Shropshire

Hopton Castle, Shropshire

I’m quoting some text from an earlier post:

“Here we have the remains of Hopton Castle, an enigmatic ruin in the Shropshire borderland, eleven miles northwest of of Ludlow. It is called a castle, but it might be better described as an upscale medieval tower-house. That it survives at all, in this accessible state, is down to the creative efforts of the Hopton Castle Preservation Trust whose members toiled for 11 years to raise funds to consolidate the main structure, and then spent a further five years overseeing the work.

The ruin is full of puzzles. The preservation work revealed hints of 11th, 12th, 13th, and 14th century construction, but with no clear evidence for the date of the main surviving structure. It’s been suggested that the Hopton family, who owned it between the 11th and 15th centuries, at some stage deliberately set out to create a faux antique country residence much as the Victorians did with their mock Tudor ‘cottages’. In other words, the Hoptons went in for some creative intervention of their own.

One theory is that it was a hunting lodge. The interior work of all three floors appears to have been very grand, and definitely of ‘lordly’ quality.

Restored entrance

Also, the tower was clearly not intended as a defensive structure. As you can see from the first photo, any besieger could simply walk up to the front door. Yet the building it replaced, the first ‘castle’ on the mound was indeed a functioning fortification – a motte and bailey castle typical of the Normans’ early conquest of Britain after 1066. Made of timber, they could be constructed swiftly, and as the need arose, later re-built and expanded into domineering stone fortresses.

But this did not happen at Hopton. The stone walls that replaced the 11th century motte and bailey appear to have been built of poor quality stone, unsuited to withstanding a siege. Meanwhile, the interior fittings and design suggest considerable expense.

So it’s a pretend castle then?”

You can read more about this (pictorial reconstruction included) at my earlier post: Creative Intervention Rescues A Ruin

This week at Leanne Cole’s Monochrome Madness the guest host is Sarah from Travel With Me. Sarah’s theme is RUINS.

A Bronze Age Circle And Some Mystic Brume

It’s a year or so since we last visited Mitchell’s Fold stone circle. I’m not sure why it’s taken so long to go back there. It’s only six miles from home and such a fine spot, sitting high on Stapeley Hill, with the Stiperstones to the east, Corndon Hill to the south and Wales rolling out in the west. Somehow we had let the summer go by when a sundowner visit would have been perfect for capturing light, communing with ancestors and gazing out on those wide Welsh vistas.

As it was, we waited until late September. And so last Friday, and well before coffee time, in hopes of some good light, we set off. The sky was clear, the sun brilliant and the air autumnally crisp. As we drove out of Bishop’s Castle, I conjured the landscape photos I would take up on the hill; those views into Wales…

Except when we set off on foot up the Stapeley Hill track I soon saw I wouldn’t. Westerly vistas were off.

The uplands might be bathed in sunshine, but the low lying reaches had been invaded by rivers of mist, also known in literary circles as brume. We watched as this mysterious atmospheric phenomenon flowed by, whiffling up hillside clefts and gullies, some of its manifestations distinctly pink. At closer quarters you could see through it as if looking through gauze.

Seen in monochrome setting, there’s almost the sense of spray, as in breakers crashing against a rocky cliff-face…

Of course this all added a frisson to the mystery of ancient stones.

I’ve written about them several times, including in a much older post Witch-catching in the Shropshire Wilds which mentions the myth associated with the place. But very little is known of them other than there were once 30 or so standing (now only 15 and some of them are recumbent.) And that they were sourced locally and hauled in place over 3,000 years ago. We can guess, too, that this was a place of great significance to local people (temple or gathering place?) for we know, too, that nearby hills (Corndon, the Stiperstones) have on their flanks many remains of Bronze Age burial cairns. There is also a lone standing stone and a supposed robbed burial cairn not far from the circle.

A landscape, then, of many meanings; the kind of meanings where sacred and profane coalesce, the subtleties of whose interconnectedness we offspring of industrial culture often fail to grasp, confusing the sacred with dogma.

Around the stones, there are traces of more recent human doings. You can see them in the photos: the remnant ridges and furrows of a mediaeval field system. And also running through the middle of the circle, the ruts made by carts and, in particular, the stage coaches that are said to have run this way between our county town of Shrewsbury and Aberystwyth in mid-Wales. Can you imagine?

In a way, I find this last historical glimpse more exciting than the stones. Just think how it would be, racketing around in a draughty coach, being hauled over this bleak hill on a grey winter’s day, some real fog closing in and looking out on these standing stones…it could be a scene from Jane Eyre.

For now I’ll leave you with some more non-wintery views:

For Love Of Patrinia ~ Six On Saturday

These first few photos aren’t from my garden (if only), but here to illustrate gardener’s lust [1] ~ that moment when a new plant begins to root itself in the psyche, aka mental compost, until you know that you simply have to have it.

Well, that’s what happened last week when we went to visit the walled garden of Wildegoose Nursery here in Shropshire. (See previous 2 posts). It was a hazy day, but everywhere the garden was alight with the frothy, apple green seedheads of Patrinia monandra/aff punctiflora [2] a tall and gracious plant, and one quite new to me. (And yes, it does seed itself everywhere, but I was told unwanted stems pull up easily).

At Wildegoose it sets off not only the reds and bronzes of late summer sedums, Eupatorium, and Heleniums, but also the fading stems of Verbena, Sea Holly, Echinacea and Hydrangea:

It’s a perennial, clump forming (50cm wide), hardy plant, with spreads of tiny yellow flowers from July to September. The seedheads, though, can last well into the winter. The plant was first collected in China by the Gothenburg Botanic Garden, or so the Beth Chatto site tells me.

And the reason I was looking there, was because it was only later when we arrived home, and I was scanning through the photos that I suddenly saw how lovely Patrinia might look in our so much smaller garden. And I knew Wildegoose was about to close for the winter, and that we were unlikely to get there before it did…And so to postal sources, although of course the plant, if ordered now, will naturally come pruned of those lovely seedheads…(Oh, the self-inflicted anguish of the besotted and too impatient gardener!)

Meanwhile, back at The Gables we’ve been having a week of thunderous downpours with intermittent spells of warm September sunshine; April showers on steroids. The lawn is quite rejuvenated, although I hate to tell it, now it isn’t rock hard, I’m going to dig more of it up to make a new strawberry bed. (Psst. Don’t tell Graham).

So yes, we are heartily glad of the rain, even if it comes like swift deliveries from Niagara Falls. The Helianthus [3] by the greenhouse is certainly having a new lease of life. It’s lighting up one of the shadier parts of the garden, an unexpected full-on display when it’s already been flowering for weeks.

In the border along the terrace wall, the Michaelmas Daisy [4] is at last beginning to flower. It’s been a mass of buds all summer, but was obviously saving itself for more autumnal days. It should be splendid in a week or so, and especially if the Rudbeckia keeps going.

Further along the border, between the Japanese Anemones and Selinum, St. Cecilia rose [5] has been spurred into a second flowering. We inherited her with the garden. She was in a poorly state, but though the flowers, when fully open, are rather wan and saintly, and thus none too remarkable, I decided to nurture her. She anyway smells quite nice, and is appealing when the buds are seasonally dewdropped and seen beside the presently seeding heads of Selinum.

And finally the Morning Glory [6] growing on the trellis by the oil tank looks to be enjoying the cooler, wetter days. I’m surprised it’s still going after the torrential downpours, the flowers lasting longer through the day too.

Happy gardening, folks, whatever your hemisphere.

Six on Saturday Please visit Jim in Cornwall for his week’s garden news.

‘Drawn from the Earth’ ~ Art In The Garden At Wildegoose Nursery

In the last post I said I’d show some of the artworks from Mary Elliot’s ‘Drawn from the Earth’ exhibition, hosted last week by Wildegoose Nursery. The setting is a series of garden ‘rooms’ created in an old and magnificent walled garden. The late summer plants and grasses made an otherworldly backdrop for Sharon Griffin’s ceramic figures.

Her work is haunting. To come upon her pieces, as if by chance, in a garden that is slipping into autumn, gives them added drama; a life almost. There’s a sense of ‘old gods’ invoked; forgotten stories being retold.

Or in her own words:

I make work which explores the universal human condition…clay allows me the freedom for pure expression; a re-connectivity with the land and ancestral storytelling…

Faun with a shadow face and deer ears

‘Not so blind that I can’t see’

And on the plants for sale table: ‘The Gardener’

I only came upon this one work by sculptor, Glen Farrelly. It’s called ‘Formation’. I perhaps find it more personally appealing than the Sharon Griffin works. i.e. in the sense I could see myself living with it. I loved its setting amongst the pale green Patrinia seedheads and red sedum, the spires of dying flower stems and grasses.

And finally some more views of the gardens – plants making their own end-of-season artworks.

Mary Elliot’s drawings and paintings can be seen HERE.

The Blue Bench At Wildegoose Nursery

It’s quite a while since we last visited Wildegoose Nursery. It’s a longer drive from Bishop’s Castle than it was from Wenlock. But this is no excuse. It is the most beautiful place, the nursery created in what was once the walled vegetable garden of Millichope Park, Munslow. (You can read the story of all that has been created, plus splendid photos HERE).

The walled garden itself is planted in a series of ‘rooms’, showcasing the nursery’s range of plants for sale. It is only open during the planting season from March to late September. There are umbrella-ed tables and a pleasing cafe serving delicious cakes and lunch-time snacks made from the garden’s produce. And there are some very magnificent Georgian glasshouses which have been restored and once more put to growing.

Every one of those several thousand glass panes had to be replaced. But the reason I’m showing this particular shot, is because there’s a potting bench in view – i.e. to go along with the header bench for Jude’s Bench Challenge. (I also know she knows all about Wildegoose.)

The reason we roused ourselves to go there last week was because one-time Wenlock chum, Mary Elliot, artist and former 20/20 Gallery owner had put on a four-day art exhibition there Drawn from the Earth. She was exhibiting some of her own work too (much of it inspired by the Wildegoose gardens) and we’d hoped for a general catch-up. There will be more of the exhibition in the next post. For now a glimpse of the garden in its autumnal colours:

And coming up in the next post:

As We Walked Out One August Evening

So why don’t we have supper with the elephant? says I. We can take a picnic.

It was Sunday evening, and he-who-builds-sheds had been toiling all day on a new construction. (We call it ‘the car port’, but it’s not for the car.) The response was not altogether encouraging. I knew he was thinking of the hill climb in the heat. I thought of it too, but the notional destination outweighed resistance. I packed a couple of small cool bags with spicy cooked chicken, bulgar wheat salad, apples and some elderflower kombucha.

We set off a little after six. The sun beamed hotly. (What a summer we’ve had).

The walk I had in mind is a climb of two parts, the first being the short sharp yomp up our street to the top of the town. This haul can be alleviated half way up from our house by deviating into Laburnum Alley, a shady ginnel of ancient walls and overhanging greenery, that wends more gently around garden perimeters, and brings you, breathing easily, into Welsh Street.

Next there’s an even stretch along the road around the Wintles mini eco-village before we head into the shade of this settlement’s privately owned (but freely accessible) woodland enclave of vineyard, allotments, and bosky meanderings. The Shropshire Way also bisects it. We pass through the gate into the field behind the gardens, and start the main climb. We’re headed towards Wales now, the Long Mynd our right.

The field behind the Wintles woodland still looks remarkably green, this despite the months of drought. But above us, the fields are pale ochre, shorn of pasture or wheat, the hedgerows tousled, fringed with dead grasses and thistles bursting with down.

The few sheep we pass seem happy enough, and we begin to see that not everything has suffered from the lack of rain. The red clouds of the berry-laden hawthorns are astonishing, so copious is this year’s crop. The elders, too, are weighed down with ripe black berries, and later we see bushes of fat blue sloes (think passingly of making sloe gin), and then come upon a crab apple tree so crammed with fruit it is almost too good to be true. Excitement mounts. Crab apple jelly will definitely happen – if not yet, then very soon, and feasibly in quantities for all of Bishop’s Castle.

But first the picnic. We follow the footpath markers through two gates and into the trees below Foxholes Campsite. There’s a good view of the Longmynd now…

…and there is also an elephant…an Asian elephant…

Some of you will have seen this before, and I’m sorry to say that I’ve still not tracked down who made her or why she is here in this particular spot.

But here, then, was the envisioned picnic spot.

We ate our supper, sitting on a fine seat commemorating a lost love, greeting camping folk as they passed by, listening to the breeze in the trees. The elephant did not have much to say. Nor did Buddha who was sitting near us:

Just some quiet communing.

Once we’d eaten, I thought I could risk suggesting a little more climbing. This time to the top of the hill to see the views towards Montgomery.

It was here we found the crab apple tree.

And next to it a fallen giant with its own elephantine qualities. It looks to have been struck by lightning many moons ago:

And beyond it the wheat field, the crop harvested and the straw bound in roundels, which for some reason are always appealing:

Then it was time to turn for home, slithering down the hill on sun baked ground…

…and on down the hollow way, back to the Wintles.

We should do this more often, we said when we arrived back at the Gables.

Bees, Bugs, Blooms and Borlotti

[1] Earlier in the summer I grew some uchiki kuri squashes from seed and planted a couple on the boundary wall. This is is the wall that had a ‘flower’ bed in the middle of it and was originally choked with Rose of Sharon shrubs, Spanish bluebells and ash trees. I wasn’t expecting too much of it once I’d cleared it, but it seemed like a useful space that could not be wasted. Much to my surprise the squashes have taken off like magic beanstalks. Even had to stop them heading off for the top of the town.

The leaves are huge and the flowers are wonderful. Bumbles, honey bees, beetles and hoverflies think so too. They are currently getting drunk, shoving their way into the male flowers, and drilling down into the nectar below the stamens. In the process they are bathed in pollen. They can’t seem to get enough nectar and don’t care how many of them squash in there, or if they are different species.

And this is what they have made.

So far it’s about a hand’s width across. There’s a slightly larger one behind the oil tank, and a couple of smaller ones besides. Thank you bugs and bees. Some of you seem to be sitting around the garden with hangovers.

[2] The runner bean plants are still looking good and there is a mass of blossom, but so far they have been slow to set and the cropping sporadic. Too hot for them it seems. We’ve still had very little rain, apart from a good cloudburst on Thursday which added a few watering cans full to the water butt. And it certainly refreshed the garden, but did not last long enough to really penetrate the soil. The days have been much cooler though, and today there are signs of more beans coming. The bees have certainly been doing their best here too.

[3] When I had my allotment I used to grow big rows or wigwams of climbing borlotti beans. Here at The Gables I haven’t the space. Instead, I have half a dozen plants growing up an obelisk in the front garden, and also a few more plants growing up some trellis beside the neighbour’s garage wall in the aforementioned border bed i.e. between the squashes. The beans are just beginning to set, but have a long way to go yet.

Meanwhile, in the bed in front of the runners, I have a short row of dwarf borlotti beans grown from seed. This was the first time I’ve grown them, and goodness, much like the squashes they zoomed off almost as soon as I’d planted them out. Already there are clusters of fattening pods. I love them for their colours as well as for cooking. So fingers crossed for a reasonable crop and no bean-boring bugs.

These are the climbing borlotti beans growing up some recycled trellis, and propped against next door’s garage, glimpse of squash plant to the rear. Some peas under the mesh in front are presently being nibbled. Graham, wearing his plant pathologist’s hat, tells me it is pea weevil. We entertain all bugs here – the good, the bad and the weevils.

[4] It’s been a struggle stopping the herbaceous borders from flagging. In the front garden we left all the privet hedge cuttings on the flower beds to provide a bit of protection. I had mulched a number of plants earlier in the summer, but the blackbirds have kept moving it everywhere but under the plants.Most annoying.

Still, things have survived, and now the late summer flowers are coming to the fore, and especially the Agastache, which I grew from seed last year. It’s another plant frequented by insects, including the cabbage white butterflies. I love its mauvy purple spikes, and the aniseed scent of its leaves.

[5] When I was thinking how to plant the front garden, I was much beguiled by Alcathaea ‘Parkallee’. I’d spotted it in a garden catalogue and was attracted by the fact that, as a crossbred hollyhock and mallow, it was immune from rust that frequently attacks hollyhocks. It also looked very pretty and so was among the first plants I bought for new garden.

It’s been flowering beautifully, despite the drought, but it does grow very tall, and thus has a tendency to flop over. I’ve found that cutting off the top few feet to put in a vase doesn’t seem to detract from the overall display. They anyway last very well as cut flowers too. Probably because they’re actually getting some water!

[6] And now it’s also time for sunflowers. I’ve grown all sorts, including the short Sunspot and some giant ones. Early summer plantings were zapped by some nasty bug and I had to cut off the main stems. Most annoying. Except now we have whole bushes of small-headed but long stemmed sun flowers which is actually very pleasing. You can see some orangey ones in the pot in the first Alcathaea photo.

The long…

…the tall

…and the short Sunspot:

It’s hard not to smile back at a sunflower

Six on Saturday Join host Jim at Garden Ruminations: lots of lovely plants and planting schemes.

After The Harvest: Of Stubble And Straw

Come August and this year’s harvest has already been and gone. A good month earlier than usual. And somehow we missed it, we who live in the midst of rural Shropshire. In fact, when we drove out of Bishop’s Castle last Saturday, it was quite a shock: wherever you looked the wheat and barley fields lay shorn, the straw baled, or rolled in roundels, the remnant stubble pale and parched. Fields stripped.

How could we have missed so much activity and industry. Did we not hear the combines’ drone?

Along the lanes, too, the hedgerows had that dull and dusty out-grown look of late September. Dock and hogweed gone to seed: russet and deep umber shades of autumn. And again: how could this be? Had we been asleep, Rip-Van-Winkel-like, and lost a chunk of summer? Or had time skipped a month or two?

No. Simply distraction on the home front, gardening and household pursuits. Letting the world pass us by through weeks of day-on-day sun and rainlessness, which of course is the reason why the harvest was so early.

But now it has me reflecting on the beguiling looks of stubble fields, and thus a posting of photos of harvests past, of pared down textures, bare lines and simple colour palette of monocrop farming. I find myself attracted to the spareness of these humanscapes, although wary, too, of the high high-techery that produces such results. This is not the kind of farming I grew up with, the cut wheat stacked in stooks to dry, the arrival of the threshing machine, a monstrous sight over our garden wall, the contraption that, hung in sacking shrouds, throbbed and shuddered, spewing out clouds of chaff as it garnered precious grains from stalks and husks.

Hey-ho. More time slippage.

[The header and final photos were taken mid-September last year above Bishop’s Castle. The in-between shots are from Townsend Meadow, below Wenlock Edge]

Lens-Artists: Lines, colours, patterns Johnbo asks us to explore these tools of photo composition.

Red For Danger?

Actually, it’s probably the eyespots that see off birds that might prey on the peacock butterfly (Aglais io). But then the deep rusty red does show them off so well.

The peacock is said to be one of our commonest UK butterflies, although I’ve only seen one so far this year, and that was in our bedroom. I was more concerned with helping it escape than snapping it. These photos, then, are from our previous garden where they would often come in high summer to feed on Doronicum, aka Leopard’s Bane.

But how beautifully it has composed itself. And so it seems a fitting tribute to Becky who, for a whole month, has kept us so well amused with our respective photo archives.

THANK YOU, BECKY, QUEEN OF SQUARES

#SimplyRed Day 31

Heavenly Harvest

A week or so ago we were on one of our periodic walks to the Builders’ Merchants. It sits on the edge of town, part of a small industrial enclave whose buildings are screened from adjacent roads by a section of dense mixed woodland.

And this is what we found along the fence-line – a close-set row of cherry plum trees, laden with fruit.

The Cherry plum (Prunus cerasifera) is native to Europe and Asia and grown in the UK as an ornamental due to its early flowering. It is also used in hedging. (Which makes me wonder if this row is a hedge gone feral. There are a few of those in Bishop’s Castle and we should know.) Better still, the fruit, ripening between mid-July and September, is edible. I tried a couple of windfalls, fallen on the verge. Sun-warmed and juicy. Delicious.

Now, I can’t think why I haven’t been back to gather some more – before the wasps beat me to it.

#SimplyRed Day 28

Tish Farrell

Writer on the Edge