Once In Nice…Of Past Pleasures

chagall stained glass

“For me, a stained glass window represents the transparent partition between my heart and the heart of the world. Stained glass is exhilarating, it needs gravity, passion. It has to live through the perceived light.”  Marc Chagall

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Today Becky’s lovely blue gallery reminded me of the photos I’d taken of Marc Chagall’s stained glass – this on a long-ago stay in Nice. The window is in the auditorium of the Musee National Marc Chagall, which has to be one of the finest little galleries in the world: the setting, the building and the art fusing in dreamy synergy that captures the humanity, joyousness, and all round good spirits of Marc Chagall. He was a man who created in all media. He saw his work  “not the dream of one people but of all humanity”.

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And then there is his use of colour. Picasso probably has the last word on that: “When Matisse dies, Chagall will be the only painter left who understands what colour really is.”

Marc Chagall (1887-1985)

Past Squares #9

Out Of The Archive: A Favourite Piece Of Historical Sleuthing

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The family who lived in the Palais de Masena

Believe me, the family gathering depicted in these two murals has more tales to tell than most. They could be the very depiction of Tolstoy’s famous opening to the tragic novel Anna Karenina: (And I paraphrase) all happy families look alike, but the unhappy ones are unhappy in their own inimitable way.

The original post Nice Family? En famille at the Massena Palace continues HERE

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So what spurred me to discover more about these set-piece murals wherein members of an elite Nice family gaze at one another across a palace staircase? Silly question really. It was the mysteries that cropped up – once I paid them closer attention.

For instance why has the blue-bloused woman of the second mural adopted such a vulgarly aggressive stance when the keys hanging from her waist suggest she is mistress of the house, the chatelaine? And who is the droopy waif leaning on her shoulder?And why are so many people lurking, or peering between marble columns. And who is the lovely woman with the macaws and exotic tapestry; is the blue-bloused woman’s look of contempt from across the stairwell meant for her? But most of all, one has to wonder why this family would commission well known French artist François Flameng to show them in this way? Was he having a joke at their considerable expense?

The proposed explanations are in the original post so I won’t repeat them here. But I will tell you that the family members are all descended through intermarriage from three ordinary men, plain soldiers, Masséna, Murat and Ney who through courageous acts rose to prominence in Bonaparte’s army, were appointed Marshals of Empire and thereafter acquired all manner of riches and other grandiose titles.

But the reason this archive post is one is one of my favourites is because the sleuthing involved was so fascinating. I was astonished at how much could be gleaned from a few hours trawling the internet. It seemed like magic – lead after lead revealing a few more snippets about a world distant from me in time and space. And I thought then – this is the world wide web at its best; this is what its creator intended: to share knowledge and information; to open minds and eyes; to enthrall, educate and entertain in positive ways. It could still be like that, couldn’t it…I mean without the hate and fakery?

July Squares #19

Against The Odds ~ The Wenlock Edge Sky Painter Steals Raoul Dufy’s Paint Box

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I was in primary school when I fell in love with Raoul Dufy. In those days there was a state schools’ travelling art scheme, and at regular intervals our classrooms would receive a new reproduction of some striking painting. The said artist would then feature in a piece of project work: we would learn something of their life, and diligently copy or create our own versions of the picture.

Vincent Van Gogh featured often, and for a long time I was overly fascinated with the man, the loss of his reason and his ear, and was also visually transfixed by his chair.

But it was one of Raoul Dufy’s many images of La Promenade Des Anglais in Nice that captured my imagination. As I painstakingly copied the never-before-experienced palm trees, the balustrade, the blue, blue sea beyond, I became aware of quite new sensations: of something excitingly foreign, but above all, and I could not have put this in words at the time, of a sense of unfettered joi de vivre, something I had never felt before, since it was definitely never a sensation to be experienced in my home-life. And so when I see this sky, I have that same sense of the joyous liberation of the spirit, and think that this is possibly all I need to know about the universe. It simply IS. And I am glad to be here.

Dufy Le Casino de Nice

Daily Post  Against the Odds

Nice By Night ~ Hotel Negresco

Hotel Negresco, Promenade des Anglais

“If only I were at Nice, I would recover.”

So said Queen Victoria on her deathbed in 1901. She has a point. Who would not feel better after a stroll along La Promenade des Anglais, one’s gaze filled with the perfect Côte d’Azur blue of the La Baie des Anges. For a monarch, who had made a career of mourning  the death of her consort, Prince Albert, Nice was the one place where she sparked into life. She would travel there under the name of Lady Balmoral, and go exploring the backstreets of Nice in a donkey cart. The Hotel Negresco, however, was after her time, opened in 1913. It dominates the La Promenade des Anglais. Past guests include Salvador Dali, Princess Grace of Monaco,  Duke and Duchess of Windsor, Ava Gardner, and Edith Piaf. This night shot looking up to the characteristic terracotta cupola, and the cool blue of the illuminated sign, somehow sums up the Nice-ness of Nice.

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Thursday’s Special

This week Paula’s guest is Cardinal Guzman. He challenges us to post some night photography, and provides lots of useful tips.

Night-time Plea in Nice: Come Rescue Me…?

by day there was a green parrot in the cage

There are so many enticing shop windows to gaze at in Nice – everything from brightly coloured marzipan sweets to exquisite oriental teapots. This window, however, was most disturbing. The more so, since it was just across the street from our hotel.

I think of this as my ‘David Lynch photo’. It seems to have about it more than a hint of that director’s very weird but somehow compelling TV series Twin Peaks. By day,  the window on Nice’s Rue de Rivoli (just up from the swish Negresco Hotel where we weren’t staying) was scarcely noticeable. Only at night, when dimly lit from within and without, did it take on ‘a reality’ (though I hesitate to explore this further) and you could see more clearly what was inside. It seemed to be a dry cleaners, but there was also a lonely parrot in a large cage, and an assortment of wedding  gear arrayed on a wigless bride, and many large-brimmed sun hats. This girl, though, was surely yearning for rescue. Perhaps she is still. Any heroes out there?

copyright 2014 Tish Farrell

Ailsa’s Travel Theme: Inviting

DP photo challenge: nighttime

 

 

Seasons’ Round in Nice, Cote d’Azur

 

“…there is less rain and wind at Nice, than in any other part of the world that I know; and such is the serenity of the air, that you see nothing above your head for several months together, but a charming blue expanse, without cloud or speck.”

Tobias Smollett Travels Through France And Italy 1764

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Umbrellas beside the Promenade des Anglais, round-topped palms and the cupola of the Hotel Negresco against a china blue sky. Where else but Nice.

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Nice is pretty much a year-round travel destination, a fact first discovered in 1731 by members of the English aristocracy. Lord and Lady Cavendish were the trendsetters in question, and from the time of their visit onwards, anyone who was anyone began to spend the winter season there. By 1860 there were 704 foreign families wintering in this way. Of these, 252 were English, and 128 were Russian. There were lesser numbers of well-heeled Germans and Americans. The arrival of the railway in 1864 further helped to boost upper class tourism, making it possible to leave London Bridge Station at 7.40 on a Monday morning, and reach Nice by Tuesday suppertime. 

The benign climate and shiny bright days also made it popular with convalescents,  the “pale and listless English women and listless sons of nobility near death” as French historian Paul Gonnet described them. Very soon then, and in response to this influx of moneyed people,  Nice the fishing port transformed itself into Nice the fashionable resort for Europe’s elite. 

Among that elite was an elderly Queen Victoria. She travelled under the name Lady Balmoral, although heaven knows why. There could have been no failing to notice her arrival, coming as she did in her own train, accompanied with up to a hundred staff, and her Scottish pipers piping her in. Full warning of her advent was further marked by the forward arrival of her bed.  In 1895 and 1896 she spent her spring sojourn in The Grand Hotel, Cimiez just outside Nice. But for the next three years she and all her royal household would occupy, through March and April, the entire west wing of the Hotel Excelsior Regina Palace.  This was a brand new hotel, built with the Queen specifically in mind, it being well recognized that Lady Balmoral’s continued patronage of Nice did much to boost local business and encourage tourism. By the end of the 19th century the city’s population  reputedly increased by 80,000 during the winter months.

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One wing of the vast Hotel Excelsior Regina Palace, now apartments.

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One of the things that most people know about Queen Victoria is that she was tiresomely dreary for years after Prince Albert’s death. When in Nice, though, she underwent a complete  transformation, girlishly taking part in local festivities, driving around in a donkey cart that allowed her to explore byways  too narrow for her carriage, inviting the scarcely respectable Sarah Bernhardt to put on a private performance, handing out presents to all and sundry. In fact she brought with her to France a trunk filled with watches and chains, pens, inkstands, portraits and cigarette holders. These she bestowed on all ranks – from hotel staff upwards, while keeping account of who had received what so she would not give anyone the same thing twice. On her death bed she famously said, “If only I were at Nice, I would recover.”

Hotel Negresco, Promenade des Anglais

In the 20th century, the Cote d’ Azur became the haunt of the avant-garde: Matisse, Picasso, Stravinsky, Diaghilev, Ernest Hemingway, Henry Miller, Gertrude Stein, Chagall. In later life Matisse had a studio in the The Hotel Excelsior. But for travellers and tourists, the hotel to stay in was, and still is  for that matter, Le Negresco.

It was built by Henri Negrescu (later Negresco), son of a Romanian innkeeper,  and opened for business in 1913.  In the first year the hotel made a profit of 800,000 francs in gold, but then came war, and Negresco turned the place into a hospital. He died, penniless, a few years later. His hotel, though, goes from strength to strength. Its past guests include Louis Armstrong, Salvador Dali, Princess Grace of Monaco, Queen Elizabeth II, Duke and Duchess of Windsor, the Beatles, Ava Gardner, James Dean, Frank Sinatra, Edith Piaf, and Michael Jackson.

When we visited Nice a few years ago we saw no one famous in the bar or foyer. In fact it was all rather quiet. We decided to have dinner in the hotel’s very bizarre brasserie, La Rotonde. As you can see, it’s an inside-out carousel in overdone pink.

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La Rotunde bistro at the Negresco

La Rotonde brasserie, Hotel Negresco

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Every hour, parts of the decor come to life, fairground style, while a life-size figure of a girl in an ill-fitting smock and straw hat rotates in the centre of the dining room. We found it all rather  perplexing, and the food was not good enough to distract us from feeling we were in the wrong place. In fact there were much nicer things to eat, or at least look at along the streets of Vieux Nice. And as it happens, most of them were round.

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bonbons

 

Easter Greetings Everyone

 

 

AILSA’S TRAVEL CHALLENGE: ROUND

A Word A Week Challenge: Round for more round posts

Nancy Merrill Photography

Snap Thoughts

It’s not what you look at that matters

 

Reference:

Michael Nelson 2007 Queen Victoria and the Discovery of the Riviera

© 2014 Tish Farrell