That sky-painting person has been abroad along Wenlock Edge again this week, redoing the sunset view behind our house. Good work.
Author: Tish Farrell
Bee In My Bonnets, Granny’s That Is
Today over at Lost in Translation, Paula’s Thursday’s Special theme is minuscule, which is a word I often have problems spelling because it comes in two versions, and that then leads me to make up my own. Anyway, I instantly thought of pollen grains, which made me think of bees, and of the small busy world of pollen gathering that goes on all spring and summer, mostly unnoticed by us humans. And so since I believe we cannot think of bees too much or too often, given the valuable work they do for us, here’s another bee snap.
I am also grateful to Pauline at Memories Are Made of This, who in today’s post also has bees on her mind, for reminding me a few a weeks ago in one of her comments that Granny’s Bonnets is another name for columbines or aquilegias. So there you have it – bumble bee in my Granny’s Bonnets, but not in my actual bonnet, although my other half would often beg to differ on that statement.
copyright 2015 Tish Farrell
Wind Catching ~ The Ancient Art And Science Of Persian Air Conditioning
Wind towers – aren’t they just beautiful? Not only that, they provide low-tech, totally renewable energy solutions to day-time desert heat waves. Within the capped tower is a port that is opened towards the prevailing wind. Some towers are multi-directional, the vents opened and closed as appropriate. Air is drawn into the living quarters below, its movement providing the cooling effect.
When there is no wind, the tower acts as a chimney, venting hot air from the interior. A more sophisticated version involves an underground canal, qanat, in which case the wind tower vent is opened away from the prevailing wind, and the system pulls cooling air up from the canal. You can read more about this if you follow the link.
But it seems to me to be an example of perfect human ingenuity – problem solving with minimal impact on the natural environment, while at the same time harnessing natural resources without depleting them. Persian architect-engineers came up with such elegant and aesthetically pleasing solutions over 2 millennia ago, although Ancient Egyptians apparently had something similar.
And not only can you have upmarket palace installations, but there is also the demountable, flat-pack desert nomad version.
The first kind was photographed (above and below) in Dubai at the restored Sheik Saeed Al Maktoum House on Dubai Creek. It is now a museum, but built in 1894, it was originally the home of the ruling Al Maktoum family. Persian architectural techniques arrived in Dubai in the nineteenth century along with the development of the pearl fishing industry there.
The portable Bedouin version I spotted in the Dubai Museum in the courtyard of the old fort. Apparently the disadvantage of this kind of makeshift structure was that close proximity to the cooking hearth could have the unintended consequence of turning it into an actual chimney, and thus a major fire hazard.
copyright 2015 Tish Farrell
For more wind themed posts please visit Ailsa’s blog at Where’s My Backpack
Melting in Mombasa
The sticky humidity of Kenya’s coast is a shock to the system after Nairobi’s airy upland plains where, even in the hot season, temperatures rarely rise above the low 80s F. Back in our day, when were travelling the Mombasa Highway quite often, the road south comprised 300 miles of ragged tarmac that descended in stages through nearly 6,000 feet – from highland plains to lowland plains, and thence through the rugged thorn scrub of the waterless Taru Desert, until the final drop down to the Indian Ocean. It was like plunging into a warm bath, the air thick with sea smell and frangipani blossoms.
During the rains, large sections of highway were often washed out, sometimes with horrendous chasms opening up. In the dry season the potholes through Kibwezi were filled with sand like mini deserts. And if we found ourselves stuck behind a fume-belching truck, we could travel many miles before finding a stretch of road with a sufficient tarmac on which to overtake it.
None of this stopped us from setting out though. You simply had to be prepared for anything, and this could include a brooding big Cape Buffalo holding the road hostage through Tsavo. And now here’s an excerpt from the diary I kept, and just found loitering in my filing cabinet:
Kenya Diary 30th August 1994
It was raining and steamy when we arrived in Mombasa at lunch time. The streets were jammed with hooting traffic, and there were vast rain lakes everywhere. The pavements were brilliant red with row upon row of ripe tomatoes, laid out by the Swahili women in their black buibuis. Everywhere the roads rang with the chink-chink of the metal washer rattles on the delivery guys’ handcarts. The carts were piled high with everything and anything: crates of sodas, cooking oil, jerrycans of water, baskets of pineapples, coconuts, mattresses, a wardrobe. It struck me that Mombasa feels so different to much of inland Kenya it might as well be another country.
For once we drove straight onto the Likoni Ferry without the usual sweaty wait in a tail-back of trucks and safari vans. Soon we were bowling along the coast road to Tanzania, moving between plantations of coconut palms that bowed with the sea breeze, flitting past tiny white-painted mosques and palm thatched homes built from coral rag. Here it was the skyline not the pavements that was a brilliant red: all the roadside Nandi flame trees were in flower, fist-sized blooms glowing like coals against a stormy sky.
By two thirty we were sitting down at a Tiwi beach bar, eating spaghetti and homemade tomato sauce while the rain drove in suddenly across the reef, drumming on the thatch. The sticky heat dissolved in the wind and the ocean took on a mean and steely look, and roared. It all seemed very Somerset Maugham, that is if one overlooked the presence of the spaghetti.
copyright 2015 Tish Farrell
Inspiration: striving to succeed
It was in Africa that I became a professional writer. And it was writing for children like Zaina that spurred me to begin. It seemed to me, that unlike many British young people, Kenyan kids were desperate to go to school and, once there, strove to do their utmost to make something of their lives. I was cross, too, at the then lack of contemporary local fiction that showed young Kenyans as heroes, and in the kinds of situations they could identify with. Then I found that many of the stories I wrote for African children also worked for a European readership, or at least for those who were keen to find out what life was really like in the parts of African that I visited and lived in. And now, all these years later, and living back in England, these are still the things that drive me to write.
Thursday’s Special: gold Inside
In the afternoons, Cousin Jan’s cottage by the sea in Southern Maine fills with September sunshine. Everything about the place is golden: scent of old timbers, sand in the floor boards, the sun bleached covers of the cushions. The play of light makes me think of Proust’s À la recherche du temps perdu or Colette’s Le blé en herbe. You want to curl up like a cat, absorb the warmth through every pore, and dream. The cottage has just the places to do this too. You can slumber, lulled by the breeze in the garden pines and the neighbours’ wind chimes. Later, as the day’s warmth fades, you can blow the dreaming away, walking briskly along the beach that stretches for miles, the Atlantic rolling in at your feet.
copyright 2015 Tish Farrell
Thursday’s Special: Gold Inside
This week at Lost in Translation, Paula has invited guest blogger, Ron, to share his insights on interior photography. Follow the link to see his wonderful work. And then go here to see Paula’s and other bloggers’ responses to the challenge.
Seeing my town in Black & White: 2
In the second part of my black & white tour of Much Wenlock (part 1 here), I was further inspired by Marilyn’s Wednesday photo prompt at Serendipity. This week she chose ‘small town summer’. I thought it would be interesting to see if I could capture that sense without using colour.
So it is Wednesday, half-day closing. A warm July afternoon. Wenlock is drowsing, although there are some visitors wandering here and there. In the heart of the town, where the High Street meets Barrow Street, a young man is waiting – for his girl? For his best mate? On the right is the sixteenth century Guildhall described in part 1, behind him, the former Victorian Market Hall with its added World War 1 Memorial frontage. This building was also the local cinema in the 1950s. Now it is our museum and tourist information centre, but due to council cuts, it is not open much.
Here, then, is the town centre from the boy’s point of view. There is little of interest for young people. His posture, the high-lit ‘not-much-happening-here’ of the following street scene triggers my own response – that long-ago sense of adolescent ennui: that permanent sinking feeling of alienation.
In the five o’ clock shadows past and present coalesce. It could be oppressive. In the Square the Jubilee Clock is a local landmark. Its several faces used to tell different times, but it has recently been overhauled and given a new electronic movement. It was donated in 1897 by a town worthy, erstwhile emporium owner and august alderman, Thomas Cooke. It celebrates Queen Victoria’s diamond jubilee, and would have been in sight of Mr. Cooke’s shop that stood next to the Museum and is currently occupied by the open-all-hours Spar Supermarket.
The buildings around the Square are modern – a pastiche of local architectural idioms. But the open space is pleasing. For years it was occupied by a derelict stone barn. These days it is a gathering point for locals and visitors alike, and a good place to sit and watch the world go by, albeit a rather small and slowly moving world.
The High Street is difficult to capture. It is narrow, and its east-west alignment means that one side or the other is always in shadow. Then there are the cars in the way, either parking or manoeuvring through. Surprisingly, there is fervent trader resistance to pedestrianizing the street. They think they will lose custom. I think they should at least try it for six months. They might be agreeably surprised at how many more visitors would come to enjoy this little street in peace. It can offer so much hospitality and interest along the way.
For a start we have two ancient inns whose origins go back to monastic times. The George & Dragon is probably everyone’s idea of an unadorned old English pub – all beams and quarry tiled floors.
The Talbot on the other hand has a 1970s ‘olde worlde’ interior, though it dates back to 1360, and was thought to be the Almoner’s House, a hostel for pilgrims come to worship at the shrine of St Milburga, and also a centre for alms giving. The white rendered facade hides its timber-framed antiquity, but if you step under the arch you will find a pretty courtyard, where there are also nice B & B rooms in a converted malt house should you want to stay longer.
There are also two cafes, one with a deli, an Indian restaurant and two hotels. And amazingly for a small town, we have two bookshops – one dealing in second-hand books, and the other an inspirational survivor among the country’s dwindling number of independent book shops. Its owner, Anna Dreda, not only sells new and old books, but she also hosts reading groups for infants and adults, puts on author talks and book launches, and she is the founder of the Much Wenlock Poetry Festival. Browsers may further find themselves offered a cup of coffee or tea, and invited to pass away the hours in one of the cosy corners upstairs. In short, the shop and its owner are among the town’s treasures, and have won national notice to prove it.
And it is from upstairs in Wenlock Books that you can sneak a good view of the High Street’s mid-section: Mrs P’s newsagents and sweet shop, the estate agents, and Ippikin, a shop that is its own art installation and is our very special haven for knitters and crafters. These next two photos were taken earlier in the day.
Opposite the book shop is the street’s most impressive historic house, Raynald’s Mansion. Here we have a medieval hall clad first in a flat-fronted building of 1600, and then extended by the addition of three timbered bays in 1680. The property remained in the Raynald family until the late 20th century, and is still a private house. In the nineteenth century it was actually a butcher’s shop, and the rail beside the right hand doorway was an aid to tradesmen lifting heavy loads.
And next is another town treasure, Twenty Twenty Gallery. I missed it out. It is further back down the street towards The George & Dragon, and every month has a new exhibition of contemporary art, ceramics and jewellery for sale. The owner, Mary, likes to feature the work of local artists and makers.
Back again down the street beyond Raynald’s Mansion and The Talbot Inn we have another imposing house, also early 17th century. Up to the 1920s it was the Swan and Falcon Inn. Later it housed our local branch of Barclays Bank until it moved to smaller, less frequently open premises next to the Post Office. The current new owner has development plans for it and its ancient medieval barns out back, but in the meantime our local wildlife rescue charity has it shop there.
And just in case you think all is perfection along our High Street, we do have our eyesore. In 2009 or thereabouts the space next to the old Swan and Falcon was the scene of a general town uprising. A local developer, who had put up an unpopular housing enclave behind the High Street, then erected a house on the street frontage that did not conform to the approved plans. So after considerable agitation, down it had to come, although only after we Wenlockians had frightened the visiting local authority planning committee by our vociferous objecting. It was rather like a similar revolt back in Wenlock’s 1300s, when the serfs, fed up with the domineering Bishop who ruled both Priory and the town, threw down their ploughshares in general protest.
The site itself was once a seventeenth century clay tobacco pipe works, and in more recent years had become overgrown, and thus a well treed wildlife area that helped mitigate the town’s flooding risk. The only problem is that ever since, the space between the Swan and Falcon, and High Street’s terrace of Tudor cruck cottages, has looked like this, one of our less than successful visitor attractions:
Somewhat surprisingly, the original planning permission for the housing development, both on the street, and behind it, had been given without any reference to, or consultation with the local authority’s Conservation Officers. Apparently it was not deemed necessary with a new development, despite the site being in the middle of an ancient town. Anyway, the houses were expensive, cramped inside, and so took a lot of selling, even with offers of free cars. In the end a housing association bought many of them, so at least some families on the local social housing list have benefitted.
By contrast, this row of cruck cottages some 400 years old, and the new development’s nearest neighbours, are solidly built, remarkably spacious inside, and have very pretty gardens behind them. Lacking the paper thin walls of new houses, there is doubtless little noise leakage between the cottages, although they do lack multiple en suite shower rooms that seem to be a feature of all English new-builds these days. Anyone would think water grew on trees, or that our drainage systems were robust enough to cater for all the washing we think we need to do.
Finally, here is one of the town’s loveliest ancient houses Ashfield Hall. I’ve mentioned its history in an earlier post. It was built by one Richard Ashfield who lived in Wenlock in 1396. It is probably on or near the site of the earlier St. John’s Hospital which was a hostel for poor itinerants.
And there you have it: some of Wenlock’ High Street highlights. It is well worth a visit.
copyright 2015 Tish Farrell
Bumbles in my borders
A couple of summers ago we took out a length of hedge between our back garden and the field. It was a thicket of alien snowberry and overgrown ash tree seedlings, and a nightmare to cut. Now we have a simple fence, a rampant herb and wildflower garden that grows itself, and a view. We also have masses of bees.
Back in the spring they foraged on the columbines; later on the spires of self-seeded purple toadflax and foxgloves. Now they are gorging on oregano and bramble blossom. I spotted at least three varieties of bumble bee this afternoon, but apart from the red-tailed bumble below, I’m having problems identifying them. For those of you who wish to try, there is an excellent identification page with a video at bumblebeeconservation.org
copyright 2015 Tish Farrell
Love and voyeurism among the thistles, and then some freshly dug potatoes
This snapping of bugs is all Ark’s fault at A Tale Unfolds. For some time now he’s been showing us insect life in his South African garden. Then on Friday he set me a challenge to beat his dandelion with four bugs. So here I give you a ménage à trois with some longhorn beetles, caught on my way to the allotment, and as I was actually trying to capture some bee shots. I reckon it trumps Ark’s dandelion, and indeed his jackal flies, on grounds of raciness.
But now here is the close up shot I really wanted to show you, and the reason why I was headed for the allotment: my first main crop potatoes just released from the earth. These are Desirée, organically grown and most desirable, not only for looks and flavour, but for general resistance to drought, bugs and slugs:
Dandelion Globe: It’s A Small World
Things are often small, up-close and entomological over at Ark’s place in South Africa. He’s always leading me up his garden path to take a look at crab spiders and such like. At least that is his story, and I’m sticking to it. Now he’s led me to Kenneth McMillan’s blog where there are more close-up bugs, this time of the Canadian variety. That is to say in his latest post, Kenneth has a very fine shot of a Bald-faced Hornet heading for the cotoneaster.
I gather that fennel has been featuring in Ark’s and Kenneth’s recent photographic exchanges, but I have no bugs in my fennel, or even bats. Instead, as I was traipsing up the bean field to the allotment, I caught these very tiny beetles in a dandelion clock. And since Ark said we could join in with the bug shoot, this is my effort. I hope I am not expected to know what these tiny insects are. They are rather cute though.
copyright 2015 Tish Farrell