Remembrance

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Private Giles Victor Rowles  14th Battalion 1402 AIF

Died of wounds at the Battle of Lone Pine, Gallipoli, age 19 years.

Buried at sea August 10 1915, 2 miles off Mudros Harbour, Lemnos.

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Born in Hollinfare, Cheshire, England 1896, son of Mary Ann Williamson Rowles and Charles Rowles. Remembered by his step-siblings on his parents’ gravestone in Hollinfare cemetery.

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Also worth remembering, in Britain, 16-year-olds are still recruited into the armed forces. War veterans call for a re-think on recruitment of sixteen-year-olds

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No Glory in War 1914-1918

#NoGloryInWar  @WarNoGlory

Luminous Lions in the Maasai Mara

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It’s as if the East African landscape only becomes itself at sundown and sunrise; is only visible to us humans in steeply angled light. It reminds me of the magic painting books I had as a child: nothing but white pages, the images barely descried, a palimpsest of silvery lines. All is blank then; staringly dull. But take a pot of water, and ply a paint brush across the page, and all springs astonishingly to life. Everywhere bursting in colour.

Out in the bush the wild life anyway lies low during the midday hours.  And even if you could see them, the equatorial sun flattens the vista. You lose a sense of scale and distance. Even a magnificent eland spotted in the Great Rift at noon can look strangely unimpressive.  Just a big antelope then.

Kenya’s game parks and reserves are vast – hundreds of square miles. The animals are not fenced in although, increasingly along the borders, farming (large and small scale) encroaches on grazing grounds and migration routes. But this lack of containment means you can drive around a game reserve for hour after hour and see nothing but thorn scrub; or the retreating rear end of a warthog if you’re very lucky.

But then the sun begins to set, and you are out with a local driver-guide who knows where to look; and the light turns rose-gold, and the land puts on its best colours. And what was distant, and unfocused takes on form and clarity. Out of mind-numbing absence, and hours of searching, emerges this big-cat presence…

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Of course they were there all along. Only now they let us see them. Apart, that is, from the big male who is still hiding in the grass behind his mate. It’s another piece of bush magic, how a 500-pound big cat can disappear in twelve inches of grass. Can you spot him?

copyright 2015 Tish Farrell

Ailsa’s travel theme: luminous

New Edition on the way ~ Mau Mau Brother

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It’s always a thrill, nerve-wracking too, when the book proofs arrive. But then with this new Sharp Shades edition of Mau Mau Brother  there was no need for qualms. Ransom’s Art Director, Stephen Rickard, has done my story proud, both in the final edit, and the inclusion of some moody grey-scale images.

The story that was 6,000 words in the original Shades series has been chopped in half, but spread  over the same 64-page format to become a Sharp Shades edition. And it works. And I’ll repeat that for the benefit of any writers who are reading this, and who are a touch sensitive about heavy editing: three thousand words from my tightly written 6,000-word story (you can see an extract  of the original HERE) have been expunged, and the end result is great.

I’d better explain.

When I am not growing cauliflowers, making leaf mould and generally hanging about on WordPress, one of the very important things I do is write short fiction for teens who are striving to build a reading habit.

Back in the spring, Ransom, who publish these works, suggested that my latest title, Mau Mau Brother,  would make a good Sharp Shades edition if I was prepared to cut it by half. As I wrote in a post back in April HERE, I was doubtful that I could, but I said I would try. In the event, I found myself stuck at around 3,400 words and Ransom asked me to hand it back for some more pruning; they would let me see the finished text for my approval, they said.

A few days ago they did just that, and I am really pleased with the end result. They are great people to work with.

Not only that, Ransom Publishing are specialists in the production of accessible fiction and nonfiction for struggling readers of all ages. Their strap-line is ‘UNLOCKING LITERACY’. For those of us who can read and write fluently, it is hard to imagine not having these skills.  But if you can’t read well, you are effectively disenfranchised as a functioning member of the community. Locked out in every sense.

The Shades series includes some 60 titles written by many well known and seasoned children’s writers. The titles are aimed at young adults with an interest level of  12 years +, but a reading ability of 9-10 years. Many young people are also daunted by the size of a book, while still wanting ‘the excitement of a great story told with pace and style. ‘ At 64 pages, the books are compact, easy to handle. The cover images are striking, edgy, and with all the style of quality mainstream fiction. In other words, they may be small, but they don’t look  ‘less’.

Inside, the story is presented novel-style, in chapters, but with plenty of white space on the page.  To cater for the less able reader, the Sharp Shades editions have half the number of words of a Shades title, far fewer words per page, are set in a larger font and have added illustrations.

Personally, I think the books in both Shades series are appealing to any reader of any ability. They make for handy quick-reads that fit in most pockets. And just because they are aimed at people who struggle with their reading, doesn’t mean the stories are either simple or simplistic. They embrace themes that matter to all of us: love, hate, fear, injustice, belonging, relationships, families, overcoming threats and hardship. So I’m not going to say any more about Mau Mau Brother. The blurb on the back of the book pretty much covers it. Thank you, Steve Rickard.

 

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Related:

Killing Words ~ a case of verbal decomposing?

Losing Kui – an extract

 

@ransombooks  #RansomPublishing

@Literacy_Trust  #NationalLiteracyTrust

Our first autumn cauliflower

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Isn’t nature marvellous. I can’t believe that I grew this bee-eautiful purple-flowered cauli from one very tiny seed.  It looks a bit misty here, because it’s covered in fog. They weather has definitely turned here in Shropshire.

I was so excited when I first spotted it a couple of days ago. I’ve been nurturing the cauliflowers for a long time, feeding them liquid seaweed feed among other things. The seeds were sown in spring, then planted out in early summer in my new plot behind the polytunnel.

It was hard going too, clearing the ground for them. It had not been cultivated for several seasons and was choked with dandelions of epic proportions, and masses of creeping buttercups. The soil was heavy and claggy too. It seemed most unpromising, although I know that brassicas are fairly tolerant of these kind of conditions. For one thing, they like to be solidly rooted. In fact I’ve learned that caulis won’t flower properly if they are not well anchored from the start.

Once I’d planted out the young plants, (along with a handful each of Carbon Gold fertilzer, and worm casts, and an encircling of lime),  I had to make sure they were well defended with a covering of  mesh. This to stem the pigeon decimation that generally goes on at the allotment. The rotters line up on the overhead electricity cables and watch what we humans are up to, and plan their raids for when we’re not there.

Anyhow, they didn’t get this cauli, and we did. I steamed it, and then made a quick sauce with creme fraiche.  Here’s what I did.

 

Really Amazingly Quick Cauliflower Cheese

  • Break the cauliflower into florets and steam for a few minutes.
  • Drain, reserving a cup of the steaming water in case you might need it.
  • Melt a small piece of butter in the now empty pan.
  • Add some chopped garlic and/or sliced onion. Cook until soft and translucent.
  • On a moderate heat, stir in a small tub of creme fraiche. Stir it until it warms through. If it seems too thick, add a little of the reserved vegetable water, say a tablespoon at a time.
  • Season, and add any fresh chopped herbs of choice.
  • Stir in a couple of handfuls of grated hard cheese. I use pandano.
  • Then toss the cauliflower in the sauce and serve.
  • Any other quickly steamed vegetables can be included in this – peas, carrot sticks, chopped kale, chard, leeks, celery. Whatever appeals. Good served with a jacket potato, or Italian black rice.

 

So here you have MY flower of the day, as inspired by Cee’s Flower of the Day. I thought maybe we should give vegetables a look-in on the floral display front. Mind you, I don’t know what Cee will think. Aw, she’ll love it.

copyright 2015 Tish Farrell

The Carrion Crow

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A large black bird that feeds on the carcasses of beasts

Dr Samuel Johnson

 

I didn’t think this shot would work. My little Kodak EasyShare was on maximum 5x zoom. But when I looked at the image on screen, I decided it was worth posting. It anyway illustrates an important fact about carrion crows. They are very hard to sneak up on, which is why I couldn’t get any closer and take a better shot.

The next second it was gone, flying off with its guttural ‘kraaar’ call.

Carrion crows are solitary birds unless, that is, they have a mate. This one does have a consort. The pair’s territory includes Windmill Hill, the Linden Field and Townsend Field behind our house; at least this is where I see them foraging together. They are usually a little way apart, rooting  through the grass. They are also notorious egg thieves and snatchers of poultry and pheasant poults, and so are much despised by country folk in general, and game keepers in particular.

When separated, the crows call one to the other. The single ‘kraaar’ that echoes through the trees, or across the fields. It is  a melancholy sound, but also a wake-up call. I find myself instantly responding, scanning the landscape, tuning in to its resonance. What’s going on out there?  Perhaps I have crows in my ancestry.

These birds are very clever. In nest-building season they perch in the tops of trees and watch where the other birds are building their nests.  They also, as their name and Dr Johnson suggests, eat dead animals. Well somebody has to clean up the environment.

You can tell them apart from rooks by their longer, sleeker profile. Rooks are altogether shaggier with a long, greyish bill and a face-patch. Rooks of course hang out in crowds, some of their rookeries being known to have several thousand nests.

But all in all, I like the crows best. They teach me to be watchful.

copyright 2015 Tish Farrell

My treat – today in Ludlow

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It could have been summer today – warm enough to sit outside without a coat. Well for heavens’ sake, just look at that sky. And what better place for a meander on a dreamy autumn day than Ludlow. It is one of Shropshire’s loveliest towns, and has more antiquity than you can shake a stick at.

The castle, whose ruins dominate the skyline, was begun over a thousand years ago during the Norman Conquest of Britain. It was built to secure the border with Wales, and was one of the first stone castles in the country. Over ensuing centuries it figured in all manner of political machinations including the York v Lancaster Wars of the Roses.  When the Lancastrian side won, the victor, Henry Tudor, shortly to become Henry VII claimed Ludlow Castle. He later gave it to his eldest son, Prince Arthur. In 1501 Arthur and his bride, a fifteen-year-old Katherine of Aragon, came here for their honeymoon.  A year later Arthur was dead. Katherine was then betrothed to Prince Henry, Arthur’s brother, but it wasn’t until 1509 that they were married. By then Henry was king. Their marriage endured for 24 years before things went horribly wrong. And we all know what happened next – Anne Boleyn and some serial beheadings.

So enough history. Here are some more views – my treat to you:

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Treat

It’s a wonderful world…

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Earlier in the week, and in between leaf gathering for the allotment leaf mould project, finishing off a short story about Swahili spirit possession, I took myself on a wander around Wenlock’s byways to see what was what. We are very lucky in that respect. Our town is compact, having grown up around the medieval Wenlock Priory. One minute you’re on the High Street, the next you’re out in the Shropshire countryside. And there’s just so much to see out there.

This wild clematis, aka Old Man’s Beard, caught my eye (above and below). It was arching over the path beside the abandoned Shadwell Quarry, and had then anchored itself on the fence. I like the congruity of the barbed wire and the twining plant stem.

It comes into its own in the autumn with its feathery seed heads, and as you will see in a moment, it is an impressive climber.

During the summer it mostly creeps greenly through the trees and you tend not to notice it. I’m also grateful to Richard Mabey’s treasure book Flora Britannica for reminding me that another country name for this plant is Traveller’s Joy.  Mabey tells us that the plant was christened by 16th century botanist and herbalist, John Gerard who named it  thus because of its habit of ‘decking and adorning waies and hedges, where people travell’. He sounds like a sound chap, to pay tribute to the joy-making qualities of plant life.

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Like many varieties of clematis, this one does have medicinal properties – for kidneys and skin complaints – but as the whole plant is very acrid, it requires careful preparation. The most common traditional use is to roll the dried stems and smoke them as cigarettes, hence the plant’s other names of boy’s bacca and smokewood.

But this next plant is definitely one you do NOT want to consume in any form, despite its being related to cucumbers. All parts of White Bryony are poisonous and cattle deaths from eating it have been well recorded. But in autumn it is so very beautiful, and twines through hedgerows like strings of red and gold amber beads.

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The roots, though, are particularly toxic and grow very large. In 18th century Britain they featured in the mandrake root scam. Mandrake is a Mediterranean plant with a root that looks pretty much like a naked man or woman. It was in great demand as an aphrodisiac and narcotic. (If you know your Harry Potter, you will know that mandrake shrieks when it is being uprooted.) Unprincipled persons of the rabbit-catching variety thus began to fashion bryony roots into the highly desirable mandrake root. It was by no means an easy process either, and involved several phases to complete the subterfuge. Presumably the recipients did not live to tell any tales.

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And here are some crab apples, Malus sylvestris  in Latin, woodland apples. They make brilliant, jewel like jelly which is good on toast or with roasts. Mabey says they are the ‘most important ancestor of the cultivated apple, M. domestica. More than 6,000 named varieties have been bred over the centuries, of which probably only a third still survive.’

I found these, a little bruised, beside the old railway line that once served Shadwell Quarry. Now a footpath, this is one of the town’s most attractive places to walk. Ash trees and ivy overhang the track these days, and it has an other-worldly feel, far removed from industrial quarrying, trucking and smelting .

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It is hard to imagine that steam trains once came chugging down this track. The branch was built specifically to haul away Shadwell limestone to use as fluxing stone in the iron-smelting industry. In 1873, alone, 22,500 tons was shipped out of Wenlock.

You can walk ‘there and back’ along the path, or there’s a longer circular route that takes you across fields, and down the lane to the Priory and into town. Out in the fields I found that the rose-hips, fruits of wild roses,  were doing pretty good jewel impressions too. They are also known as heps or itchy-coos.

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The fruit have hairy insides which are a powerful irritant (and presumably much known to aggravate the coos or cows), but once removed, the hips have highest vitamin C content of any common native British fruit. During World War 2 and into the 1950s there was a national campaign to collect hips to make syrup according to Ministry of Food guidelines. It involved much mincing, stewing and straining, and a lot of sugar which I think was possibly counterproductive health benefit-wise. Nonetheless, caring mothers spooned it into their children.  Some of us will still remember the taste.

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Finally a note about this post. Apart from celebrating the Shropshire countryside, it’s also inspired by 1) Lucile Godoy at Photo Rehab and Perelincolors who in Tech of the Month have been urging us to ‘fill the whole picture’ in our compositions. See their blogs for some useful guidance. (Photos here taken with a Kodak EasyShare 380).

And 2) by Jo’s Monday Walk.

Happy composing and walking everyone.

copyright 2015 Tish Farrell

Climate change before my eyes? Sweet Peas on 28 October

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Up at the allotment my teepee of sweet peas has been flowering since June. Twice I have thought they were over, and thought of pulling them up. But here they are (photographed yesterday) still budding and blooming, and it’s nearly November. The sky is pretty impressive too.

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In fact there’s a lot going on on my plot. My cabbages and Brussels sprouts have grown another six inches in the last few days, and are fighting their way out of their protective enviromesh. The leeks are fat and juicy, and the courgettes are still (just) producing a few fruits. The new strawberry bed is finished, the asparagus mulched, and the over-wintering onions and field beans are in, and sprouting. And, most exciting – to me at least – I have created two huge new compost heaps. Next up, is leaf collection to make leaf mould. It’s a slow process, but worth doing for seed compost. This week on BBC Gardeners World, Monty Don, told me to gather every single leaf because they are so precious. So I shall.

Because if ever I heard a mega-tactic to avoid writing, then this is it. Sorry, can’t write the novel. Must pick up leaves – one at a time.

Actually, I have been writing, though not the novel. Two short stories completed in the last few weeks. In fact today it’s far too wet to go out leaf collecting. So maybe, just maybe, I’ll take a leaf from the sweet peas’ book, and go and grow the masterwork.

copyright 2015 Tish Farrell

#Cee’sFlowerOfTheDay

They call it the Slave Grave, but who was I.D.?

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Here lieth the Body of I. D.

A Native of Africa

who died in ths Town

Sept 9th 1801

 

God hath made of one Blood, all nations of Men. Acts 17 ch. ver. 26

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Our recent outing to the Bishop’s Castle Michaelmas Fair (see Summer came back on Saturday and took us to the fair) wasn’t all giant bubbles, stilt walking and steam traction engines. In the graveyard of St John the Baptist parish church there is a mystery. In the north east corner, and well shadowed by English ivy, holly and hazel is the finely carved gravestone dedicated to an African whose only identity is indicated in the letters I.D.  Also, unlike the other memorial stones, the inscription is sited on the western rather than the eastern face. It is hard to read now, and even harder to photograph.

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There seems to be some strong indication (see the quote below) that I.D. stood for John Davies. ‘I’s’ were often used interchangeably with ‘J’s’ in old records and inscriptions, and the only burial record for around the date on the gravestone 9th September 1801, is for one John Davies on the 12th of that month. There is apparently some original annotation in the church record that links this name to the gravestone.

So what can be deduced from this scant evidence? Clearly whoever undertook to bury the African did not spare any expense. The stone is beautifully carved. The Bible quotation also indicates their disposition towards equality in a line that was also quoted by slavery abolitionists such as Dr Joseph Priestly. I.D. may not have been a slave at the time of his death, but a free man and/or the servant of a rich landowner. It was usual for slaves to be given their masters’ names. Yet the elegance of the stone itself indicates someone who had attained high status, and was very highly regarded.

In an interesting article in the  South West Shropshire Archaeological Society no 19, 2008, Judith Payne discusses the evidence. Firstly, she says no record can be found of a John Davies living in the town of Bishop’s Castle. However, this does not preclude his being a slave or servant – perhaps to gentry who owned a house locally as well as elsewhere. It had long been the fashion for wealthy Britons to have black servants.

She also suggests that he might have been travelling with someone connected with the abolitionist movement, since abolitionists were active and had much support in Shropshire. A 1790s petition against slavery delivered from the county was nine and half feet long, and in November 1793, Thomas Clarkson, a prominent campaigner, was known to be visiting Bishop’s Castle.

Another possibility is that I.D. belonged to the household one of the land-owner politicians who around 1801-2 was attempting to end  the Clive family’s political control of the town. Bishop’s Castle was a notorious rotten borough.  Payne also posits that the reason for the simple I.D. instead of the full name, was because whoever buried him, knew that this was not his true name. That he was placed in a Church of England graveyard further implies that he was a Protestant.

I also had the notion that whoever had I.D. buried, might not necessarily have known him. They were perhaps some local benefactor with a passion for abolition, someone who wished to make reparation for the shame of slavery by giving some poor itinerant black man a decent burial.

And there we have it. The mystery remains. But the stone itself has been listed by Historic England. Here is what they have to say:

 We have no absolutely certain information about the person commemorated by this headstone. However, the burial register records the internment of John Davies on 12 September 1801, and contains an historic annotation linking Davies with the I.D. tombstone. Shropshire is not notable for its links with the West Indies and the slave trade, but it seems likely that ‘I. D.’ came to Bishop’s Castle or to one of the country houses hereabouts, at least initially, as a servant. The quality of the headstone, with its elegant inscription and decoration, suggests that the person commemorated held a certain status, whether as a servant or not. The biblical quotation is one sometimes employed by abolitionists, and its levelling sentiments suggest that the person responsible for erecting the memorial was sympathetic to the movement. The positioning of the tomb is very curious, it being turned away from the other graves in the area. This headstone faces west, towards an ancient yew tree; the inscription is therefore hidden from general view.

Historic England listing

 

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We are not ones for religious dogma in the Farrell household, but as we left I.D.’s grave, and walked away from this picturesque English churchyard, we were heartened by this small monument of human compassion with its fierce sense of justice. Why in the name of the universe does skin colour matter? Why should people be judged superior on the basis of whiteness. Why do many still look down on people of colour because they were once enslaved? If the palaeontologists are correct, we are all Africans under the skin. And if Africa is where we evolved, then everyone’s ancestors would have been some shade of brown.

But this unsolved mystery is not the end of this particular story. At the top of Bishop’s Castle’s steep main street that leads up from the church, we came upon a current and timely expression of human compassion. Someone had placed a notice in the window of their house:

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Written in response to Ailsa’s Travel Theme: letters – and commemorating a visit to Bishop’s Castle where different ‘letters’ came together to form powerful messages of common humanity.

 

copyright 2015 Tish Farrell