Mitchell’s Fold

Cool Cool Convolvulus But Hot On The Plot

We’re having a two-day heatwave here in the UK, temperatures in the 30s. That our summers for the last few years have been fairly heat-free seems to have erased memories that in times past we also had heatwaves. I remember baking to a crisp day after day on a Welsh beach back in the mid-1950s, and that was in May. And then there was the prolonged drought of 1975-76 when, due to severe water shortages, bathing with a friend was the catch phrase du jour. Wikipedia says this about that year:

Heathrow had 16 consecutive days over 30 °C (86 °F) from 23 June to 8 July^[ and for 15 consecutive days from 23 June to 7 July temperatures reached 32.2 °C (90 °F) somewhere in England. Furthermore, five days saw temperatures exceed 35 °C (95 °F). On 28 June, temperatures reached 35.6 °C (96.1 °F) in Southampton, the highest June temperature recorded in the UK. The hottest day of all was 3 July, with temperatures reaching 35.9 °C (96.6 °F) in Cheltenham.

Whatever the weather, this gardener usually tries to avoid going away during the main growing season. At the best of times, watering the allotment vegetable plots and polytunnel seems too big an ask of fellow allotmenteers, and especially so during a dry spell. Summer for me, then, means garden watch. And so with the promise of a hot day ahead, this morning I was off to the allotment at 6 a.m. to see what rescue remedies might be needed after yesterday’s heat.

I needn’t have worried. The polytunnel (a sweat-inducing structure even in coolish weather) was fine. I’d left both doors open and the tomatoes, cucumbers and aubergines, lettuce and herbs looked happy enough. Meanwhile out on the plot, and since I was there, I damped down the mulch around the climbing peas and beans, courgettes and sweet corn, then picked raspberries that were looking a bit cooked, and gave vulnerable beetroot and leek seedlings a good soak.

And then I wandered around and took these photos, and was home by 8 a.m., by which time it was definitely warming up. The BBC forecast says 35 C now at midday, though the Norwegian Met Office site YR (which I usually follow as it’s pretty good) says 34. In any event, it will be a much cooler 22C max tomorrow, and in the 20s for the rest of the week. I just hope we get some meaningful rain showers along with the returning coolness.

Back in the home garden, the borders are definitely struggling through lack of rain. I can’t begin to water everything. The driest area is over the back fence in the guerrilla garden. Plants there simply have to take their chances, but even so, the tansy and golden rod are running rampant, towering over my head, and the late flowering Michaelmas daisies and helianthus are catching up. Meanwhile Ann Thomson geranium is holding her own against the lot of them. She may get cooked each day, but she’s still comes back flowering each morning. Oh, for such repeat resilience.

And this summer in the garden I’m really pleased to find that one of my favourite wild flowers, yellow toadflax, has decided to colonise the upstairs path. I grew it from seed a couple of years ago, and now it’s taken off. I first fell in love with it as a child, on trips into the Shropshire hills where it grows along the lane verges in high summer…

And talking of the Shropshire hills, I’ll leave you with summer views of the Shropshire-Wales borderland, taken a week or so ago on a visit to Mitchell’s Fold prehistoric stone circle.

Lens-Artists: Summer Vibes

This week Solaner has set the challenge.

Who Is That Hooded Man?

Yesterday you saw Mitchell’s Fold stone circle in winter light – an ethereal gloaming. This photo is the late spring version. Well, almost. We set off there in warm weather, but by the time we arrived, a weirdly luminous gloom had descended and there was a perishing wind. I was struggling to make the best of the flat light that made the standing stones look dull. I was also trying to show more of the circle which proved difficult with many of the stones fallen flat. I didn’t even notice this chap arrive, but suddenly there he was striding through my shot. And when I looked again, he was gone. It’s at times like that you start thinking a grasp of quantum physics might help.

The other thing you can see between the stones of this four-thousand-year-old circle are signs of Mediaeval ridge and furrow ploughing. A surprising discovery on this exposed upland, but then there is plenty of evidence that Britain’s climate was much warmer back then, i.e. before the descent into the ‘Little Ice Age’ of the seventeenth-eighteenth centuries. The way things change. And so much we don’t know.

The Square Odds #4

And Another Odd Capture

It’s hard to know how to follow yesterday’s yarn about my recent small-hours radio ‘haunting’, but since Shropshire landscapes cropped up in it, I thought I’d have a ‘rummage’ through that particular photo file. And so I found this one of me, courtesy of he-who-builds-sheds-and-greenhouses in the days before he did such things.

It must have been taken in the second winter after we left our life in Kenya. We had settled in Rochester, Kent. For the eight years we’d been living in Africa, Graham had been employed by the Natural Resources Institute (NRI), once the scientific arm of British Government overseas aid, but now part of the University of Greenwich. Its offices were based in the old Chatham dockyard, just up the road from Rochester. (Odd factoid: both locations have strong Charles Dickens connections). And so Graham was returning to base, though he had never had a desk there. It was a strange situation.

Neither of us wanted to be there. For one thing we were overwhelmed by the hemmed-in urban congestion of the Medway five towns: Strood, Rochester, Chatham, Gillingham and Rainham massing together so closely so that once in their midst, you could not see out or move for traffic. The one source of local relief was the River Medway that wound between them. We had bought a house there – in one of the new riverside developments that were sprouting up along its banks.

A little oddly too, our particular townhouse enclave was on the site of the old Short Brothers Empire flying boat factory, the craft that had served Imperial Airways during their 1930s pioneering of air travel to Africa, India and beyond. Later Imperial morphed into BOAC (British Overseas Airways Corporation), and I remembered that some of the first flights to Kenya used to land on Lake Naivasha and, while the crew put-up in the cottages of the Naivasha Country Club (where we ourselves had once stayed), travellers to Nairobi would have to complete the last sixty miles by dirt road.

The connection was a small ‘haunting.’ Added to when one of our first house guests, an expat friend from Nairobi (actually an Englishman who had settled in Australia) told us that his father had been a steward with Imperial Airways. (This was the same person who, on another visit from Australia, came to stay with us in Much Wenlock, and on arrival told us he had a cousin living up the road).

But back to the header photo. One of my adjustment strategies to UK life was to go to T’ai chi classes. This then explains the pose. I think I am in the throes of grasping the sparrow’s tail.

But what of the location?

One reason we didn’t want to be living in Kent was because family and friends were mostly faraway in the West Midlands: Shropshire and Staffordshire – and between them and us was the evil M25 London orbital ~~car park~~ motorway. We could access it in either direction from Rochester. It never made any difference. The jams seemed to last for days.

But then the photo shows we must have broken out. Here we are in Shropshire in late December 2001. It is one of the county’s most mysterious locations: Mitchell’s Fold, a Bronze Age stone circle, sitting on the borderland with Wales. I don’t remember now why we chose to be driving round the Shropshire hills in such wintery weather, but there’s more about that visit and the circle’s folk lore associations with wicked witch Mitchell here: Witch Catching In The Shropshire Hills

The Square Odds #3

Taking The Back Roads In The Shropshire Hills

My home county of Shropshire is farming territory and so, with only two main towns (Shrewsbury and Telford), five smaller towns, and very many villages, hamlets and isolated farms, there are far more by-ways than highways. Sometimes the back roads start off well, asphalt sealed and marked on the map, only to deliver you, after much meandering, into a farmyard midden or sheep field. This is a particular feature of the upland tracts of the South Shropshire Hills. Sometimes, too, after you’ve been driving on a narrow lane for several miles, thinking you are well on course, you may find the tarmac sprouting weeds. Sometimes it runs out of asphalt altogether yet clearly progresses as a dirt track that must go somewhere. Other times it may simply devolve to a footpath with retreat the only option.

The top photo shows the great divide between the north and south of the county. In the foreground is a hill lane crossing the Long Mynd. The vista beyond is the North Shropshire Plain which in due course runs into the Cheshire Plain, fertile dairy terrain both. By contrast, the hill country is very much about sheep.

The next location is definitely the haunt of sheep, but also of walkers, day-outing picnickers and school parties studying environmental matters. This is Carding Mill Valley, the largest of several combes that cut into the Long Mynd’s flanks, and thus through some of the world’s oldest geology. This particular lane may begin looking intentional, but then it simply gives up and becomes a rock strewn defile with trickling streamside accompaniment. Boots not wheels for onward progress.

Now we have moved on across the Long Mynd, and are looking at its westerly slopes as seen from Shropshire’s most mysterious hill country, the Stiperstones, place of mine shafts and lead workings. One of the Stiperstones’ craggy tops is said to host the Devil and his court whenever the fog descends. Such be-misted gatherings of wicked entities obviously won’t enjoy views like this one.

These next three views are of and around the Stiperstones: gorse along the lanes in high summer, and heather blooming on the hillsides.

We’re close to the Welsh border now. Corndon Hill in the background, and the white lane we’ve driven along…

…which then becomes one of those tracks that still looks to be going somewhere. In fact as we left the car to walk, we were passed by a police patrol car. It sped by us over the hill in a manner that suggested routine activity, doubtless taking the unpaved route into Wales.

We weren’t going that far, at least not terrestrially, though we were going back in time, following 6,000 year-old footsteps to Mitchell’s Fold, the remains of a Bronze Age stone circle.

These final photos are closer to homes, the lanes below Wenlock Edge, near Easthope.

Lens-Artists: along back country roads Beth at Wandering Dawgs wants us to take to the by-ways.

Borderlands ~ Distance In Time And Space

We’re in border country here – between the Shropshire Hills and Wales and I’m standing inside a Bronze Age stone circle, Mitchell’s Fold, looking in a northerly direction. And if the circle is a little raggedy after three millennia, then its location is surely still impressive.

Here is the southerly view towards Corndon Hill on whose flanks are the remains of several prehistoric burial cairns. To the right are the hazy Welsh uplands.

This westerly view towards Wales shows more of the Bronze Age circle. Several of the stones have been laid flat or damaged, and this apparently happened long ago. Perhaps when the land through the circle was being worked. You can see here the rig and furrow outlines of medieval fields. I think the climate must have been milder back then or they grew very tough crops.

Now looking east, the furthermost ridge is one of Shropshire’s most mysterious and curiously named hillscapes: the Stiperstones with its lunar Manstone and Devil’s Chair outcrops. This ridge is formed from quartzite laid down some 480 million years ago.

All these places loom darkly in local legends and folklore. I’ve told the story before of Mitchell, the wicked witch for whom Mitchell’s Fold is named. You can read about her grim deeds and sticky end in an earlier post: Witch Catching in the Shropshire Wilds which also comes with snow-scene photos courtesy of he who no longer uses his camera.

Cee’s Black & White Photo Challenge: In the distance

Starting As I Mean To Go On ~ The Big De-Clutter, Or This Writer’s Extra-Convoluted Displacement Activity?

Well not so much de-cluttering as re-arranging, though somehow I’ve ended up with a whole BIG EMPTY drawer beneath the cabin bed in the office. I should of course see this as a great achievement on day one of 2018, but I’m afraid the whole process has made me very ratty. Not a good way to start the year.

One problem is I find myself at the end of the line for two branches of family memorabilia – in particular the material evidence of the lives of two deceased aunts – maternal and paternal. I was very fond of them, Miriam and Evelyn, and we three had much in common. Both were passionate gardeners, readers, writers, watchers, makers, generous authors of many small kindnesses. And both were keen on family history, gathering in whatever they could in the days before Ancestry and Find My Past.

I now have their gleanings – barely readable notes, diaries, photographs – all the makings of good stories if only someone could knock the stuff into a shape that would mean something to family others. That someone has to be me. And I think I should do it, because if I don’t, no one else will. And that’s when I start getting cross. Imposition looms like a heavy, wet fog. Hmph.

The moving of the auntly archive from the pine blanket chest in one bedroom to the pine chest of drawers in another bedroom (so facilitating the BIG emptying of the office drawer into the now empty pine blanket chest) leads to encounters with my own archive. The aunts kept most of the letters I wrote to them during our eight years in Africa. They are very detailed letters. I need to revisit them. Well I do, don’t I? Then there are all the Africa photos and negatives. I never did finish scanning them.

More long-winded tasks loom.

Not only that, when you start shunting stuff around the house, and arguing with yourself over what should be kept, and what should not, you then find all sorts of diversions. And yet the whole point of the de-cluttering process was so I could free up the office, create clear spaces for laying out the notes relating to some of the several unfinished writing projects that have long lodged on my brain’s back boiler.

Which is where this photo comes in. As I was sorting through boxes and folders, I found a forgotten scan of it, taken by Graham many New Years ago at the Bronze Age stone circle, Mitchell’s Fold in the Shropshire borderland. You will notice that my blog header is cropped from another scanned version of it. That’s me all huddled up in many layers. But I love the huge wintry sky above me, and the blue hills of Wales stretching far, far away behind me. It’s reminding me that this is where my head needs to be. Never mind the clutter. It’s a piece of very elaborate self-sabotage. Off to the realm of imagination, that’s where writers need to be.

Thank you, Julie Riso, for reminding me of where the best paths are.

“the undiscovered country from whose bourn no traveller returns” ~ Or Is It?

Every other Thursday we’ve taken to popping along Wenlock Edge to Church Stretton. This used to be Graham’s daily commute – eighteen miles of Shropshire hills, old quarries, small villages and neat farm fields. Oh yes, and the occasional deer. Just now the Edge woodlands along the road are a haze of blue bells and bursting greenery. We never fail to think how lucky we are to live in such a place.

The object of the excursion is to stock up on organic and other ethically produced foodstuffs at my sister Jo’s brilliant shop – Entertaining Elephants (a name coined by the previous owners from Maurice ‘Where the Wild Things Are’ Sendak’s Alligators All Around alphabet book.

With the shopping done, a few picnic items gathered together, and the weather apparently in spring-mode, we decided to head west around the southern end of the Long Mynd towards Bishops Castle and the Welsh Border, and so to the Bronze Age stone circle of Mitchell’s Fold.

The last time we were there was at least twelve years ago and it had been snowing (see header photo). I don’t remember what prompted us on that occasion to drive out to so remote a place in such bad weather. We weren’t even living in Shropshire at that time, but in the midst of Christmas visiting from Kent. I remember tramping up the icy track to the circle, and despite the bitter cold, being entranced. All of Wales spread before us. It was like standing on top of the world – a parallel universe of Celtic warriors, old gods, poets and shamans.

On Thursday our notions of spring proved deceptive. Once out of the valleys the wind was vicious. We huddled in the car on top of Stapeley Hill to eat the picnic since attempts to stand outside blew the food away. While doing this we observed and were observed by a passing police Range Rover, which carried on over the hill track on a route that was distinctly signed ‘no vehicles’ and disappeared into Wales.

Police car – what police car. There it was gone. Very odd.

Having got ourselves this far, we determined not to give into wimpishness, and inappropriate clothing, and pressed through the gale to Mitchell’s Fold. Of course it was not ideal photographing conditions due to wind, haze, midday light and cold fingers.

An English Heritage information board had made an appearance since our last visit, although I thought its proximity to the circle rather insensitive. It anyway did not have a great deal to tell us, other than the monument is now believed to be at least 3,000 years old, and that the largest of the standing stones was once one of a pair, probably forming an impressive portal. I’m assuming that the presumed partner is the one you can see lying prone beside it. The stones are local dolerite.

As stone circles go, it is no Stonehenge, but it does have the edge (in all senses) when it comes to setting:

Looking back into Shropshire from the circle (and on maximum Lumix zoom) you can see the cairn-like summit of the Devil’s Chair on the ridge of hills known as Stiperstones, a wild terrain of old mine shafts, ghosts, satanic dread and legend:

And then when I turned back to the stone circle, there was that strange lone figure loping through the stones. Here he is again (btw the title quote is from Shakespeare’s Hamlet ).

It seemed like a good moment to leave, although not before agreeing that we would return in summer – with hopefully more warmth and some clearer skies.

As ever, as we return to the car, Graham is in my shot. Here though he is providing a convenient marker for some ancient medieval rig and furrow plough marks. You can just make out the light and dark stripes running north-south in the cropped grass behind him. At least I’m assuming that this is Graham and not another traveller from the undiscovered country of Shakespeare’s imagined after-life. In places like Mitchell’s Fold you just never do know.

P.S. For more on the earlier trip to Mitchell’s Fold see my long ago post Witch-catching in the Shropshire Wilds – also including the legend about the wicked witch Mitchell, who gave the place its name.

Even though she’s off on her travels again, and by way of wishing her the best of times, I’m linking this to Jo’s Monday Walk

Far away in black and white in the Shropshire Hills

These photos were taken at the Bronze Age stone circle of Mitchell’s Fold, up in the South Shropshire hills. It seems isolated now, but four thousand years ago there was much human activity in these uplands. There are the remains of field systems from this era as well as burial cairns and other stone monuments. In more recent times this stone circle has been associated with the legend of a wicked witch called Mitchell. She is reputed to be entrapped within the stones. You can read more of this story at Witch-catching in the Shropshire Wilds.

With thanks to Cee for her brilliant challenges, and to Graham for the use of his photos.

Cee’s Black & White and Far Away Challenge

Of Monumental Mysteries

“The past is a foreign country: they do things differently there.” L P Hartley The Go-Between

So what’s the mystery here? No, not that strange woman in a Welsh felted hat doing tai chi. (Actually, I think I may be in the process of ‘grasping the sparrow’s tail’ Yang-style long form. I’ve rather forgotten). I remember, though, the icy winter’s day, and the absolute stillness, and the hazy blue views of Wales over the border from my Shropshire homeland, and the feeling that this circle of ancient stones was a special place; that it stirred in me the sense that doing tai chi here would be a good thing.

I have written before about Mitchell’s Fold Bronze Age stone circle, and you can find the witchy legend associated with it HERE. Historically speaking, little is known about the stones beyond the fact that they were raised some 4,000 years ago. The surviving fifteen stones form a rough circle, although there may have once been as many as thirty. The tallest survivor is said to have originally been one of a pair, and so formed some kind of gateway or threshold at the circle’s edge.

These henges are, on the whole, unfathomable. There is no knowing how the people, who toiled to build them, made use of them, or what their precise significance was in their daily lives. The elevated location of Mitchell’s Fold, with its sweeping vistas, suggests to us a sacred function. There are also possibilities that the stones’ particular alignment served as some kind of calendar, marking solar and lunar events. And, for more prosaic purposes, in a world without maps and SatNav, prominently sited megaliths may also have provided travellers with landmarks to keep them on course through the upland wilds. The Bronze Age was, after all, a time of intinerant smiths and artisans who covered great distances to trade their goods and services.

This is borne out by the fact that not far from Mitchell’s Fold, just over the Welsh border in Powys, is the Cwm Mawr Bronze Age axe factory. The distinctive looking axe-hammers that were made here have been found across Wales and England, their discovery demonstrating an extensive trading network. Nor is this henge an isolated monument in the immediate landscape. There are numerous cairns and two further stone circles nearby. This seemingly remote place, then, was very busy some four millennia ago.

As a Prehistory undergraduate, also in times long past, I spent three years in Sheffield University lecture theatres looking at images of barrows, chambered tombs, henges, hillforts, cist burials, urn cremations and other ancestral relics. This being the era of slide projection, the photographs were often shown upside down and back to front; it became a standing (or otherwise) joke, looking at remains from an inverted position. The fact is though, however you looked at them, their intrinsic meaning could not be divined. All that might be said is that these mysterious constructions were of immense importance to our forebears. We know this because of the great effort involved in their making; these were people who, by our standards, had very limited technology.

And so here is another example of megalithic mystery. This is the late Stone Age (Neolithic) Lligwy burial chamber on Anglesey in Wales. Excavation in 1908-9 uncovered the remains of 15-30 people, along with pottery that provided the dating evidence. It is estimated that the capstone weights 25 tonnes. This is truly mind-boggling. How did people without cranes lift this monstrosity onto the supporting stones? How many people did it take? Wasn’t the population in prehistory supposed to be small?

Of course experimental archaeology has demonstrated that much may be achieved with the cunning use of tree trunk rollers and various simple pulley devices combined with muscle power. But even so, the Lligwy burial chamber is surely a triumph of human will over an absence of hydraulic lifting gear. In this era people had only stone tools.

So yes, the past is a foreign country, and people did do things differently there, and in ways we cannot possibly know. And if I learned anything from three years of studying Prehistory and Archaeology it was not to judge people by their limited toolkit. These people were as intelligent as we are, maybe more so, since there was a greater need to apply it at all times.

Our current understanding of these monuments may be fragmentary, wrong-headed even, but shouldn’t this be all the more reason to keep these ancient places safe? At this present time in England our heritage is daily under threat from a government that wishes to build its way out of recession. Worse still, current laws allow developers to take local authorities to judicial review if their planning applications are refused.

To avoid incurring huge costs to the public in legal representation, local authorities are now being pushed to grant planning permission in close proximity to unique monuments. At present, in Shropshire, the setting of 2 major sites is under threat: Old Oswestry Iron Age hillfort, and the post-Roman Offa’s Dyke. Why this is happening is of course absolutely no mystery at all. The past has cachet. It is a highly sellable ‘commodity’. Let’s sell it off, why don’t we?

Valuing the Past: How much for Old Oswestry Hillfort?

Open to Offa’s: yet another piece of Shropshire’s heritage at risk in The Heritage Journal along with many other excellent articles

Weekly Photo Challenge: Monument

The Human Rights Warrior

FRIZZ’S TAGGED ‘O’ GO HERE FOR MORE ‘O’ STORIES

Witch-catching in the Shropshire wilds

Naturally, suffering as I do from Out-of-Africa-itis (some of you may just have noticed this) any mention of ‘wild’ instantly conjures the sweeping Mara grasslands and herds of wildebeeste. Or scenes of Zambia’s South Luangwa as featured in the last post (here). But then I thought it was time I took more joy in the place where I actually live and, indeed, grew up – the wonderfully rural county of Shropshire. And for those of you who do not know England, Shropshire is in the Midlands, along the border with Wales. Also as I have mentioned in other posts, this segment of Great Britain was once (400 million years ago) to be found somewhere off East Africa. Shropshire’s rocks are thus among the world’s oldest, and its hills a magnet for geologists from all over the planet.

My home county, then, is largely farming country – dairy, sheep, and arable – the population living in scattered small settlements and market towns, many dating back to Roman times and the early Middle Ages. But there are also many wild places, especially up in the hill country overlooking Wales. One such place is Mitchell’s Fold, a Bronze Age stone circle.

This bleakly sited monument comes with a strange legend attached – the tale of a wicked witch and a fairy cow. And so one December day Nosy Writer and the Team Leader set off to explore. Winter seemed a good time to go searching for the spirits of the past. The photographs, by the way, are all Graham’s. Nosy Writer said she could not possibly take her gloves off in such frigid conditions.

The site itself is near the Welsh Border on Stapeley Hill, south west Shropshire. The stone circle was created between three and four thousand years ago, and originally comprised thirty stones of local dolerite. Today, only fifteen are visible. Some were perhaps re-purposed by subsequent generations; others buried. Often such circles were regarded with superstitious dread, particularly during the Middle Ages.

In the prehistoric past, though, the place was not so isolated as it appears today. In the vicinity are two other stone circles, although one of these, known as Whetstones was blown up in the 1860s. The other, Hoarstones, was said by locals to be a fairy ring, where on moonlit nights, six ‘fairesses’ would dance. There are also numerous cairns and a long barrow, and, not too far away, the Bronze Age stone axe factory of Cwm Mawr whose finely carved mace heads were traded far and wide across England and Wales. Of the reasons for this and the other circles, all is shrouded in mystery. All that may be said is that once these upland places were of great importance to the people who laboured to make them.

But what about the witch-catching story, I hear you ask. Well that I can tell you. It goes like this.

Once, when there was a terrible famine in the district, the fairies took pity on the starving peasants and sent them a snow-white cow. The cow was kept in a circle of stones on Stapeley Hill, and, as with all such gifts, there were strict conditions as to usage. Every person was allowed to milk the cow by turns, but only so long as the cow was never milked dry, and each person took no more than one pail full.

Everyone followed these instructions, and all went well until the wicked old witch who lived nearby grew envious of the peoples’ good fortune. Why had they not called on her to solve their problems? Her name was Mitchell, and out of sheer spite, she thought up an evil plan.

And so one night, when all honest folks were asleep in their cottages, she approached the cow and began to milk it. The only thing was, the bottom of her bucket was full of holes. She milked and milked until the cow was dry, thus breaking the fairy charm. At once the cow sank into the ground, never to be seen again. But Mitchell did not escape either. She had challenged the forces of good too far and found herself trapped inside the stones. And when the people came next day and saw their fairy cow gone, and they saw the false pail and pool of wasted milk, they knew exactly what the witch had done. So just to make sure she never escaped, they walled up old Mitchell inside the stone circle, where she was said to have finally starved to death.

And just in case you are wondering, no, this is not Mitchell’s ghost in the photo, but me, wrapped up in many post-Africa layers. And beyond me, the Welsh hills.

Finally, here are more scenes of Wild Shropshire – in particular, the hills known as the Stiperstones, which featured often in the novels of Shropshire writer, Mary Webb. The last photograph is of the peak known as the Devil’s Chair. It also features many local legends, but they will have to wait for another post.

Tish Farrell

Writer on the Edge