Did We Dream Great Zimbabwe?

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Great Zimbabwe inside the great enclosure

I’m thinking we did dream it. These vintage scenes look unreal. I remember it as a perfect day, though more drowsy English summer – the sort we like to think once happened – than an actual African afternoon. It was July, southern Africa’s winter, the daytime temperatures cool enough for me to be wearing my Zambian cotton jacket, at least in the shadows within the Great Enclosure. Strangely, we had the ruins to ourselves, us and our two companions. For a time, before starting our exploration, three of us had sat outside on the grass, our backs against the enclosure’s monumental, drystone wall. The air was still; the granite warm.

We were living in Zambia at the time, but were on a two-week road trip across Zimbabwe. This ancient African city was a high spot on the itinerary. Yet the conversation below the great wall wound on; quite unrelated to the place we were. Crickets chuntered. Time passed. A sense of treading water. Soon we would have to move on to find somewhere to stay for the night. It was all unknown territory. We had nothing booked. There was a moment when I thought if I don’t break free of this reverie, my one-time chance to see this place will be lost. It almost was.

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Great Zimbabwe general view

Amy at Lens-Artists asks us for precious moments. It was hard to choose from our eight-year stay in Africa. It often felt we were present for all of it – all senses always switched full on. But Great Zimbabwe was certainly one of highest high spots. I still have that jacket too, stitched by hand from cloth bought in a Livingstone store, near Victoria Falls.

Many of you have seen these photos before, but I’m sure you don’t mind another look. I’m also reprising the text of a long-ago post for those who want to know something about the ruins.

Great Zimbabwe

No one knows exactly why this great African city  was abandoned. For some 350 years, until  around 1450 AD,  Great Zimbabwe had been a flourishing merchant centre that drew in from the surrounding country supplies of gold, copper, ivory, animal skins and cotton. The city’s entrepreneurs then traded these goods on to the Swahili city states of Sofala and Kilwa on the East African coast. (You can read more about the Swahili HERE). In return, the traders brought back luxury goods including jewellery,  Chinese celadon dishes and Persian ceramics.

The city’s ruins cover 80 hectares, its many stone enclosures commanding the southern slopes of Zimbabwe’s High Plateau watershed between the Zambezi and Limpopo Rivers. The site is well watered with good grazing throughout the year. It is above the zone of the deadly tsetse fly that can infect both cattle and humans with sleeping sickness; and the plateau’s granite scarps provide plentiful building stone and other raw materials.

Even so, these favourable circumstances do not explain why this settlement rose to such particular prominence. Great Zimbabwe was not a singular phenomenon. Contemporary with it,  and across the High Plateau region, are the remains of at least a hundred other mazimbabwe (houses of stone) settlements. Several were large enough to have been the capitals of rival states. Others may have been satellite communities occupied by members of Great Zimbabwe’s ruling lineage.

So who were the city’s builders?

During Zimbabwe’s colonial times, and until independence, the  Rhodesian government actively supressed  evidence that Great Zimbabwe was built by Africans.  Many of the other stone ruins were destroyed or re-purposed by European settler farmers. The official view claimed that the city was Phoenician, and that the Queen of Sheba’s fabled kingdom of Ophir had been discovered. Archaeologists, however, have long demonstrated  that it was the cattle-owning Karanga Shona who built Great Zimbabwe. The first phase of stone building began around 1100 AD. Thereafter, the city’s rising fortunes and successive building phases suggest its increasing control of the ancient High Plateau trade routes to the Swahili cities of Sofala and Kilwa.

Gold was the key commodity, and it is likely that it was Great Zimbabwe’s successful cattle production that provided it with the trading power to secure gold supplies from mines some 40 kilometres away. The more prosperous the city became, the more sophisticated its demonstrations of prestige. In around 1350 AD  the Great Enclosure of finely dressed stone was built. This huge elliptical structure with its mysterious platform and conical tower is thought to be the royal court. There is no indication that the walls were defensive. This was  a regime confident in its power and authority.

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Peter Garlake’s reconstruction of the Great Enclosure Platform from Life at Great Zimbabwe,  Mambo Press 1982

Then why did the city decline?

There are various explanations: the people had let their herds overgraze the land; they had cut down all the trees; there was a prolonged period of drought as may happen in southern Africa. But somehow none of these theories quite explain why, after 350  flourishing years, a community of perhaps 20,000-plus people should simply pack up and leave. Did all these farmers, herders, miners, craftspeople, soldiers, traders, accountants, court personnel and the city’s rulers  leave on a single day, or did the city die slowly?  The archaeological evidence does not say.

But we do know there were disruptive external forces. In the 15th century the Portuguese invaded the Swahili coastal city of Sofala. They were on the hunt for gold and so pressed inland with Swahili guides. Their interfering presence drove the trading routes north, giving rise to the Mutapa state. This new state may well have been founded by people from Great Zimbabwe. Certainly by the time the Swahili traders were coming up the Zambezi to trade with the Shona directly, the old trade route through Great Zimbabwe was no longer used. At this time, too, we see the beginning of another Shona city state: the construction of the stone city at Khami near Bulawayo in southwest Zimbabwe. In the following centuries this became the centre of the Torwa-Rozvi state whose other major cities during the 16th and 17th centuries included Naletale and Danangombe.

And so into history…

Of course with the Portuguese incursions comes the first documentary evidence. From the early 1500s Zimbabwe’s royal courts enter the historic record in the accounts of the Portuguese conquistadores. In 1506 Diogo de Alcacova writes to his king, describing a city  of the Mutapa state

“called Zimbany…which is big and where the king always lives.”  His houses are “of stone and clay and very large and on one level.” Within the kingdom there are “many very large towns and many other villages.”

The Portuguese historian Faria y Sousa also describes the King of Mutapa’s great retinue which included the governor of the client kingdoms, the commander-general of the army, the court steward, the magician and the apothecary, the head musician “who had many under him and who was a great lord”. Also noted were the vast territories over which the king ruled, the revenues and subject kingdoms of the king’s several queens.

And suddenly we have a true glimpse of what this land called Zimbabwe might have looked like in the past, a bustling, mercantile, metropolitan culture, supported by gold miners, farmers, cattle herders and craftspeople. And so it remained until well into the 18th century, albeit with a shift of Shona power to the southwest and the Torwa-Ruzvi state as the Portuguese presence caused increasing instability. Then in the 19th century came new invaders – the Nguni, the Ndebele and the British.

This centuries’ old heritage of royal courts is not a picture that the likes of Cecil Rhodes or, the later Rhodesian government of Ian Smith ever wanted anyone to see. And so in the end this is not so much a story of a city abandoned by its people, but of a people wilfully excluded from their past.  In 1980 when Zimbabwe became an independent state, some of this past was reclaimed: the new state took its name from the first great Shona city, and  adopted for its flag and coat of arms, an image of one of the city’s ceremonial soapstone birds. These are small steps forward, but there is still a long way to go before the world sees the indigenous histories of the Africa continent in their true perspective, or acknowledges their intrinsic cultural worth.

 

References: The classic work on the excavations of the city is Peter Garlake’s Great Zimbabwe 1973. For an overview of the mazimbabwe culture see Innocent Pikirayi’s The Zimbabwe Culture  Alta Mira Press 2001. For a broader historical perspective Randall L. Pouwels The African and Middle Eastern World, 600-1500 Oxford University Press.

 

Lens-Artists: Precious moments

Clamour Of Rooks On Sytche Lane

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Or it could be a parliament, a building, a storytelling of rooks.

The people who lived in our house before us called it Rookery Cottage. We didn’t adopt the name. The house actually sits beside the main road out of Wenlock and the rookery is behind us on Sytche Lane,  with a stretch of Townsend Meadow in between. Even so, we do hear its clamour, especially on spring and summer evenings. And we do have ring-side viewing of the whisking-whooshing corvid ballets that feature over the field in the twilight hours of early autumn. These aerial displays are a sight to behold, and are among the Farrells’ household treasures.

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Cee’s Black & White Photo Challenge: Birds

Six Word Saturday

More About Outline Than Content

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This week Jude at Travel Words truly set us a photo challenge:

“find an object where its outline is more dominant than its three dimensional qualities, you need to approach your photograph with an eye for shape rather than form.”

She also provided a very striking photo for guidance. I then returned to the words, thought I understood them, but as I looked through my own photos began to wonder if I actually did. So after a backtrack to Travel Words to see how others had responded, these are the photos I came up with. The header tulips are anyway worth including simply for their ‘look-at-me’ factor. Also if you’ve forgotten to plant your tulip bulbs (in the UK anyway), there’s still time to do it in December.

The next photos are all from Kalamata: remembrance of sojourns past and other Greek reflections across the Gulf of Messenia.

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2020 Photo Challenge

Apple Snaffling

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For the last couple of days this male blackbird has been tucking into our garden crab apples. He has a technique. Using his beak like a dagger, he jabs downwards with great vigour, slicing off morsels. Sometimes, though, he ends up with a mouthful he cannot swallow, which then requires a descent to the garden path where sets about cutting the apple down to size. All part of the morning’s seasonal entertainment at the Farrell establishment.

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Lens-Artists: ‘A’  This week Patti asks us for subjects that start with the letter ‘A’.

Over The Garden Fence

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It does seem perverse to photograph the guerrilla garden’s very colourful crab apples in monochrome. I  anyway didn’t much care for the result. Then I started tweaking the exposure and contrast in my editing programme and thought that this was quite an interesting ‘take’ for Cee’s challenge this week of circles and curves. And then I had a look at the photos I’d taken of the dewy grass over in the field – some very gentle curves and glittery droplets, blue or sepia tinted. Pleasing, I thought.

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Cee’s Black & White Photo Challenge: circles and curves

My World In Sepia

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I seem to be having a ‘sepia season’ just now. It’s suiting my mood. And I anyway like the ‘antique’, slightly mysterious cast it gives some of the shots. I took them earlier in the week – along the lane from the Wenlock Priory ruins. The magnificent Corsican pines tower over the Priory visitor entrance, the place shut up for months now. I’ve no idea how these trees came to Shropshire, but I’m guessing that the Milnes Gaskells who once lived in the Prior’s House, or The Abbey, as they called it, may have planted them. This would be back in the days when Henry James was a repeat visitor and the priory ruins were something of an extended garden feature for his genteel English hosts.

The next two photos provide views of what was once the Priory ‘parkland’, now mostly owned by Wenlock Estates, a family trust, and grazed by sheep. In the Priory’s heyday the monks apparently had a high old time, hunting on horseback across their extensive domain. And not only that. One wild young monk, William Broseley, headed a gang of bandits, Wild West style, and Prior Henry de Bonvillars in 1302 was charged with raiding and horse stealing over on the Welsh borders.

Sheep were also an important monastic commodity, the wool a source of great wealth in the early Middle Ages. In 1284 another slippery Prior, John de Tycford, caused consternation and monkish fury within the sacred confines when it was found he had robbed the house of its wealth through a spot of canny futures dealing. He managed to sell seven prospective years of wool and then make off with the loot. Things are much more peaceful here these days.

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Lens-Artists: You Pick It This week our excellent hosts, the Lens-Artists, invite us to choose our own topic.

The Changing Seasons ~ November 2020

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I could swear it was only yesterday I was compiling October’s Changing Seasons post. Fascinating how time flies under lockdown and loss of civil liberties. Still, here on the Edge things are peaceable if rain-sodden, though we have been blessed with some perfect-sun interludes.

On rain-free days my gardening mind has mostly been on leaf collecting. This year the field maple and oak have been delivering double servings on the lane beside the allotment so I don’t have far to go to fetch them. I have created various ad hoc silos out of wire to store them, and this method does seem to speed up decomposition. Though adding some comfrey leaves and grass cuttings also helps. Anyway, already by September last autumn’s leaf stores had yielded sufficient quantities of chocolatey compost to give the summer raspberries a good, deep mulching.

There is also much tidying to be done on the allotment plots – taking down the bean poles, turning compost heaps, netting winter greens against pigeon attack. There’s still been lots to pick on the outside beds – beetroot, carrots, leeks, some chard and perennial spinach. The polytunnel goes on producing too. I took out the last of the tomato plants this week. As each plant finished I’ve been using the space for spinach, lettuce, kohl rabi, Russian kale and cauliflower seedlings. At the moment they are still growing, and I even had to remove some highly unseasonal caterpillars. I also have a very impressive bed of coriander, and some Chinese mustard greens. How they will all over-winter is a matter of waiting and seeing, but at the moment there’s plenty to make a good green salad. Lots to be happy about.

 

The Changing Seasons: November 2020

Please visit Su to see her New Zealand November gallery.

Iced!

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The other morning I found the frost had left this ice skin on the very top of the garden water butt. We’ve had days of rain and it was filled to the brim with downpourings from the old privy roof. Most  curious, I thought. It looks like a pile of actual leaves, some reedy plant, say. Or else in some mysterious way the water’s surface had replicated, as it froze, the flattened leaves of the Crocosmia that grows a few feet away over the fence. So does this mean that a common or garden water butt can make art; or create, when the elements conspire, its own version of monochrome digital images? It would seem so. I herewith proffer the evidence.

Cee’s Black & White Photo Challenge: close-ups 

This week Cee gives up lots of close-up inspiration. Please pay her a visit.

Apple Tumble?

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My allotment chum Phoebe had pushed this pile of windfalls under the field hedge so the wildlife could tuck in and be sheltered. I spotted them other day, spilling through the undergrowth into the field, and instantly thought of the Andrew Wyeth water colour ‘Frosted Apples’. I didn’t have a camera with me that day, and anyway the light was poor, but I caught them instead a couple of days ago, the afternoon sunshine tumbling after them.

Crab Apple Heaven

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Today, the 26th of November, we woke to the first autumn frost, though by the time I was dressed and out in the garden, it was melting fast. Not a cloud to be seen. There was a moment, too, when the sky was a perfect shade of  lavender. Who knew it could do that in Much Wenlock! The last time I saw such as sky I was at Hunter’s Lodge in Makindu, Kenya. Nor was it only the atmosphere making earth magic.  Over the fence in the guerrilla garden the crab apple tree was also emitting its own extraordinary radiance: each miniature apple aglow, if slightly tearful. In fact before posting the first photo I had to desaturate it a touch.  Even so, it’s still a glow worth popping in your heart or head space to light up gloomy days.

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