Transported on Lamu

 

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There came a time when Sendibada signed on with a strange sea captain. The next day, as dawn was breaking, the ship cast off, a strong breeze filling the lateen sails, and bearing them swiftly out to sea. But towards noon the wind died, and the boat drifted, becalmed, on still waters.

At this the captain strode out on the bridge, and began to utter words that Sendibada could not fathom. He stared and stared for, to his astonishment, the ship began to rise, graceful as an egret taking flight. Sendibada grinned. He liked a good adventure, and now it seemed this strange captain of his was none other than the most powerful magician.

Up into the clouds they soared, flying, flying until at last they saw a faraway red spot. But little by little the spot grew, until at last Sendibada saw it was a city in the sky, and that every house there was made of copper. Soon they set down in the harbour and, as the crew made to go ashore, from every quarter, lovely girls came out to greet them, bearing on their heads copper trays laden with the most delicious fruits and sweetmeats and tender roasted morsels.

And so it was that much time passed, the ship’s crew enjoying month after month of this most gracious hospitality. Sendibada, though, was growing homesick, and said as much. Now the magician gave him a round mat and told him how to use it.

Sendibada followed the instructions, placing the mat on the ground and seating himself upon it so that he faced the direction of his home town. Then he spoke the foreign words that meant: Behold! We shall all return to it . And at once the mat rose into the clouds, and faster than a diving hawk, set Sendibada back on the beach just outside his home town.

 copyright 2014 Tish Farrell

The Copper City  retold from a translated text in Jan Knappert’s Myths and Legends of the Swahili

 

P.S. In case you hadn’t guessed, Sendibada is the Swahili version of Sinbad.

 

A Word A Week challenge: transport

Forever Summer

 

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The fun fair was wrapped up for the winter, the pier shops barely open, and there was already a strong hint of autumn in the air when we went to Old Orchard Beach. We were too late. The sky was grey. We had missed all the beach fun. But then as we were mooching up the main street, wrapped in coats and searching for coffee, I spotted this mural on the side of a building. And so it was, in a corner of this out-of-season town, that summer never ends.

copyright 2014 Tish Farrell

Word Press Photo Challenge: Summer Lovin’

Meeting with Lions in the Mara

 

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It is late afternoon when Daniel, our guide, takes us to the rock-strewn  place where he knows  the lions will be.

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The males are hiding away in longer grass, but the females and cubs are out in the open, enjoying the last of the sun. The light is spectacular. I wonder if the lionesses have chosen this place on purpose: because their young blend in so well with the landscape. In any event, they seem utterly relaxed. This mother (above) simply watches us as she feeds one of her cubs. There is another at her tail, disguised as a boulder, while the third one takes off on a small adventure.

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The quiet proximity of these lionesses is breath-taking, our intrusion on their family life above their notice. We watch them until the sun goes down and it is time to return to our camp on the Mara River.

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Ailsa’s travel challenge: meeting places

Go here for Ailsa’s and other bloggers’ meeting places. Meanwhile, here are a few that caught my eye:

 

Travel Tales of Life Cinque Terre: Meeting in an Italian Paradise

Third Person Travel

Stefano Scheda

Almost Italian

Dhows in Dubai ~ Living Relics

 

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There have been dhows sailing out of the Persian Gulf for India and East Africa for a thousand years and more, following the gyre of monsoon winds. Dates, jewels, fine carpets and chests went one way; ivory, gold, leopard skins and slaves came the other.

These days in Dubai Creek you are more likely to see cargos of Coca Cola, white goods and Japanese cars being loaded on deck. But for all that, and yet among the ever sprouting  high rises, there is still a drift of Arabian Nights’ romance, and more than a hint of Sinbad’s voyaging.

Related posts:

Zanzibar: time’s twists and turns

Weekly Photo Challenge: Culture (The Swahili)

Inside looking out on Lamu Island

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WordPress Weekly Photo Challenge: Relic Go here for more bloggers’ relics

Gazing into Hell’s Mouth at Plas yn Rhiw

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Surely Plas yn Rhiw is too lovely a place for visions of Hell? The ancient Welsh domain  on the road to Aberdaron has a benign and slumbering air; here are  gentle and delicate spirits.And it is not simply in the subtle shapes of the garden’s planting or the soft hues and scents of fading flowers;

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or in the  cobbled paths and woodland walks where wild strawberries and ferns grow alongside fuchsias and hydrangeas;

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or in the fabric of this old, old house whose stones reflect the end-of-summer sky and the steely blue-greys of the sea below.

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Even the air around the house feels strangely soft. It is the kind of late September softness that makes you want to lie down in the grass and dream for days and years, listening only to insect hum and the chatter of sparrows.  The setting anyway is blissful; all enclosed by woodland at the foot of Mynyth Rhiw Mountain, and embraced by the seeming sheltering curve of Hell’s Mouth Bay (Porth Neigwl). So now you have it, an inkling that the tranquil surface overlays some deeper, darker currents.

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Hell’s Mouth lies on the southerly tip of Llyn Peninsula, overlooking the broader sweep of Cardigan Bay. The calm view from Plas yn Rhiw  is transfixing. How can it have such a name? Yet watch this space and see a different scene. For when the south westerly gales come roaring in, this bay becomes a death trap. Over the years it is said that some thirty ships have been run aground, their holdfast anchors dragging before the driving storm. Wrecks include the Transit that foundered with a cargo of cotton in 1839. In 1840 it was the Arfestone carrying gold. An Australian ship was lost there in 1865, and in 1909 the sailing ship Laura Griffith was wrecked. And there is more.

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Reel back to the 8-900s AD and Llyn was the scene of bloody raids. At this time the Vikings occupied coastal Ireland across the bay. Llyn was then part of the Welsh Kingdom of Gwynedd and  Powys and its prominent position made it seem an easy target from  over the Irish Sea.  The Welsh, under Rhodri Mawr (Rhodri the Great 844-878 AD)  fought valiantly to keep the raiders at bay, although accounts of the time attest to their terrifying attacks. But whatever the truth, the sight of a raiding party,  sixty five ships strong, and coming  fast into  the bay must have truly chilled the blood. By the 10th century Llyn was still holding its own against Viking incursion, but only through constant vigilance. And this is where Plas yn Rhiw comes in. Local history  has it that Meirion Goch, great-grandson of Rhodri Mawr, was instructed to build a fortified house at Rhiw and  hold the coast against invasion. It is also thought that this stronghold occupied the site of the present house, although no provable traces have been yet been found. The descendants from this royal dynasty appear then to have occupied Plas yn Rhiw for the next thousand years, eventually adopting, in  the English fashion, the surname Lewis. IrishSeaReliefmap[1] (2) The Llyn Peninsula is the finger of land above Cardigan Bay. Hell’s Mouth is due north of the ‘d’ in Cardigan. The port of Dublin in Ireland was founded by the Vikings, along with other coastal towns that they used as raiding bases. (Map: Creative Commons).

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The house we see today, then, has its own stories – cycles of re-building, abandonment, decay, renewal. Now , as a National Trust property, it is frozen in time; as if its last elderly inhabitants, the Keating sisters, have simply popped out to the shops and left you to gaze upon their hats and gloves, and recently received letters. But more of these sisters in moment. First a quick history of the house. The lintel over the French window is carved with the date 1634, which probably marks the re-modelling of an existing medieval house by the then owner John Lewis. In 1820 the house was further extended and the grand Georgian facade and a further storey added. But in 1874 the long connection with the Lewis family ended and the house was sold for the first time in its existence. The new owner then let it to a succession of tenants, and it was possibly one of these, Lady Strickland, who created the gardens. She apparently also introduced the first bath tub to the district. And there is a tale of a ghostly visitation during her tenancy – a drunken squire roaming the house in search of a drink (lost spirits perhaps?). But by 1938, when the house was once more for sale, it was in a sad state of repair. The nearby millstream had left its bed and was running through the hall, rotting the staircase, brambles blocked the front door and the garden was a jungle. Enter the saviours,  Welsh conservationist  and architect, Clough Williams-Ellis (creator of Portmeirion ) and his friends the Keating sisters.

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In this newspaper photo of 1960 (www.rhiw.com/) we see Eileen, Lorna and Honora Keating at Plas yn Rhiw. It is down to them that Llyn does not have a nuclear power station. They bought up coastal land to prevent it, and than gave the land to the National Trust. They also opposed overhead power lines and caravan parks, and in 1939 Honora received an OBE for her work for the National Council for Maternity and Child Welfare. They were the daughters of a Nottingham architect who was killed in a traffic accident when they were small. Their 32-year old mother Constance was left to bring them up, and she ensured, among other things, that they received a good education. Every year  from 1904 the family spent their summers in Rhiw. In 1919 they bought a cottage above Hell’s Mouth, and it was from here that they first saw Plas yn Rhiw. In 1934, after Constance became an invalid, the sisters settled permanently with her in Rhiw. There are tales of them shunting mother around the locality in a wheeled bed.  By this time Plas yn Rhiw was abandoned, and although there were hopes of saving it, the owner could not be found. Then in 1938 a FOR SALE notice went up. Six hundred pounds was the asking price, and it was Clough Williams-Ellis who alerted Honora. He sent her a telegram: “Will you invest savings Plas”. She replied: “Yes, but haven’t got much.”

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The sisters bought the house, along with 58 acres of land that were all that remained of the original estate. With Clough Williams-Ellis to help and advise, the restoration began, and the following year the Keatings moved into the house. They then set about buying back the estate’s former land, which they gave to the National Trust in 1946 in memory of their parents. The house was donated in 1952, although the sisters lived there for the rest of their lives, the last and youngest sister, Honora, dying in 1981. Inside, the house has no pretensions to grandeur, although it is filled with personal treasures – everything from fine Meissen figures to the cottage vernacular of a Welsh spinning wheel.  Along with the family portraits and antique furniture are paintings by Honora who studied at the Slade, and  also works by M E Eldridge, the often overlooked artist wife of the poet R S Thomas. (When Thomas retired from being parish priest at nearby Aberdaron, the Keatings leased to him Sarn Rhiw, a stone cottage in the grounds below the house).

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The Yellow Bedroom

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Honora’s room – alongside the Victoriana there is in the fireplace a c.1916 Royal Ediswan electric fire which operated by means of 250-watt bulbs. Beside the bed is an early Pifco Teasmaid.

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Today the National Trust is continuing to restore the house while staying true to the Keating sisters’ aesthetic sensibilities and conservation principles. The garden has its striking seasons: carpets of wild snowdrops along the woodland walks in winter, a magnificently flowering Magnolia mollicomata in spring, the early summer azaleas, the September cascades of crimson magnolia fruits and fuchsias. So perhaps the final words should be left to Clough Williams-Ellis. In a letter  that now hangs framed in the hall, he writes to the sisters: “In these serene spring days your little kingdom must be heavenly indeed.”

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Related: Arch Wizard of Wales: Clough Williams-Ellis Bright Fields on Llyn Warrior Wind-Singer of Llyn   Post inspired by Sue Llewellyn’s A Word A Week: Delicate  

When Henry James came to Wenlock

“If Gaskell asks you to Wenlock don’t for the world fail to go.”

Henry Adams in a letter to Henry James 1877

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This is the house where Henry James stayed  on his visits to Much Wenlock in 1877, 1878 and 1882. At the time it was known as The  Abbey, but  once it was the Abbot’s House, and part of a great medieval Cluniac priory whose ruins stand beside it. Only the house, and the town’s parish church survived Henry VIII’s great monastic dissolving campaign of 1540.

I’ve recently read, too, that the Dissolution did in fact involve actual structural ‘dissolving’. The first thing King Henry’s agents did in their bid to disempower the clergy and seize their estates was to rip the lead off the monastery roofs. The wear and tear of English weather then did the rest. Since Wenlock Priory was once one of the most imposingly large religious houses in all Europe, you can well see how efficiently the elements did their work.

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The adjacent small town of Much Wenlock town dates from at least from Saxon times when St. Milburga, daughter of a Mercian king, founded the first religious house here. She was Abbess of Wenlock  between 675-690 AD. The later priory was the work of the invading Normans, who liked to use looming architecture to cow the natives into submission. The monks were brought in from France, but it wasn’t  until end of the 12th century when Bishop Odo, a former Cluniac monk, published his account of the discovery of St.Milburga’s bones (he describes them as “beautiful and luminous”)  that this great house acquired the kind of saintly cachet that ensured serious pilgrim-appeal, and thus brought much prosperity to the town.

After the Dissolution, however, pragmatism ruled, and much of the fallen priory masonry was used to build or expand the town’s homes and businesses. Thereafter, Much Wenlock’s success was based on providing a small but busy mercantile and manufacturing centre for the local agricultural and quarrying community. It even had two Members of Parliament.

But back to  Henry James (1843-1916). What on earth had brought this widely travelled writer to the little town of Much Wenlock? And not once, but three times.

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In fact it was only the urging of a friend, Harvard history professor, Henry Brooke Adams, that brought James here at all on that first visit in 1877. He hardly knew his hosts, Charles and Lady Catherine Milnes Gaskell. Charles Milnes Gaskell, rich barrister and landowner, was a close friend of Adams, and it was Adams who indirectly secured the invitation for Henry James. He knew that James would love the Abbey. Hence the exhortation: “If Gaskell asks you to Wenlock don’t for the world fail to go.”

And so, further enticed by “a gracious note from Lady Catherine Gaskell” and armed with a copy of Murray’s Handbook of Shropshire, Cheshire and Lancashire, Henry James left London for deepest Shropshire, travelling by train to Much Wenlock. The details of how he spent his time on his  five-day visit appear in a travel sketch called Abbeys and Castles, later published as part of Portraits of Places (1883).

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At the station (now private houses) he was met by the Gaskell’s coachman, Crawley, driven into the town, passing in sight of Holy Trinity Church (today without the spire shown in the Frith photo). Here they  turned left into the Bull Ring… 

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passing Priory Cottage on the left…

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…the turning right into the Abbey’s winding drive…

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…with the priory ruins on the left.

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The carriage would then have swung hard  into the open courtyard of the Abbey, and this would have been Henry James’ first view of his destination. Well-travelled as he was, I think he would have been astonished.

Adams’ certainty that his friend would love the place was spot on. In Portraits and Places (p278)  Henry James says:

“It is not too much to say that after spending twenty four hours in a house that is six hundred years old, you seem yourself to have lived in it for six hundred years. You seem to have hollowed the flags with your tread, and to have polished the oak with your touch. You walk along the little stone gallery where the monks used to pace, looking out of the gothic window places at their beautiful church, and you pause at the big round, rugged doorway that now admits you to the drawing room. The massive step by which you ascend to the threshold is a trifle crooked, as it should be; the lintels are cracked and worn by a myriad-fingered years…it seems wonderfully old and queer. Then you turn into the drawing room, where you find modern conversation and late publications and the prospect of dinner. The new life and the old have melted together; there is no dividing-line.”

In letters James admits to being rather  in love with Lady Catherine, whom he describes as a perfect English rose. She was only twenty years old at the time, and expecting her first child. She apparently put garden flowers in his room and made sure he had plenty of writing paper and pens. But when it came to entertainment, this was down to Charles Gaskell. Despite the rainy weather, he and James appear to have yomped all over the district looking at stately homes and other ruins. They also took the train to extend their excursions to Stokesay Castle and Ludlow. Henry James was clearly enchanted. Of Much Wenlock and its setting he says:

“There is a noiseless little railway running through the valley, and there is an ancient little town lying at the abbey-gates – a town, indeed, with no great din of vehicles, but with goodly brick houses, with a dozen ‘publics’, with tidy, whitewashed cottages, and with little girls…bobbing curtsies in the street. But even now, if one had wound one’s way into the valley by the railroad, it would be rather a surprise to find a small ornamental cathedral in a spot on the whole so natural and pastoral. How impressive then must the beautiful church  have been in the days of its prosperity, when the pilgrim came down to it from the grassy hillside, and its bells made the stillness sensible.”

Things have changed of course, although we still have a fair few ‘publics’ for so small a town – five in fact. But there are no longer little girls who curtsey to gentleman, and sadly no railway, which means instead we do now have the inevitable din of vehicles..

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An interesting aside to the Henry James’ Shropshire travelogue is that he is said to have been working on his disturbing ghost story The Turn of the Screw while staying at the Abbey. He certainly had the supernatural on his mind during that first visit.

“…there is of course a ghost – a gray friar who is seen in the dusky hours at the end of passages. Sometimes the servants see him; they afterwards go surreptitiously to sleep in the village. Then, when you take your chamber-candle and go wandering bedward by a short cut through empty rooms, you are conscious of a peculiar sentiment toward the gray friar which you hardly know whether to interpret as a hope or a reluctance.”  (Portraits of Places)

And this does rather remind me of a passage in The Turn of the Screw  where the governess narrator describes how her young charge, Flora, takes her on a guided tour through the rambling old mansion at Bly:

“Young as she was, I was struck, throughout our little tour, with her confidence and courage with the way, in empty chambers and dull corridors, on crooked staircases that made me pause and even on the summit of an old machicolated square tower that made me dizzy.”

But then Henry James seems to have made a life’s career of ‘staying’ in, or visiting large country houses. All the same, I like the idea of his brewing this grim tale in Wenlock. Certainly from across the old monastery parkland, the Abbey does have a more brooding and sinister air. And now I’ve sown that notion, I’ll leave you with some more views of undissolved monastic relicts: 

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References:

Cynthia Gamble John Ruskin, Henry James and the Shropshire Lads New European Publications Ltd 2008

Vivien Bellamy  A History of Much Wenlock Shropshire Books 2001

copyright 2014 Tish Farrell

Unexpected with bells, sticks and hankies at the Sweeps Festival

 

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There is much that is unexpected about Rochester’s annual Sweeps Festival, held every May Day for the last thirty four years. It is of course a re-make of a much more ancient festival – one at least 400 years old, and that in turn was probably a re-make of various spring-time rites from distant antiquity. As you scan down the photos you may notice a plethora of cultural references, some of them wholly inexplicable, but all thrown in – in the name of jolly good English fun.

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But first a bit of real history, at least to explain the ‘sweeps’ bit of the proceedings. In Britain chimney sweeping was once big business. Until the Climbing Boys’ Act 1868 which made it illegal, children as young as four were employed by Master Sweeps to clean inside the nation’s chimneys. This practice was even officially sanctioned. The Master was paid by parish officials to take on climbing boys (and sometimes girls) as indentured apprentices. They then underwent a 7-year training, after which,  if they survived, they could become journeymen sweeps and work for a Master of their own choosing. The children were usually workhouse orphans and paupers, and the aim was  to launch as many of them into the trade and up sooty flues so as to reduce their cost to the parish. It was a filthy, dangerous and vicious business, and you can read more about it HERE.

May Day was traditionally the only day of the year that chimney sweeps had as a holiday. Here in Kent the day’s festivities traditionally began on Blue Bell Hill, at Chatham just outside Rochester (a hill also known for its Neolithic chambered tombs). At dawn the merrymakers would awaken the giant Jack-in-the-Green who would then accompany them in the parade.

And here he is, recreated anew – the ‘tree’ between two ‘sweeps’:

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There are of course obvious references here to the Green Man, the Green Knight and various symbols of tricksterism and fertility. There are also similar festivals involving tree-figures in Europe, particularly Switzerland, and it is possible that some of the notions associated with these carnivals go back to Stone Age times.

Welded onto all of this is the ancient English pastime of Morris Dancing, a form of folk dancing that has many regional expressions, and dates back to at least the 15th century. It had a great revival at the start of the 20th century when folklorists such as Cecil Sharp set about documenting traditional dancing and music. Below are some ‘traditional’ looking Morris Men. They are members of one of the sixty Morris bands that take part every year at the Sweeps’ Festival.

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And then there are the black face Morris dancers, the Goths, the Fabulous Fezheads who sand dance, Morris dancers from the US, all women groups, clog and longsword dancers. There are even hints of S & M and nosferatu, or was that just my take on things. In any event, please enjoy the cultural concoction.

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Ailsa’s Travel Theme: unexpected

Vulcanicity ~ Welcome to the hot zone

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I have long had a fearful fascination with volcanoes – probably ever since, as a young child in the 1950s, I saw a newsreel item of Mount Etna erupting. It seemed like a living nightmare. I remember especially the unstoppable flows of boiling lava that rolled over everything in their path.  Even in places where it had cooled I seem to remember people who walked on it found their shoes smouldering. It was perhaps my first apprehension of the fact that the earth could do things that mankind was incapable dealing with. I remember having a dream afterwards where the ground beneath my feet kept cracking open into ever widening fissures: my first anxiety dream perhaps.

With this in mind, you will understand how very deeply impressed I was when I first set eyes on Africa’s Great Rift Valley.

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NASA non-copyright image

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Here, on the surface of the earth, we have a 4,000 mile chain of connected fissures that extends from Lebanon in the Middle East to Mozambique in south east Africa. It comprises the Jordan Rift Valley, Red Sea Rift and the East African Rift, which itself divides into eastern and western arms with Lake Victoria Nyanza in between. The entire system has been described as a world wonder, the biggest rupture in the planet’s land surface, and the only geological feature that can be seen clearly from the moon. The East African Rift of course includes the great ice-topped volcanoes of Kilimanjaro and Mount Kenya that are mere remnants of their formerly gargantuan fiery selves.

So however you look at it, moon- or otherwise, the Great Rift is definitely a case of EXTREME geology. All that seismic shunt and shift. And it is still happening and at this very moment. One day the Horn of Africa and littoral East Africa will be an island.

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The East African Rift is thought to have begun to pull apart around 40 million years ago. Scientists surmise that the environmental changes associated with fissuring may have had a significant impact on the evolution of humankind. So far, very many of the earliest fossils of (potential) human ancestors have been found in the Rift – Olduvai Gorge, and in the vicinity of Lakes Baringo, Turkana and Omo. On the other hand, this could simply be a reflection of the  decades of systematic searching in these areas, instigated largely by the Leakey dynasty of palaeontologists. But whether a good case of careful looking or not, I’m still prepared to believe that humans could have evolved here.

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The photograph at the start of this post is of the old volcano, Longonot. It lies in the Rift between Nairobi and Naivasha in Kenya. In the next shot you can see it from Lake Naivasha (hippo added for purposes of scale Smile). Part of this lake is also formed within a submerged crater.

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One key side effects of volcanic activity is highly fertile soil. In Kenya and Tanzania the Rift Valley floor supports the Serengeti grasslands that in turn are home to millions of herbivores, their following of big cat predators, and the whole wonderful species-rich eco-system. These plains also have long been the grazing grounds of the best known nomadic pastoralists on the planet, the Maasai.

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Before the British invaded East Africa in the late nineteenth century (intent on setting up the Imperial British East Africa Company) and concluded that any land not occupied by people at that point in time was EMPTY and thus FREELY AVAILABLE, the Maasai ranged over vast tracts of the Rift grassland system. It is believed that their ancestors moved out from the Horn of Africa about four thousand years ago. 

This means that the Maasai lived a life that suited them and apparently with little cost to the environment for 4,000 years before the British came along and herded them into a reserve where the land is least fertile and watered for human purposes, and otherwise known as the Maasai Mara. Europeans then set about destroying the plains’ wildlife on a breathtakingly ugly scale. The invaders, or their activities also became vectors for deadly disease – rinderpest that decimated native cattle, and smallpox and syphilis that took their toll on the human populations.

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Smallholder farms at Escarpment just north of Nairobi. Mount Longonot beyond.

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Once the British had staked their claim in British East Africa, the Bantu farming communities that inhabited the higher hillside zones of Kenya were also enclosed in Reserves. The occupants could only leave to work for Europeans. The justification for creating reserves with designated boundaries (and they were quite large areas) was to protect tribal land holdings from the incoming white settlers.

African farmers, being the successful cultivators they had been for several millennia, were naturally inhabiting the best and most covetable land. So in this sense, the British administration had a point. The early settlers were British aristocrats like Lord Delamere and  the sons of the Earl of Enniskillen, and thus the kind of men who expected to own vast acreages and begin farming/ranching on an industrial/landed gentry scale.

Meanwhile from 1896-1902, and as a result of military paranoia of epic proportions, the British had built a very expensive 600-mile railway  from Mombasa to Lake Victoria. It was called the Lunatic Line even at the time of its building. But as the strategic objective receded in importance during the early 20th century, so the Colonial Office needed settlers – well-heeled, gentlemen of means who would grow produce for export and so help pay for the railway.

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First page of Lord Cranworth’s A Colony in the Making: Or Sport and Profit in British East Africa, Macmillan 1912. A guidebook and general sales pitch to attract gentleman settlers. (Out of copyright).

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Thus, in the wake of the adventure-aristocrats came retired military men, among them individuals who were variously set on nation-building, knocking the natives into shape and, in the process, getting rich from flax, ostrich feathers and coffee. The country’s fine shooting and fishing were definite lures, and made much of in the publicity brochures sent out from British East Africa. Other attractions included the notion of plentiful cheap farm labour and house servants, and thus the preservation of social status that was already well on the wane for the middle classes back in Blighty.

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But now we come to the rub. Or in fact two rubs. Firstly, when the monsoon winds are blowing in the right direction, Kenya has the most benign climate imaginable,  providing two rainy seasons, and thus two and sometimes three growing seasons for some crops. The elevated plateau of Central Province in particular, and its Aberdares highlands are rarely too hot. The beauty of the great forests suggested Scotland or Wales rather than Africa to the newcomers. They set about building mini-baronial lodges and laying out English lawns and rose beds.

But then comes the other rub. The soil. As I’ve said, volcanic soils are very fertile, but they are also very fragile. Wholesale clearance of trees and bush will quickly create desert. The late, great Kenyan environmentalist, Wangari Maathai, has maintained that felling deeply rooting forest trees ultimately leads to desertification for a whole range of reasons. 

The forests not only attract rain but the trees shelter, stabilize and feed the soil (many tropical species fix nitrogen). Most importantly, she pointed out, the deep roots open up underground aquifers to water the land.

Traditional farmers of course made gardens within the forest rather than large fields. They cleared trees certainly, but they did not clear all trees. Some had sacred meaning, like the wild fig, and were protected. Others were valued for cropping purposes – for animal fodder, medicine, bee forage etc.

When the old colonials set out for Africa on a cash-cropping spree, full of the notions that they knew best how to farm, they singularly failed to understand that indigenous peoples, far from being ‘undeveloped’, had very good reasons for doing things the way they did them. Their objectives were more about living well than getting rich.

Pre-colonial accounts by explorers and missionaries show that the Bantu peoples were very successful farmers. They planned their planting to take into account the possible vagaries of climate. For instance, drought resistant millet might be the mainstay crop, and cultivated on the  drier soils in their territory. Squashes and beans would be grown near stream beds, and water-hungry maize would be the risk crop,  planted on a river bank on the off chance that seasonal floods would be small enough not to wash the crop away, but good enough to provide a bonus to the annual harvest.

Kikuyu farmer and sugar cane

The other important contingency depended on kinship and clan ties. As the Bantu communities moved out across the African continent over many centuries, pioneering into new territories as population growth or failing soil fertility dictated, networks of clan relationships became extended over quite large territories. If drought, disease or invaders struck, people would take their possessions and seek refuge with distant relatives until the threat had passed.

Pastoralists like the Maasai also relied on being able to move over large distances to secure grazing for their herds in times of drought. But once people were confined to reserves, bound by European constructs of land ownership, they could not move. Land in the Native Reserves where people farmed thus became overcrowded, degraded and overgrazed. Under colonial rule Africans were not allowed to acquire fresh land. This was one of the chief reasons for the uprising in 1950s Kenya when the Land and Freedom Army (dubbed Mau Mau) went to war against British rule.

Then there were the colonial agriculture officers trying to dictate the way the people on the Reserves grew their crops, pressing for mono-culture rather than the traditional way of mixing crops which helps to fool insect pests and utilizes advantages of companion planting.

As we left Kenya in 2000 I was interested to learn that some European agricultural aid project was actually advocating that smallholder farmers (which means most Kenyans) should use ‘kitchen-garden’ planting techniques to reduce crop pest damage and/or the need for pesticides. It had only taken a hundred years for outsiders to teach Africans what they had known all along, but doubtless been told to forget in the interim because their methods were considered primitive.

Sometimes the hypocrisy of rich world tinkering is enough to make this particular writer’s blood boil up in seismic fury.  Time to cool down with a view of snow-topped Kilimanjaro. Who’d have thought it: ice on a volcano. When in the 1840s German explorers and missionaries, Johann Ludwig Krapf and Johannes Rebmann, out exploring from their Mombasa mission, claimed to have seen snow-capped mountains at the Equator, no one back home believed them. Thought they were barking. There’s a lot, we outside Africa do not know about this vast, extraordinary continent even though its nations provide us with so many of our essential raw materials, fairly and otherwise; mostly otherwise…

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copyright 2014 Tish Farrell

 

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