This is Shadwell Quarry on Windmill Hill, Much Wenlock, part of the Wenlock Edge Silurian reef system.
There’s an air of brooding here, even on a bright winter’s day: of violation survived, albeit roughly; scrub and small silver birch trees recolonising the horizontal shelves. It’s a silence all its own, cupped by sheered off walls and the mysterious deep pool below. Then there is my own silence: awe at the scale of this one-time endeavour now shut down, truncated, closed as if it never mattered: the hard lives of the men who worked here, their injuries and doubtless deaths, unrecalled.
Half a century ago, this hillside and the nearby town of Much Wenlock rocked with every quarry blast. Then came the soft fall of lime dust that clung to every surface.
The quarry closed in the 1980s, but in its heyday in the late 19th-early 20th centuries, steam powered goods trains huffed and clanked up the incline from the Ironbridge Gorge to the quarry’s own siding, there to take on stone to use as flux in iron smelting at the Coalbrookdale Works and the furnaces of the Black Country; industries that are also long defunct, or exported to China along with the roar of red-hot hearths, the crucibles’ hiss of pouring iron, shouts of foundrymen.
But then there’s another absent soundscape here, one so ancient it is hard for human minds to grasp. The limestone reef exposed in this quarry began to form over 400 million years ago in a shallow tropical sea somewhere off the Comoros Islands in the Indian Ocean. In waters teeming with corals, sea lilies (crinoids), bony fish, sponges, trilobites and molluscs began the depositing, compacting and solidifying of decomposing animal parts. And while this was happening there was apparently no terrestrial life, but instead there were endless howling gales rampaging across the landmass; brutal winds terrifying in their loudness.
Good that they’ve gone then. Instead we are left with other ungraspable events, for instance, envisaging how vast land masses shunted around the planet, ending up in places many thousands of miles from where they began; the slow, slow scrunch of tectonic plates; the gradual upthrusting and folding of ancient strata; a world we somehow think is in our power!
The stones beneath our feet, the rocky uplands maybe silent, but they have wider, wiser perspectives to impart if we choose to pay attention. I think our ancestors may have understood something of this.
Wenlock Edge quarry
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Lens-Artists: Silence This week Egídio explores the principles of silence in the work of American photographer, Robert Adams. Please see his photo essay and be inspired.