This one was on Newborough Beach, Anglesey, one late December morning. You can just see the mountains of Snowdonia on mainland Wales in the distance.
But not to make light of those who suffer bad black dog days, and there are very many of us who do, intermittently or full-time, here is a hopeful little video from the World Health Organisation:
https://www.youtube.com/watch?v=XiCrniLQGYc
Lens-Artists: Splash Please visit the Lens-Artists to see their spirit-raising photos.
https://www.youtube.com/watch?v=NeozhyFY1i8
Last week, 16 November 2018, Professor Philip Alston, international lawyer and UN Special Rapporteur on extreme poverty and human rights made his statement on the shameful state of Britain. He began by pointing out that the UK is the world’s fifth largest economy, yet one fifth of its population live in poverty. Of these, 1.5 million are destitute. The reasons for this, he says, are largely ideological, and government ministers are so fixed on their agendas, they are refusing to acknowledge the evidence presented to them, or acknowledge the consequences of their policies. The problems, Professor Alston states, are set to grow worse, and especially for the most vulnerable: CHILDREN.
14 million people, a fifth of the population, live in poverty. Four million of these are more than 50% below the poverty line, and 1.5 million are destitute, unable to afford basic essentials. The widely respected Institute for Fiscal Studies predicts a 7% rise in child poverty between 2015 and 2022, and various sources predict child poverty rates of as high as 40%. For almost one in every two children to be poor in twenty-first century Britain is not just a disgrace, but a social calamity and an economic disaster, all rolled into one.
Amber Rudd, the new Work and Pensions Secretary dismissed the report on the basis that its tone was ‘highly inappropriate’. Philip Alston’s response, as covered by the Guardian, was to tell her to take action rather than criticise.
You can judge Professor Alston’s tone in this introduction to his statement:
The UK is the world’s fifth largest economy, it contains many areas of immense wealth, its capital is a leading centre of global finance, its entrepreneurs are innovative and agile, and despite the current political turmoil, it has a system of government that rightly remains the envy of much of the world. It thus seems patently unjust and contrary to British values that so many people are living in poverty. This is obvious to anyone who opens their eyes to see the immense growth in foodbanks and the queues waiting outside them, the people sleeping rough in the streets, the growth of homelessness, the sense of deep despair that leads even the Government to appoint a Minister for suicide prevention and civil society to report in depth on unheard of levels of loneliness and isolation. And local authorities, especially in England, which perform vital roles in providing a real social safety net have been gutted by a series of government policies. Libraries have closed in record numbers, community and youth centers have been shrunk and underfunded, public spaces and buildings including parks and recreation centers have been sold off. While the labour and housing markets provide the crucial backdrop, the focus of this report is on the contribution made by social security and related policies.
You can read his full statement on Britain HERE
And his 2017 statement on the United States is HERE
Many thanks to Dear Kitty. Some Blog for drawing my attention to this video.
If you read my October posts on Chatsworth, you will know that our wander through the grossly sumptuous interiors made us very, very grumpy – with ourselves for one thing – for pandering to this piece of (very successful) private heritage enterprise and paying £50 (including guide book) for the doubtful privilege of doing so.
And then there’s the history that riles. However you look at it, this great family pile is founded on all that continues to be wrong with English society: the dubious acquisition of great wealth, status and power, and the fact that we STILL bow before the titled, rich and famous as if rampant social climbing and an unearned and unjustified position of superiority is worthy of our respect. Furthermore we then confuse the act of procreation by such people with the passing on of hereditary titles, as if the first justifies the second. It does not. It need be considered no more real than a mass belief in fairies. Yet we have embedded it in our institutions – the monarchy and the House of Lords being its most obvious expressions.
The first, admittedly, has been reduced to soap opera status (although the royal family still holds on to a vast amount of wealth and property so long as it does not rock any political boats), but the Lords, by contrast, exercise considerable authority over the passing of our laws. And while there are very good reasons to have an upper house to provide check and scrutiny of the doings of the House of Commons, the fact is the Lords are unelected – bishops and peers whose titles are the only membership credentials required to get in there to lobby and pass judgement on matters of national and international importance.
And we the English people, through habit and unquestioning apathy continue to be complicit in a system where wealth, class and newspaper magnates shape and control the society we live in, and often against our best interests. It is the Emperor’s New Clothes writ large – in all its intricately self-serving, pernicious nastiness. So why do we still buy into it? Or are we too distracted by our cell phones to pay attention?
But back to Chatsworth. Now I’m left wondering if it would be more acceptable if it were owned by the National Trust. Probably. Although I have to say that in recent conversations with friends and relatives who, like us, are Trust members, we increasingly agree that the stately homes themselves leave us cold, their current presentation often afflicted by bad cases of Downton Abbey-itis that make too much of surviving family members who (by accident of inheritance) may still live in them. Instead, it is more the National Trust’s thoughtful management of landscape and countryside, and the pioneering of green technologies that wins our hearts and minds.
Meanwhile at Chatsworth the Cavendish family take pains to make themselves politically acceptable by presenting themselves as great patrons of the arts, and particularly of contemporary art. They do this to the extent of mining their own mitochondrial DNA in order to commission artwork that fixes it in a public display in the North Sketch Gallery. Many of you commented on this bizarre piece of self-regard-made-art in Back to Chatsworth and a bad case of over-gilding?
But of course, all this leaves me with a terrible dilemma. You see I have the photos, and Chatsworth is nothing if not photogenic, and especially in the October sunshine. And so now I’ve had a little rant, here are the pictures, the selection inspired by Paula’s word prompts at Lost in Translation. (See the list below).
P.S. But in case you’re thinking Chatsworth is an isolated example in the history of England’s aristocracy, and how its members acquired riches, power, titles and unwarranted social and political influence, then architectural historian, Dan Cruikshank’s BBC series The Country House Revealed gives further examples. We came upon it last night on YouTube, and it reminded me how angry I’d felt at Chatsworth. Anyway, Cruikshank tells a grim, if fascinating story in episode 1 at South Wraxall in Wiltshire, though be warned, his whiffling, whispering mannerisms may prove a little irritating to some. On the other hand, the revelations in the content make it worth putting up with the eccentric delivery.
https://www.youtube.com/watch?v=dywRbbDsqnY
Related posts:
To Chatsworth and how Mary Ann went to the ball
Back to Chatsworth and a bad case of over-gilding?
Thursday’s Special: Pick a word in November : palatial, cerulean, spurting, radiating and comic.
On Saturday the weather gods handed down sunshine and stillness, and so after lunch I spent an hour wandering round our local ruins, trying to catch the best of the light. We take them for granted, of course, these ruins. They are practically on our doorstep, a few minutes walk past the Linden Field and down the Cutlins where the sheep are presently grazing. Even before you get there you can glimpse the ragged elevations of the 13th century priory church through the Corsican pines, the old sandstone with its strange quality of luminosity, no matter the weather.
The ornate Norman arches you can see in the header photo date from c1145 (I’m standing in what was once the cloister to take the photo) and this is the entrance to the Chapter House, the monks’ meeting room. The building to the immediate right, is now a private house, long known as The Abbey, but once containing the monks’ infirmary and dormitory. You can also glimpse the rooftops of the later and very grand Prior’s Lodgings beyond it (late 1400s). (You can see more about them at Going behind the scenes at Wenlock Abbey.)
The less imposing doorway to the left of the archways leads to the library. This is not the original entrance but was added after the Dissolution when the priory remains were used as farm buildings. Above it soars the remains of the south transept, once part of one of the most imposing monastic edifices in all Europe. It’s hard to imagine the full scale of it now. Not only did Henry VIII’s dissolving crew do a good job in 1540, but the good citizens of Wenlock were quick to repurpose all that well cut stone. Most of the oldest houses in the town doubtless have some monastic stonework in them somewhere.
This view from St. Michael’s Chapel (the Prior’s private place of worship) shows the southern edge of the church nave. The church originally extended to the far wall just in front of the trees (107 metres/350 feet). The stone stumps are the remains of gigantic columns, a matching arcade to the north side (out of shot). The remains to the right of the columns belong to the south transept. See next photo.
St. Michael’s Chapel right, south transept centre, north transept left. And still it is hard to grasp the original scale of the place. The roof of the nave would have risen way above the south transept, the church forty years in the building.
But now I’ve lingered too long. The shadows are gathering. My presence here feels like intrusion. Time to head home.
copyright 2018 Tish Farrell
More about the priory’s history in an earlier post HERE. And for an account of Henry James’ visit to The Abbey see When Henry James Came to Wenlock.
Lens-Artists: Doorways This week Tina gives us doors and doorways as the Lens-Artists’ theme. Please pop over to see her ever impressive work, and don’t forget to visit the other Lens-Artists.
You cannot beat the Menai Strait for magical light shows, and especially in December when there can be perfect days like these. These photos were taken on Anglesey near Beaumaris, looking across to mainland Wales: the first at midday, the second in the early morning from behind the town, and the third at Penmon Point in late afternoon.
Lens-Artists #19: Magical Light
For more inspiration please visit Amy and the other Lens-Artists to see their take on magical light.
That wouldn’t be the people who rule us, would it?
STOP THE WAR COALITION NEEDS US
These images are presently being projected onto the tower of Much Wenlock’s parish church.
For the last week I’ve been out and about on woodland paths scooping up fallen leaves into big blue IKEA shopping sacks. This pursuit invites worried stares from passing dog walkers and the ingress of nosy dog noses into my bags of gatherings – presumably in hopes that I’ve also raked up decomposing animal parts, or at the very least, an interesting stick.
Two days ago, by such devices, I was nearly able to kidnap a very nice cockapoo, and after my exchange with its human companion, I rather wished I had. ‘They are lovely dogs,’ I say to the man as he closes in on me. ‘I wouldn’t know,’ he says dismissively. ‘All I know is it needs a lot of exercise.’ Well, I thought, such disgruntlement in the face of this good-hearted, intelligent canine whose cappuccino coloured face I am presently clutching (come home with me little woolly dog). I decided he must have been dragooned into enforced dog walking by a wife at work, or an aged mother-in-law – how else could one explain such sour reactions.
But back to the leaves. When I’ve filled two bags I haul them down the footpath to the allotment where I tip them into wire silos. After that it’s a question of waiting for them to rot down into leaf mould. Usually this takes about two years if you want dark crumbly loam. The process can be speeded up by shredding the leaves first, hence my collecting them on paths where people walk and mash them up. Oak, beech and hornbeam leaves are said to make the best leaf mould since they break down well. It also helps to turn the pile now and then and give it a watering if it looks like drying out.
There’s not much nutrient content in the finished product, but it helps retain moisture and is brilliant as a general soil conditioner, to pile round the roots of cane fruit and for mixing into potting compost. Last year I was also glad to use the half-rotted stuff as a mulch to stop the vegetables from baking in the heat wave. In this state, too, it can be used to cover bare earth over the winter. Always a good move if you want to encourage worm activity as every gardener does.
But obviously the best part about the leaves just now is their magnificent glow. At half past four yesterday as I left the allotment it was already heading into dusk, but the bird cherry was lighting up the place like a torch. And further along on the field path a beech hedge was floodlighting its garden. What a show. I took its photo, while making a note to return when all the leaves had fallen off. So much treasure for the taking.
copyright 2018 Tish Farrell
Japanese Anemone Wild Swan
Lions are the past-masters when it comes to both standing out and blending in – this week’s photo challenge from Ann-Christine at Lens-Artists, which sent me rifling through the old Africa Album for some good examples. These were all taken in Kenya’s Maasai Mara back in another lifetime. The header shot shows both leonine proclivities – the art of showing off and of disappearing in foot-high oat grass. I think there are at least three lions in this shot. In the following close up you can see one of them – just right of the lioness’s left ear. Probably a male.
But what about this next shot – can you spot the second lion? Course you can, now you know what to look for:
*
And here’s a different kind of concealment – the whole pride in a gully; their concentrated gaze suggesting thoughts of dinner and where they might find it.
Well, it has to be some kind of magic, foxgloves in November. And not just one aberrant stem, but several all set to bloom. And this after last week’s several frosty days. But what a treat to find it flowering outside the back door – its blushed peachy shades looking far too delicate for this autumn outing.
There are other treasures too. In the raised bed at the top of the garden there are delicate cascades of Aster Lady in Black. I bought it at the end of last summer, and it has just now come into its own. It doesn’t grow too large, but has dark stems and feathery leaves and a slightly unruly habit, and while the individual flowers are tiny, the overall effect is perfect for brightening a late season border.
And then there are still some crimson snapdragons and coral hesperantha:
