go to and were heading back to Nairobi and beyond. Only Paddy, then a young researcher, remained to carry on monitoring LGB movements and checking the insect traps on the nearby Range Station. He lived on the station in a remote staff house, up a long, long dirt road. These days he is Doctor of Agricultural Entomology at a research institute in Nairobi:

The road to the Range Station. I think this land was once a colonial (failed) sisal plantation. We heard that the thorny wilderness it had later become was the haunt of buffalo, an animal you definitely do not want to meet at close quarters.

After our return to Kenya in late 1993, we stayed on a further six years. This time Graham was involved with on-farm crop protection experiments, engaging the smallholder farmers in the process. As for LGB eradication, it seems attempts to use a biological control have not been especially successful, although the predator has naturalized and does have some limited effect on LGB numbers. Scrupulous cleaning of granaries between harvests plus chemical applications, e.g. dusting the stored crop with a pyrethroid insecticide does work, but otherwise it can be a sorry tale for subsistence farmers, who may not be able to afford the stuff. In the worst infestations up to 40% of stored grain can be lost, and up to 80% of dried cassava, a staple crop in West Africa.

So: some dark clouds on these horizons. It’s a lot to mull over. All these years on, I’m still trying to process it.

Graham at Emali market, buying maize for the Kiboko grain store experiments.

Lens-Artists: Glowing moments Siobhan at Bend Branches blog asks us to show her our best moments.

River Of Clouds ~ But Which Way’s Up?

This week Patti at Lens-Artists wants to see shadows and reflections in monochrome. So here’s a cloudy-day view of the Mawddach Estuary in Wales: upright and upside down. Intriguing, isn’t it. It’s making me think of a Rorschach inkblot test.

Lens-Artists: Monochrome shadows and reflections

Winter Sea

Finishing the year with a photo that began it, taken during our New Year break at Aberffraw on the North Wales island of Anglesey. It’s a place you can always rely on for some stunning light effects, even in winter. Last January did not disappoint, though we had some gales too. Here are some of the more peaceful on-the-beach moments.

Here’s wishing you glowing horizons, whatever your outlook.

Lens-Artists: Last Chance

This week Tina gives us the opportunity to post any 2022 photos of our choice, though not ones previously posted for this challenge. Please take a look at her lovely gallery of photos.

Stiperstones ~ On The Diagonal

In an earlier post HERE I said the Stiperstones ridge has to be one of Shropshire’s most compellingly strange landscapes. And that its cragginess was wrought by the scything, crushing and cracking action of ice during the last glacial period some 150,000 – 11,000 years ago. Periods of alternating thaw and freeze also made their mark. But now I’m also noticing another striking feature – the way the geology is so determinedly set on the diagonal, the outcrops’ pitch a piece of ‘set-in-stone’ evidence attesting to recent epic earth forces.

When I say ‘recent’ I am of course wearing my prehistorian’s hat. Also I should make clear that the word ‘last’ as in ‘the last glacial period’ does not mean ‘final’, or that we have seen the end of ice ages. We are currently in an interglacial period, otherwise known as the Holocene. In the past, ice ages have occurred in regular cycles, beginning in the Quaternary about 2.5 million years ago, coinciding with the formation of the Arctic ice sheet. There is no reason to suppose that that this cycle has stopped. Today’s sudden drop in temperature is also giving me pause for thought. Thank goodness for alpaca leg warmers and woolly socks is all I can say (and that’s in the house).

Now for more Stiperstones diagonals:

Lens-Artists: diagonals This week Patti sets the challenge and provides an inspiring photo-essay on making the most of diagonal vistas and subjects.

Castle in the Air?

Does this look real to you?

It doesn’t to me, and I was there, a coupld of days ago on All Hallows Eve, taking this photograph. It’s a view I’ve captured before, but somehow these ruins of Ludlow Castle set high above the River Teme, always manage to look like some idealised Victorian watercolour; or a film set; even dream-like. Yet there was nothing dreamy about the conception of this massive fortification. Its construction began in the 11th century with the sole intention of keeping the Welsh princes in their place behind the nearby England-Wales border.

It’s other significance, in my mind at least, is that in the winter of 1501 Prince Arthur Tudor, heir to the English throne and Henry VIII’s older brother, spent his honeymoon here. He had married the Spanish princess, Catherine of Aragon, both of them still in their teens. You can read more this story here: Honeymoon Destination Anyone?

But in any event, even with the walls intact, and some well tapestried royal chambers somewhere within, it takes a great leap of imagination to consider this an ideal honeymoon venue. Presumably Arthur’s presence was a political gesture to impress the Welsh neighbours. In any event, it did not end well. It seems that both Arthur and Catherine fell ill with the ‘sweating sickness’, a strange and passing disease of Tudor times. Catherine recovered but by April 1502 Arthur was dead. And the rest, as they say, is history.

My own experience within the castle walls dates back to the late 1960s. It was a summer’s evening and the time of the Ludlow Arts Festival which every year staged a Shakespeare play inside the castle’s massive inner bailey. Open air of course and on very hard wooden seats. My mother had tickets for Shakespeare’s Richard III. It had poured with rain all day, and I (in grumpy teen mode) didn’t want to go. But by early evening the sky cleared and so we set off for Ludlow, armed with cushions and blankets and a flask of coffee.

There was no set to speak of. Only a platform with a throne against the looming backdrop of the bailey walls. Swifts and swallows whisked by overhead, but as it grew dark it was the turn of the bats to swoop and dive around the battlements. And then came Act 5 scene 3 – the night before the battle of Bosworth Field when Richard is visited by the ghosts of all those he has murdered. And out of the shadows, from different spots around the castle walls, echoed the eerie voices. It was thrilling. Unforgettable. And to think I hadn’t wanted to come.

#Lens-Artists: Flights of Fancy Johnbo has set this week’s challenge. Go see his different approaches for this theme.

Here Comes The Sun

Snowdonia, North Wales from across the Menai Strait

Wales tends to have a reputation for being short on sunshine and long on rain (washed out family holidays often looming large in people’s memories). And it’s true it does receive a lot of rain from the Atlantic. And yes, it can often be a question of catching it while you can. But then when you do, the combination of mountains, sea and active weather systems can produce some other-worldly effects. The island of Anglesey in December and January puts on some specially good sunlight shows, and what can be more heart and spirit-lifting than winter sun.

The Pilot House, Penmon Point, Anglesey

In Henllys Woods

Aberffraw Beach: January sunset

Lens-Artists: Here comes the sun This week Amy asks to see our sun photos and anything under the sun.

Earth Marvels

If ever I were to begin to pin down my beliefs, then I might say they relate to earth, the planet, the universe, the creative forces that we humans scarcely understand, although that doesn’t stop us from telling ourselves plenty of stories about them. Indeed, throughout our short existence on the planet, it seems we have always told such tales, and it’s probably worth considering how many of them have proved false and fanciful.

And so when it comes to taking photographs, these are the kinds of thoughts that may be drifting through my mind. I mean, really – existentially – how do you explain this peacock butterfly – its form, colours and intricacies of behaviour? Of course for taxonomic purposes, entomologists may have a great deal to say on all these aspects, but in the natural scheme of things this organism simply IS, albeit occupying its own very particular evolutionary time and space.

Through my human eyes, then, I see it as a marvel, because I also judge it to be beautiful and so worthy of my full attention. It is also very pleasing, exhilarating even, to see it, take its photo and then to share it. So in this sense it is also a celebration. At the same time I note that I am, as most people would be, uneager to similarly celebrate housefly larvae, dust mites, garden slugs or sooty mould; yet they all have their place in the biosphere. All of which is to say we humans are very selective when it comes to the things we ‘see’ and don’t ‘see’. I also think it’s worth thinking about this proclivity when it comes to our earth stories.

For now though, more celebratory earth snaps from today’s August garden. It’s bee and bug heaven out there…

And yesterday I discovered a newcomer to the garden. This is one of a host of tiny bees presently foraging on the tansy flowers over the fence in the guerrilla garden. They are less than a half inch/centimetre long with banded abdomens of yellow or bluey-grey tones. I think they are a Colletes species/plasterer bees and therefore fairly recent arrivals in the UK.

Lens-Artists: What’s your photographic groove? Anne at Slow Shutter Speed wants to know. Please pop over to her blog.

Reflections: Looking Back On Tiwi Reef

Today in Shropshire we are having a heatwave – 26 C which is hot for us. It’s making me think of Kenya days when we used to spend Christmas (the hottest season) on the South Mombasa coast. We took all our best friends and family there. So: fond, if long ago, thoughts of grilled reef fish and lobsters bought from the local fishermen, and daily visits from the vegetable seller who pushed his sturdy Chinese bike along the coral paths, the black frame slung with raffia panniers, the contents garnered from his shamba – pawpaws, tomatoes, red onions, tiny hen’s eggs, warty lemons, a pepper or two.

Of course it was steamy there beside the Indian Ocean, but breezy too, and the verandaed beach cottages, following the local style, were built to catch it – tall makuti thatched roofs, large unglazed windows shaded by louvered shutters with moveable slats. Billowing mosquito nets over the beds. The outside sounds blowing in, crickets in the hot grass, finch chatter in the Madagascar flame trees, plangent call of the water bottle bird emptying its flask, a descending doo-doo-doo-doo…then waft of frangipani, and further off, the ocean crashing on the reef. The smell of the sea. Aaaah! Tusker beer, anyone?

Lens-Artists: seeing double This week Jez has set the challenge. He has some stunning reflections on show.

Tish Farrell

Writer on the Edge