…a view to watch for ever.
July Squares #6 There is some optical fun over at Becky’s
Six Word Saturday And Ninjas at Debbie’s
I have no idea why other people’s washing is so fascinating to humankind; nor perhaps should one enquire too deeply into the rhyme and reason of it. In scenic foreign places (i.e. not at home) it does have a certain art-installation allure. So here’s some Greek washing you haven’t seen, and coming up is more Greek washing that was hung out to dry in an earlier post. I thought is was worth a second airing. A washing line with a view of the Taygetos and the Gulf of Messenia. How uplifting must be the daily act of pegging out. (Not metaphorically of course).
copyright 2018 Tish Farrell
The path to Peroulia Beach from Harakopio takes you down winding lanes and through olive groves. On one such expedition we met a tortoise. A fine specimen it was too and so, still with notions of living roofs in mind, I’m posting it for today’s offering at Becky’s month of roof photos. And also for Debbie’s 6WS.
This week Paula asks us to post our best photo from 2017. I wasn’t sure where to start, but decided to reprise the cricket which, the first time around, Ark kindly identified as a Katydid or bush cricket. It is certainly my most surprising shot of the year – both for its clarity and the fact the cricket appears to have been watching me while I organised myself with the camera. I also like the curving grasses and the bands of light and shade, and the way the cricket appears to be super-illuminated. But best of all, it reminds me of Kalamata, and the mesmerizing views of the Taygetos and the Mani across the Gulf of Messinia for I find myself still badly smitten with the Peloponnese. Ah, well. Maybe next year…
I’m very fond of hardware shops, though I’m old enough to say they mostly aren’t what they used to be – those ill-lit aisles of childhood with their mysterious bins containing every size of nut, screw, hinge and widget. The cocktail whiffs of twine, Jeyes Fluid, paraffin and polish, and a little man in a brown cotton coat behind a high, gloss painted counter, he the unassuming master of this multi-component repository.
The shop in Harakopio looked promising on the authenticity front, and I was only sorry not to have the chance of a good mooch inside. But still, it was good to capture its jolly exterior, and nice of some local to park their blue motorcycle outside.
Six Word Saturday Pop over to Debbie’s for more six-word posts and an astonishing view of Alice. And just in case you wanted to know, this cricket was spotted in the garden of the Iconpainter’s Villas in Greece.
The Ottoman fort at Pylos is monumental, and comprised of an outer defensive wall and a citadel. It was built after the Turkish invasion of 1500, and apart from two brief interludes – one Venetian, one Russian, was held by the Ottoman regime until the Greek War of Independence in 1821. Even at the last lap, Ibrahim Pasha and his Turko-Egyptian army proved hard to oust, and after an initial surrender of the fort in 1821, it was reoccupied by them in 1825, and hung onto until 1828.
The first photo was taken from the citadel, which during occupation by the French in the 19th century was used as a prison. The church you can see below is the Church of the Transfiguration of the Saviour, and was originally built as a mosque around 1573. Under the brief Venetian rule of 1675 to 1715 and during the Orloff Revolt of 1770 it served as a Christian church, and it is in this capacity that it was restored by the Greek Government between 2011 – 2015.
Inside the citadel, and the nineteenth century prison cells.
Looking down on the outer defensive wall and the sea-arch beyond.
The outer walls on the seaward side. The hillside was heavy with the scent of pine trees, and cyclamen were growing everywhere among the cones and fallen castle debris.
Inside the Church of the Transfiguration of the Saviour.
Thursday’s Special: Traces of the Past Please visit Paula to see her fine view of Alnwick Castle.
We had been promised rain, and rain it did, pounding off the pantile roofs, turning the veranda steps into cascades. By lunchtime the shining Gulf that had been our view all morning was sunk in steely gloom while the Taygetos had dissolved completely. (How can mountain ranges disappear like that?)
It was not a good start to the holiday. But the six of us gathered together in one little house, and some of us prepared bruschetta using up the solid Greek bread together with the more delicious tomatoes and garlic from Maria’s garden, which we tucked into to the sound of tumbling rain.
But at last the storm bursts eased, and across the valley the cockerel began to crow, and among the garden olive trees the crickets sang, and the grasses steamed. A consensus of smart phone forecasts also suggested that the rain had passed – well, more or less, and that it might now be timely to set off to Harakopio and discover what its supermarket offered in the way of supper supplies.
We set off under cloudy skies, following directions on Maria’s hand-drawn map, which Bob had snapped with his cell phone. It was a one and half mile walk, we were told, mostly on level paths, and with our backs to the sea. Hopefully we would not lose ourselves on the network of byways between Harakopio and Kombi. We were also told that if we bought too much stuff to carry back to tell the girls at the supermarket and they would keep it until Michael was next passing in his car. Our hosts at the Iconpainter’s Villas left no stone unturned to ensure our every comfort and happiness.
And so here are some of the sights and vistas on our path as it wound through olive groves and vineyards, by ramshackle farmsteads and deluxe villas, our passing marked by proprietorial, but good-natured barking from farmyard dogs. Otherwise, all was quietness. No cars. No distant traffic drone. Only our soft chatter. There were wild cyclamen growing along the verges, fennel and rosemary, shrubby Kermes oaks with their spiny acorn cups and leaves like holly, prickly pears, morning glory. And as I went, I fell in love with olive trees, their stillness, their gnarly boles and contorted branches, the muted tones, the changes in light beneath and between the trees as the sun came out once more.
And on our return trip, well laden with good Greek produce, we again looked to the sea where the storm clouds were finally clearing, and beneath all was ethereal blue with the Taygetos doing their mirage impression. It would be a fine evening.
copyright 2017 Tish Farrell
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