Cooling Off In Kiboko

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Every time there was that gasp of relief, as if we’d not been breathing for the last hundred miles. Ahead, through the heat haze, appeared the stand of fig and fever trees, rising tall and green above the dry bush country. After two hours of truck fumes, heat and dust and no shred of shade since leaving home in Nairobi, it seemed like an oasis.

It could be a mirage of course. But no. Next the scene would solidify and we’d see the Akamba wood carvers’ stalls set out under the trees. And then, thanks be, we’d be turning off the Mombasa highway, bumping along the dirt track, that was scarcely more bumpy than the road, and into the cool sanctuary of Hunter’s Lodge.

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Kiboko ed header Mombasa highway north of Kiboko

And this is what we had left behind – the highway looking north towards Nairobi, caught here in a rare truck-free moment. There is currently talk of this route being replaced by a 300-mile multi-lane, super highway-toll road to be built under the auspices of the US government. Some Kenyans are sceptical of its ever happening.

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The trip to Kiboko and Hunter’s Lodge was one we made every other week during our first year in Kenya. Graham had been seconded to the Kenya Agricultural Research Institute to work on the eradication of the Larger Grain Borer, a voracious pest of stored grain, introduced to the continent on consignments of food aid. The project had its base at Kiboko field station, which, most conveniently, was behind the garden at Hunter’s Lodge.

There’s more back story here: Once in Africa: everyday moments at Hunter’s Lodge…until the crocodile

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The Lodge was built in the 1960s as the retirement home of big game hunter, the blunt-speaking, no-nonsense Scotsman, John Hunter. He belongs to the era of grand shooting safaris for maharajas and European nobility. (Out of Africa Bror Blixen and Denys Finch Hatton were colleagues and friends). He also spent much of his shooting career working for the colonial game department, tracking down ivory poachers while ridding the lowland bush country around Kiboko of ‘troublesome’ rhino and elephants. The former were terrorising the Akamba farmers, the latter destroying the sisal and orange farms of British settlers. He chose this spot for his home because he remembered it as an elephants’ waterhole, where he had enjoyed much time simply watching them. He seemingly saw no irony in the fact that he’d helped eradicate the local population.

The waterhole, which was fed by a rare local water source, the Kiboko River, was remodelled into a garden lake, and traversed (in our day at least) by an extraordinary bridge that led to the vegetable shamba.

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There was said to a leopard living at the top of the lake, though I never saw or heard it. We did hear bush babies screaming at night, and also watched the nightly firefly show over the water. It was also a fabulous place for birds: over two hundred species including many varieties of kingfishers, weaver birds, herons and storks.  Sadly, I had only my small Olympus – trip camera, so there are few bird photos. The very distant marabou storks in the next photo’s tree tops are actually huge in real life.

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Kiboko isn’t marked on the map. It’s a centimetre above the border with Tanzania, due north of Kilimanjaro, roughly midway between Sultan Hamud and Kibwezi. The area east of the highway north of Tsavo East Park is Ukambani, traditional territory of Akamba farmers and herders. To the west is Maasai land, though you will of course see Maasai herders along the road, at the trading centres, and spot the red flash of their shukas as they drive their herds across the bush country north-east of Kiboko.

Sometimes along the road you may also catch a glimpse of Kilimanjaro, on those odd occasions when the mountain chooses to show itself. As you can see, lowland Ukambani is a sear land of thorn scrub and savannah. It hardly rained at all in the times we visited. The header photo was one of those rare moments.

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Lens-Artists: Cool Colours  John at Journeys with Johnbo sets this week’s theme and says he is open to any or all interpretations.

Monochrome Madness: On The Beach

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Marloes Sands, Pembrokeshire, South Wales

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I love winter beaches. You never know how it will be there – the wildness of wind and waves, the shafts of sudden sunlight, sands strewn with sea debris, or storm-scoured, the off-season pursuits of humankind…

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Christmas morning, Newborough Beach, Anglesey, North Wales

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Menai Strait, Anglesey

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This could just be the French Lieutenant’s Woman displaced from Lyme Regis to Red Wharf Bay, Anglesey. I do know her name is Sarah.

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These next views are of Portwrinkle beach, Cornwall, also taken around Christmas time:

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My prehistorian’s eye perceived those rocks as some flooded megalithic structure, the remains of a Bronze Age circle or chambered tomb perhaps. Certainly, in other parts of the Britain, the remains of Neolithic wood henges have been discovered on beaches below the tideline.

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Monochrome Madness: on the beach.  This week Brian at Bushboy is acting host at Leanne Cole’s Monochrome Madness

What’s In A Garden ~ Or Tales Of The Not Quite Planned

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The thing about making a garden is you never really know what will happen there. Not really really. You do of course ‘set the stage’ for growing to happen – from planting up a few doorstep pots to toiling over ground work and designing and filling borders.

And then when you sow seeds, as I did here for Gigantes butter beans, and Black Knight morning glory – you could well envision how they might be if they were planted out together and set to grow up the front garden obelisk. (Header photo)

But you can’t necessarily predict the actual ‘show’, which of course is what’s wonderful about gardening. In many ways it’s ever an experiment. The pleasure comes when you walk outside and notice something  special, the something whose actual disposition you had no control over.

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In the back garden I planted out some more Black Knights with purple climbing French beans Violette. But at the moment they seem more keen to keep company with the courgettes. The flowers have an unearthly look about them. I could swear they radiate light from their recesses.

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Then there are the wild and feral plants that invite themselves into the garden. Sometimes they are not too welcome. But sometimes they make one’s heart leap with delight. Here, entwined in our otherwise horrid hedge we have this glorious pink convolvulus (bindweed). The flowers are much bigger than the wild white version of themselves and they out-trumpet their morning glory cousins too.

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And then there are the garden invaders that invite more curiosity than delight. These delicate crimson-grey poppies are presently flowering above the terrace wall and, as far as I can tell, is a single plant with many branching stems. As the flowers fade, the more ashy they become.I’m not sure what to feel about them.

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But I know I love this white marsh mallow, a shrub I bought recently to grow on and fill a gap along the back garden fence. A perfect moment – catching the early morning sun on its face:mallow

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And then there are things that add to a garden that aren’t quite in the garden. Just over the hedge, on the roadside verge, is an ornamental cherry tree with deep burgundy foliage. At sunset, as we eat supper, we have a glimmering light show at our new kitchen window; not at all what we were expecting.

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P.S. For followers of the house renovations: the kitchen’s not finished yet. Last lap stuff still to do.

Lens-Artists: What’s In A Garden  Ann-Christine at Leya shows us some stunning gardens

Six on Saturday ~ More From The Random Garden

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As I said in my last Six on Saturday post we have a new garden. I also said that for various reasons – rampant weeds to clear and too much wet weather from winter to spring – I was all behind come growing time; things got sown or planted out wherever there was space at that particular moment.

This has since made protecting cabbages, purple sprouting, kale and cauliflowers, first from pigeons, and more recently from hoards of cabbage white butterflies intent on laying their eggs, somewhat problematical, not to say given rise to a mishmash of netting and other protective devices rather too reminiscent of my former allotment contrivances.

So number 1, since it is preying on both my mind and on my brassicas: CABBAGE WHITE BUTTERFLIES…

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Caterpillar damage on Tuscan kale

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I actually quite like this photo. The more so as the target of interest is my SoS 2: agastache or Vietnamese Mint. The butterfly is calling in for an energy fix, which I suppose I should mind. (Enough procreation, thank you!)

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I love the agastache. It smells of aniseed and its leaves are edible. It’s a perennial (I grew lots of it from seed this spring), though I’m not sure how hardy it will prove in a Bishop’s Castle winter. Anyway, it is a very tidy plant, growing beautifully upwards with lots of purple-mauve spires – not easy to photograph well.

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SoS 3 is one of this week’s very pleasing finds: a nice young toad lurking by the outside tap.

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We’d already found a much bigger toad hiding under an old tile by Graham’s new garden shed creation. I’m wondering if there may be more, because so far there has been very little slug damage along the vegetable rows – so little in fact, I can’t quite believe it. (Lull before storm?)  We were besieged with molluscs in Much Wenlock. We do have the odd big snail however.

Talking of the new garden shed, this is number 4. I’ve mentioned elsewhere that it’s being built from scratch, incorporating recycled parts from our April roof makeover and other assorted materials, the whole inspired by a Great Western Railway goods wagon. I’ve had to sacrifice what might otherwise have been a large and useful garden border, but never mind. I’m liking the shed. It’s presently having its rubber roof applied.

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SoS 5 is the front garden sweet corn. It’s growing tall and starting to tassel. Possibly planted rather tightly, but so far the plants don’t seem to mind.

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As seen a couple of weeks ago:

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I also have a neighbouring raised bed with cabbages and spring onions. On the farther side of the front garden there is now a row of purple sprouting growing where the potatoes were, netted of course.

The two raised beds seen here were made from building work off-cuts, and I’m hoping for more to be made when the shed is done, and eventually I’ll move these to the back garden.

Or maybe not. The front garden does seem a good growing spot.

There’s also some good growing going on at the bottom of garden. I’m pleased that back in the winter I managed to make a good compost filled trench for the runner beans. It brings me to no. 6 – last night’s first meal of the season. Always a gardening landmark in Farrell household.

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The trench of garden waste and hot bin compost certainly seems to be working  well for runner beans Emergo and Painted Lady

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Up, up and away…

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Six on Saturday

Please visit Jim’s lovely garden at Garden Ruminations

 

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Shadows And Silhouettes

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Herewith a reprise of some favourite monochrome shots from the Much Wenlock archive. The header is the entrance to the Linden Walk, which several of you (Jude especially) will well remember.

The next photo was taken on the shadowy cutting of the old railway line that runs alongside the Linden walk: top-lit horse chestnut leaves…

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Next, a former back garden view of foxgloves: sun setting over the fence…

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A couple of wintery scenes now. First the ivy clad ash trees in Townsend Meadow:

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…and twilight over Rookery Wood: one rook (centre) and several jackdaws:

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Shadows & Silhouettes  Dawn at The Day After is this week’s host at Leanne’s Monochrome Madness

The Changing Seasons ~ This Was July ‘24

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Here in Bishop’s Castle, as in many parts of Great Britain, much of July was cool and overcast – more autumn than summer. The garden, however, carried on oblivious, although there was an obvious shortage of bees, hover flies, butterflies and other insects.

But then just on the last lap, summer happened. And not heat waves either; simply days of pleasing warmth  which certainly brought out the bees. And then whole flocks of cabbage white butterflies flew  in, wafting round the garden, dozens at a time, homing in on cabbages and nasturtiums to lay their eggs. I’ve given up chasing them away.

They also like to feed on the agastache (Vietnamese Mint), a perennial I’ve grown from seed this spring. The bees love it too. So I’m glad I planted out all the many seedlings that germinated, as well as giving some away. It’s a stately plant with purple-mauve plumes and leaves that smell of aniseed.

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The switch to warm days has made all the lettuce bolt, but we’re still eating some of them. As ever, I have failed to organise a seasonal flow, so there will be a gap in salad content for a time. Instead, I’m picking the young leaves of Swiss Chard, a second crop which I’ve managed this time to protect from nibbling pigeons. There are also herbs – dill, basil, and lots of coriander and chives, and wild rocket (about to bolt) and masses of developing leeks which are good in salads.

But best of all, the runner beans are beginning to set, so I must keep an eye on them. They often fool me by producing the first crop near the ground inside the canes, where they can’t be seen.

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And then this lovely mallow has started to flower…

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And there’s been a second flush of foxgloves…

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And then I noticed a happy partnership (growing out of the concrete on the front path) campanula and lavender perfectly arranged…

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And finally, in amongst the ongoing building work and general domestic confusion…

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…we take note that it is was a year last July when we exchanged contracts on The Gables and began planning our move to Bishop’s Castle…

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And in case you’re wondering about the big beer barrel, the town is famous for its historic pub and brewery The Three Tuns Inn, serving folk since 1642. Just one of many good reasons to settle here. The beer is delicious. Cheers!

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The Changing Seasons: July 2024  Hosted by Ju Lyn and by Brian at Bushboys World

Dreaming Places ~ From Shropshire To Lamu And All In A Day

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One of Bishop’s Castle’s pioneering eco-homes

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Today, as July winds down, we have a summer’s day. Only the third in a month of coolness and cloud. Sunlight floods the house front. Warmth even. No trace of the wind that has dogged us for much of the year. Stillness then. The soundscape, resonant, a part-song of church bells, bee hum and pigeon chorale.

There’s a sense of bliss.

And where does my mind go?

Why, off to Kenya’s Indian Ocean island of Lamu – a trip made decades ago and at Christmas too.

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The harbour at Lamu’s Stone Town

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Perhaps our recent spell of autumn-in-summer weather is seasonally disorienting me, although in mitigation, December in Lamu is the hot season, their summer; though rather hotter and steamier than ours.

But in the full-on Shropshire sunshine, the mind plays tricks. Meanders. Perhaps there’s another trigger to this farflung mental safari.

I soon spot it. Back in the days of the Lamu trip we lived in Nairobi, on one of Lavington’s tree-lined avenues of Jacarandas and flame trees and clipped grass frontages. (Strangely, I discovered later, I have ancestors named Lavington).

At nearly 6,000 feet, the climate there is mostly benign – a subtropical highland climate. In June and July the temperatures might drop as low as 48F (9C), and in December to March reach the upper 70s and low 80s F. The finest days there always had us thinking of perfect English summers (big skies and heat-hazy lawns), the sort from village fetes and school sports days.

Summers back then seemed, well, more summery.

And then amid my mind’s eye ramble arrives the Lens-Artists’ theme for the week: balconies. And so, by winding paths, I come to Lamu.

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Stone Town – it is now a World Heritage Site. The surviving 18th century merchants’ homes, finely built of coral rag, are evidence of a once thriving city state, one of several Swahili towns and cities along the East African seaboard, stretching from Somalia to Mozambique. These settlements have origins back in the 8th and 9th centuries – the people who lived in them, their language, their culture born (literally) from a thousand and more years’ congress between Arab traders and indigenous African communities.

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The goods once traded out – ivory, leopard skins, tortoise shell, gold, mangrove poles (boriti) and slaves. The goods traded in – silks, porcelain, fine carved treasure chests, brass ware, jewellery and dates. In short this is Sinbad territory (Sendibada in KiSwahili stories). He doubtless plied the seas off East Africa; out from the Persian Gulf, the monsoon kaskazi bearing him south; and, after many hair-raising encounters, the kusi winds blowing him home again to Basra.

I’ve written more about this at Quayside Lamu. And about the Swahili HERE.

But now for more balconies. Those perfect places for dreaming. For today, bathed in unaccustomed warmth, I surely am dreaming.

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Lamu donkey sanctuary. Donkeys are a key mode of transport on the island

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Sundowner look-out over Shela village, Lamu

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Lens-Artists: Balconies This week PR at Flights of the Soul sets the theme. Follow the link for a fine gallery of balconies.

Six On Saturday: On Random Gardening

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Starting a new garden is always exciting; daunting too. And our particular garden, being a hundred years old, had traces of many a planting disaster venture. More recently, though, all had been overgrown, and invaded by rampant phygelius (Cape fuchsia), ground elder, vagrant raspberries, bindweed and Spanish bluebells. The two front garden beds (south-east facing) were covered with concrete slabs and Spanish bluebells.

Most of it had to go.

1: Because we’d had to rent between selling one house and buying another, I’d brought only a handful of plants from our Much Wenlock garden. Among them was yellow toadflax (Linaria vulgaris), a favourite flower since childhood when I’d first seen it lighting up the verges of the Shropshire Hills. I’d grown it from seed, bought on-line from Jekka’s Herbs. Now, by some pleasing accident, it seems to have grown up with some purple toadflax.

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When we moved into The Gables, just under a year ago, my most pressing concern was vegetable growing. I knew we would miss the produce from my allotment plots of 16 years (if not the heavy labour), so tackling the most weed-infested areas to make beds for food crops was my first priority. My thinking here was that these beds would be cleared every year, so repeat ground elder and bluebells wouldn’t be quite the same bother they would be in shrub or herbaceous borders.

I made a start last summer, but then the following months were mostly too wet and cold for gardening. And then in spring the house roof had to be taken off and rebuilt. And then the building work on the rear extension began, all of which saw parts of my territory invaded, first by a mountain of broken roof tiles and battens and then by piles of construction materials. There were times, too, when I couldn’t reach the projected vegetable plots in the back garden, it being uphill from the house, other than by climbing a ladder. All of which means that bed making efforts were piecemeal and, in the end, things (vegetables, herbaceous perennials, herbs, developing shrubs) were planted out wherever there was a space at the time.

2: But it’s all alright. Everything is growing all over the place. I have yellow courgettes at the front door, which is actually quite handy…

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3: The front garden bed is also yielding some very nice Charlotte potatoes (despite going in very late). The building debris and old mortar from the lifted slabs seem to have provided some good drainage in our heavy-ish soil:

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4: In the spring I’d sown some marigold (calendula) seeds, obtained from the Bishop’s Castle seed bank (local growers’ donations) and they’d germinated prolifically. So I planted them out all over the garden, front and back, because you can’t beat marigolds for their spirit-lifting qualities. And now we have masses of golden heads, which of course are edible too:

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5: And on the eating front, since spring we’ve done rather well with all manner of greens, but most particularly the Romanesco cauliflowers, which I haven’t grown before. They are much sweeter than white caulis, and if you cut them and leave the stalk, they sometimes produce more sprouts. They don’t need much cooking either.IMG_5574

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6: But best of all, are signs that the runner beans are thriving. I have three varieties growing together: Emergo (white flowers), Painted Lady (red and white as in featured photo), and St. George (red):

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I mean to say, what could be lovelier than this Painted Lady bean flower. And then to think: there will be beans!

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Six on Saturday  Jim at Garden Ruminations is the host. Please pay him and his splendid garden a visit.

Monochrome Madness: Trees Making Art

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On a seaside lane in Aberffraw, Anglesey

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This week at Leanne’s Monochrome Madness,  Sarah from Travel with me invites us to show her trees, especially ones that are strikingly sculptural.

Britain’s coastlands are good places to find such trees, the prevailing winds bowing and retraining limbs, scissoring canopies. And yet, to my eye, these trees seem to dance with the elements, the header hawthorn caught in the end flourish of a pirouette; the tree below mid jete: a paradox of energy transfixed.

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Henllys Wood, Beaumaris, Anglesey

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Other kinds of physical setting may enhance the intrinsic art of a tree. This next photo is of an ash, I think, viewed through an aperture in Penmon Priory dovecote, also on Anglesey island.

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At Newborough Beach, further along the coast from Penmon, there are other elements in play. Erosion.

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This is a tale of deposition and decomposition. The extensive sand dune system, on which these plantation conifers was planted, blew into this part of Anglesey during a massive storm in the fourteenth century. Now bit by bit,  the storms are stealing the sands away again, leaving a parade of ghost trees.

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And talking of ghost trees, there are yet other transformative powers at work. At Croft Castle on the Herefordshire-Powys border, the estate walks of Spanish Chestnuts, have succumbed to both age and disease (Phytophythora cinnamomi or cinnamon fungus). The trees supposedly date from the late sixteenth century, their origins ‘explained’ by an Armada legend that suggests they were grown from chestnuts found in the pocket of a ship-wrecked Spanish sailor.

Now Croft is nowhere near the sea, but maybe that is irrelevant. This was the age of grand garden making, and it is well known how rare plant material, however it arrived, was ever coveted by the landed elite. And of course it’s a good story, a fittingly mythic gloss for this gallery of the arboreally deceased; trees that have been allowed to die and be dead in their own spectacular way.

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One of Croft Castle’s Spanish Chestnut ‘ghost trees’

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Finally, and in more comfortable terms, there are those trees whose familiar contours or particular disposition mean home to us; they become our personal landmarks. Here are some from our Wenlock days:

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The Linden Walk, Much Wenlock in late summer

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The allotment ash tree in winter

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The little tree on the hill above the house

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Monochrome Madness: trees  This week Sarah at Travel With Me is featuring trees. She suggests we consider sculptural qualities.

Two By Two

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This week at Lens-Artists, Elizabeth of Albatz Travel Adventures has us thinking about diptychs. This is what she says:

“A diptych is two images placed in proximity to one another, forming a pair. To make a successful pairing there should be several things in common, and something very different, contrasting.”

Please see her post for a range of inspiring examples.

My header pair is perhaps a bit daft, but it appeals to my sense of humour: man ruminates deeply on the ebb and flow of the Celtic Sea.

Man makes up mind: enough is enough.

Location: Anglesey, North Wales.

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The next pair also has a Welsh location, taken on the Tallyllyn Steam Railway. Some of the enthusiastic volunteers who help run the trains:

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Crab Apple Tree (with Japanese anemones) in our old Wenlock garden:

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Townsend Meadow, Much Wenlock and a fine crop of wild oats:

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Up in the Shropshire Hills: the Stiperstones

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Also on the Stiperstones – fields of gorse, once widely cropped for winter animal fodder; these days, more valuable to bees and other insects:

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And finally some light and shadow. Leaves – back lit and top lit:

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Lens-Artists: Perfect Pairs