In The Frame ~ A Garden Treasure Trove


We’re back in Corvedale, the lovely valley that lies between Wenlock Edge and the Clee Hills, not far from the ancient Heath Chapel that featured in Over the Edge and faraway.

Wildegoose Nursery is a plants persons’ dream, conjured within an old Victorian kitchen garden. The owners lease the walled garden from Millichope Park and, over the last few years, have transformed decades of dereliction into a magnificent showpiece for uncommon varieties of herbaceous plants. We went there because my sister Jo kept saying we should.  You’d love it, she said.

She was right. We did.

So: I’m posting this set of photos in response to Lens-Artists’ weekly theme. This week Amy asks us to think about how we frame our shots, and as this happened to be my particular challenge during our garden ramble: how to capture the essence of the whole, as well as the particular, it seemed a good opportunity to post them.

The colourways and combinations of the Wildegoose planting schemes are captivating, painterly, often flamboyantly informal, sometimes riotous.



Incidentally, I think this lily is hosting an invader harlequin ladybird. They originate in Japan and according the Royal Horticultural Society, were deliberately spread about the planet as a biocontrol for aphids, though not in Britain, whence they came of their own accord. They began arriving here in 2004. Unfortunately they also eat butterfly and moth eggs and our native ladybirds, and there are fears they will outstrip our native strains.

One particular challenge camera-wise was how best to photograph the astonishing Millichope Glasshouse. This too had been restored, all 12,500 postcard sized hand-made glass overlapping panels replaced. The glasshouse dates from around the 1830s and is highly unusual with its curved profile.




Restored from this:


Originally a Victorian kitchen garden such as this would have been cultivated by a small army of garden men and boys, all under the stern eye of a head gardener like Charles Ashford, my own grandfather. The glasshouses would have been devoted to producing exotic fruit, tropical plants for table and drawing room display; the garden walls used to support espaliered fruit trees – peaches, apricots, cherries, apples of many varieties, pears, each sited according to the most beneficial aspect. There would have been hot beds for melons and cucumbers and for forcing early crops, strawberry and asparagus beds, salad crops and vegetables of every kind, and also borders for cut flowers. Such production units were very expensive to run and by the interwar period most big gardens like that were beginning to be abandoned.

Wildegoose Nursery does have some vegetable beds, but mostly the garden is given over to exuberant herbaceous planting. There is also a small, beautifully arranged plant sales area, and a very welcoming tearoom which served such lovely food, we forced ourselves to stay for lunch, even though we’d not long sampled their coffee and cake for a late elevenses.



And here are some planting schemes that especially caught my eye:




And here are some general garden views with Clee Hill in the background. I should add there was also a particular soundtrack to these scenes: above the hum of a million pollinators and the soft chatter of garden volunteers, the thrum of combine harvesters in nearby fields, and overhead, the plaintive mew of buzzards.




P.S. There is a fee for going round the garden, but we thought it worth every penny.

Lens-Artists: Framing the shot

June On The Plot ~ Before The Rain


This year it’s been a case of less blogging and more digging. And yes – to those of you who follow my gardening pursuits – I have not forgotten that for ages I have been trying to follow the tenets of ‘no dig’ gardening. I really do want to, and in spirit at least I hang on to Charles ‘no dig’ Dowding’s every soily crumb of wisdom. But the big thing is he gardens in Somerset in the mild south west; he does not garden on the side of Wenlock Edge where the land comprises 400 million-year-old Silurian clag that sets like cement at the slightest opportunity and does so even when you’ve piled on the compost.

In fact all the usual things that gardeners add to heavy soil to improve drainage – sand, grit, well rotted manure, lime – are grist to its mill. It seems to suck them up and then sets harder still. Clearly those decomposing  residues of fossil tropical sea bed – crinoids, trilobites, giant scorpions, volcanic ash and all – must contain something  very, very sticky – some geologically ancient equivalent of super glue I should think.

In other words, the chances of my making enough compost to apply each autumn across both my half-plots and to the appropriate depth that might make an actual difference to the soil are extremely unlikely.  Instead, and by way of cutting coat to suit cloth, I eke out the compost I do have, putting it only in the spots where I intend to plant, and rarely attempting to cover an entire bed. Also, given the challenging nature of the soil (and its slowness to warm up), I rarely sow directly in the ground, but germinate most things in individual pots or trays.

The first photo shows the result. On the left are climbing peas (currently half grown height-wise). This is a heritage variety called Ne Plus Ultra – sown three or four seeds to a 4” pot in February and planted out around the end of March. I’ve not grown it before (it was recommended, if not rediscovered during the making of the 1980s Victorian  Kitchen Garden TV series), and I’m looking forward to the results given its show-off ‘cannot  be bettered’ claim.

I’m also thinking that my head gardener grandfather, Charles Ashford, who as a boy underwent the full Victorian stately pile/hierarchical gardening apprenticeship, would have been very familiar with this variety and also with Alderman, the other main crop climbing pea I’m growing this year. One of the advantages of these old varieties is that they produce pods gently over the whole summer season, whereas the modern short cultivars crop at one go and need to be sown in succession if you want to extend their season.

Pea growing tip: peas germinate really well in compost filled lengths of plastic guttering (no need to add drainage holes but water in just enough to keep the sowing medium moist). When it’s time to plant out, and the seedlings are a couple of inches tall, slide the lot (wheesh!) into a shallow trench, draw soil round, firm in and water; protect from birds and provide small sticks for them to climb up. This sowing method of course foils seed-plundering mice and pigeons, and gives the plants a head start.  And if you are growing modern pea cultivars, it makes successional planting easier to sort out – e.g. you can sow, say, a metre length or two of guttering at two-weekly intervals. IMG_1999

But back to the top photo. On the right you can just see the runner bean bed. These plants were germinated in small pots and a couple of weeks ago planted into the remains of an overwintered compost heap. (The other half of the heap had been spread along the Ne Plus Ultra bed prior to planting).  Runner bean plants always struggle to begin with, no matter how healthy the seedlings. The allotment harbours some leaf-chewing pest that is not a mollusc. So far, and most annoyingly, the culprit has not been identified by he who is a plant pathologist and lives in my house – but every year it has a good go at everyone’s freshly planted out runners. You just have to hope they’ll grow through the setback. They usually do. Again I’m trying a new-to-me heritage variety. It’s called Liberty and has a reputation for producing large and succulent pods. Its seeds when I came to sow them were surprisingly enormous, and I’m secretly expecting multiple versions of Jack’s beanstalk. So if I suddenly disappear from this blog, you’ll know where I’ve gone. Or at least how I’ve gone.

Elsewhere on the plot the broad beans, strawberries and three different sorts of globe artichoke are beginning to crop and are proving delicious; beetroot seeds of many varieties are sprouting, including an old Gallic sort called Crapaudine which is French for Madame Toad. Parsnips, sugar pod peas, mixed lettuce, young cabbage plants and potatoes are looking sturdy though the cauliflower plantlets are definitely struggling and I have no idea why, nor what is causing some of the onions to start going to seed. Another unidentified pest is nibbling the tough leaves of the celeriac seedlings but not enough (so far) to kill them. Bought-in leek and sweet corn plugs are settling down, as are the ridge cucumbers and squashes. In the polytunnel the tomatoes, aubergines and peppers are growing well – so far.

Meanwhile in our corner of Shropshire we now have a week and more of April-Showers-In-June to look forward to. Gardening is on hold, though in anticipation of resuming same I’m most grateful to the volunteer footpath people. On Thursday evening they brush-cut the field path, thereby providing me with a large quantity of unexpected compost makings – or they will be when I can get out there to rake them up. This kindness also means that when it is fine enough to next visit the allotment, I won’t arrive with rising damp and knees soaked through by overgrown vegetation. So thank you Strimmer Man. You did a good job.

Here’s the freshly cut path before the rains moved in. You can just  see the polytunnel tops over the far hedge:


And here are more Thursday evening shots of Farrell half-plots one and two which are in separate places due to my wanting one with a polytunnel on it:

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copyright 2019 Tish Farrell

Traces of the Past ~ Tools Of My Grandfather’s Trade

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I hasten to say these are not my grandfather’s actual tools, but when I spotted this gardening paraphernalia in the gardeners’ bothy in the walled garden at Attingham Park yesterday,  I instantly thought of Charlie Ashford. He was head gardener at Redhurst Manor in Surrey from around 1921. I have written about him in the Tales from the Walled Garden. The links are at the end.

Attingham is one of Shropshire’s grandest stately homes, once home of the Berwick family, but now in the care of the National Trust. I did have photos of the house, taken on an earlier visit, but the computer seems to have eaten them, and yesterday the walled garden was my only objective. There has been a monumental restoration project going on there since 2008, and this was our first visit. (Always the same with places on the doorstep.)

I think this is probably the hugest walled garden I have ever seen, and I truly cannot imagine why one household would need to produce quite so much food for itself even if it did include feeding all the servants. Here is one corner:


And yes, it was perverse to chose December for our first visit – a time when there is hardly anything growing. However, I was very taken with the climbing bean frames, just visible towards the back wall. Here’s a better view. I think they’re made from hazel whips. Ideal for sweet peas too.


The path  around them leads to an adjoining much smaller walled garden. This is where we found the gardeners’ bothy, cold frames and glass houses, hot beds and hot walls – the kind of territory wherein my grandfather spent much of his working life:




Charlie Ashford served his apprenticeship in an establishment as grand as Attingham. The position of head gardener was akin to the role of butler within the house. The training was long and there was a strict hierarchy of under-gardeners and garden boys. Redhurst, though, was a much less grand affair – a modest country manor by comparison. You can see it in the background in the next photo – grandfather in the dahlia and delphinium bed. IMG_0012

And here’s a glimpse of his working life from one of the talks his daughter, my Aunt Evelyn, gave to her gardening club. She was born in the gardener’s cottage at Redhurst and spent her earliest years in the garden there. I’ve posted excerpts before, but this is a longer version:

Imagine that we are standing in the holy of holies, my father’s potting shed. It was not all that large and the space was taken up with deep shelving on three sides of the shed. There was a door into the kitchen yard and another into the garden itself. On the back of one door were three large coat hooks to take the jackets that my father needed and also his green baize apron. On the other door hung his clean alpaca jacket which was worn when he went into the house, a dust coat to be used in the fruit room and his leather pruning apron with its thick, left-handed coarse leather glove sticking out of the pocket. These garments comprised his head gardener’s uniform; there was almost a ritual about putting them on for the various tasks.

My father’s own tools were hung in neat and spotless order on hooks to the left of the garden door. He insisted on clean tools and, after every task, the men had to be sure to wash, and then rub dry on old sacking any tool that had got even the slightest bit dirty. A little spot of oil was rubbed into the spades and trowels and forks until the metal shone. Wooden handles were treated with linseed oil which was thoroughly worked in. Only then could the tools be stored away. That is why probably to this day I am still using a well worn spade and fork that belonged to my father. There have been times when, if in a hurry I have hung my spade up dirty, I have gone scurrying back to give it at list ‘a lick and a promise’. I can almost hear my father saying, ‘That won’t do, miss. Dirty tools make bad workmen.’

The potting shed was filled with a wonderful mixture of smells of the sort you find in a ‘20s hardware store. Tarred string was the main one. Then there was the strange jungly smell of the raffia hanks hanging on the door. It suggested faraway places. There was bone meal, fish meal, sulphate of ammonia, Clays fertilizer, Fullers Earth, Hoof and Horn – everything to help bring in good crops – and all stored in wooden bins with brass bands and rivets and a wooden bushel or half-bushel measure on top.


There was the annual ritual of sowing seeds for vegetables, preparing the asparagus beds, pruning and shaping the fruit trees, getting the cold frames ready, going over the tennis courts to prepare them for the summer season. There would be glass to replace in the long glass-houses or hot houses. The herbaceous beds required a lot of work in autumn: overgrown plant clumps to be carefully split and replanted, all to be mulched with well rotted manure from the stable yard, or a sweeter mixture of well rotted compost and peat for plants that did not like manure.

Wages were low, and hours were very long, but there were seldom any complaints. Early in the year one man would be set the task of planting out young tomato plants in one section of the glass house. In another section another worker might be potting up seedling chrysanthemums. And so the cycle of work went on.

Dad had his own specialist greenhouse in which he grew plants for the house. Primulas were a particular speciality but he was careful to see that whichever of his men was put to work here that he was not allergic to the plants. Primulas can secrete a substance from the leaves that causes a painful and persistent rash not unlike shingles.

The kitchen garden was walled on three sides by a wall at least eight feet high. On the south side was some rustic fencing over which climbed roses, clematis and honeysuckle – all in a tumbling profusion that looked natural, but was carefully managed throughout the year.

Much of the equipment that the men used was made on the estate. There were sturdy wooden wheelbarrows made in the wood yard behind the stables. The wheels turning at a touch with never a squeak allowed. On busy grass cutting days an extra section fitted onto the top of the largest barrows so that the men could trundle the piles of cut grass away to the ‘frame yard’ to be spread on compost heaps there. Here there was also a long low open shed in which all the mowers were kept: a hand mower for paths and border edges; a small motor mower for the terraces and the little lawn areas; a large sit-on mower for the long stretches of lawn and the rough grass places; and a huge wide mower with a heavy roller, which a horse from the home farm used to pull across the beautifully kept lawn at the front of the house.

Cucumbers were also grown in the cold frames and never cheek by jowl with tomatoes in the hot house. It was a job for two men getting the frames ready early in spring. The frames were built of brick with solid wooden supports or runners to hold the strongly built wooden lights. When I was older I could just about help my father to open or shut the frames. It was important to keep the cucumbers at just the right heat and to give them sufficient ventilation. Grown like this they always tasted succulent. This was not surprising as they were grown in a deep, deep bed of well rotted stable manure mixed with peat and compost and leaves – anything to make the mixture ‘hot’.

Thinking back on the work done in those gardens everything had its use and nothing was wasted – especially time.

At the big house, it was important that gardeners should maintain a succession of lovely flowers – all year if possible, and especially those with scents. As soon as anything special bloomed, like Winter Jasmine or Viburnum fragrans, a spray or two went into the house early in the morning for madam’s breakfast tray, or the desk in the Major’s study. This was quite a ritual. Into the house we would go, but not into kitchen because that was Cook’s domain. We go around the house and in through a side door and into the Butler’s Pantry. Here Johnny the Butler ruled supreme. When we arrived with Dad’s offering for the day, the exchange would go something like this.

“What have got today then, Charlie? Do you want two silver holders or one cut glass?”

“Oh, I think two silvers, please, Johnny. I’ve got some fine sprays of Winter Jasmine.”

Then Dad would take the delicate sprays from the shallow basket that he always used and arranged them in the vases with great artistry. Thanks for such offerings reached him without fail: “Please tell Ashford that the flowers were just what madam likes. The colours matched her dress today.”

Evelyn Ashford Gibbings

Tales from the walled garden

Tales from the walled garden ~ back to the potting shed

Tales from the walled garden ~ when Alice met Charlie

Tales from the walled garden ~ more about Alice


Black & White Sunday ~ Traces of the Past

Tales from the walled garden #4: more about Alice


A day or so after I had posted the last Walled Garden tale, When Alice met Charlie , I came across a mislaid fragment of a letter from my Aunt Evelyn. I think she had written it while we were still living in Africa. For some reason I have only kept the part that mentions my grandmother Alice. I’m not sure either what prompted Evelyn to launch into some family history, but this is what she says:

My mother was born and brought up in Streatham, a suburb renowned for its many ‘stage’ residents who were top Music Hall and Variety stars before the 1914-18 war. She knew them all and could sing their popular songs. She was the first female member of the Streatham Sainsbury’s branch when it opened on Streatham High Road. Alice Eaton (as we was then) became bookkeeper-cashier at the smart new grocery and provision store – all mahogany fixtures, and gleaming tiles and marble-topped counters.

Evelyn goes on to say that Alice’s stage customers included stars like the male impersonator, Vesta Tilley, comedian-actor, Dan Leno, singer of risqué songs, Marie Lloyd, and Vesta (Daddy wouldn’t buy me a bow wow)  Victoria.  It is hard to imagine the demure Alice of the photograph (this was taken in 1910 after the birth of my father, Alex) singing rollicking music hall songs, and I’m pretty sure she would not have sung anything truly racy; but I can see that she may well have conveyed to my father her own delight in Streatham’s glamorous souls.

He in fact spent his long life expecting to be whisked off to a glittering world of fame and fortune. And in between, he veered between the somewhat contrary personas of Peter Pan on the one hand and, in his own words, the play boy on the other. It is the sort of fantasising that might well have provoked a man like Charlie to throw an axe at his only son. He believed in standards and showing by example, and clearly Alex had exasperated him beyond reason. But all this came much later, after the move to Cranleigh when my father was off on late-night escapades, and thought he could elude Charlie by returning to his bedroom by climbing up the drainpipe.


Marie Lloyd in the 1890s; public domain image


Alice and Charlie spent the first thirteen years of their marriage, living in a rented three-storey semi-detached house on Sunnyhill Road, Streatham. It was only a stone’s throw from Angles Road where Alice had been born and brought up, and also in walking distance of her widowed mother’s boarding house on Barcombe Avenue, part of Leigham Court Estate.

Sunnyhill Rod c1900

This view of Sunnyhill Road is much as it would have been in my grandparents’ day. They lived here until January 1918, when Charlie was appointed head gardener at Redhurst Manor. This photo is from the Sunnyhill Primary School website, the school my father probably went to.

Recently amongst my aunt’s papers I discovered a telling glimpse into Alice and Charlie’s first weeks of married life on Sunnyhill Road. I found it in a small notebook that I had thought contained only my grandmother’s small archive of family recipes. However, several pages in, and following on from the instructions for making plum pudding, boiled brisket and apple pancakes, I came upon five weeks of household accounts, covering the second  month of their marriage from October-November 1905.

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The biggest and most important expense was the weekly rent of 5 shillings and 9 pence (20 shillings to the £1, and 12 pennies to a shilling). This also included payment for gas for the cooking stove and lights. Today, by breath-taking contrast, an internet property site lists the next door identical house as having a weekly rental value of £750, and a sale value pitched at around  £800,000. I think Alice and Charlie would have been speechless with disbelief to hear of such colossal sums of money attached to any property they might have lived in. Here it is below, looking a bit sorry for itself in more recent times. I remember my father telling me that, as a small boy, he stood in the passage between their house and the neighbours’, and watched the WW1 zeppelin raids on London…

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Alexander Charles Ashford – warrior brave c. WW1


The other repeat payments in Alice’s accounts were 6 pence for the doctor (perhaps settling a bill on easy terms?) and 6 pence to the bank, which was presumably their weekly savings. Then there was a shilling a week for coal, and a few pennies to the oilman for paraffin to light the household lamps (gas lighting apparently didn’t necessarily make for the best illumination if you needed light to see what you were doing). We can also see that the main food staples were bread and milk, plus a good three shillings’ worth of meat, and a little fish, making a total expenditure for the first week of October of one pound, one shilling and ten pence.

The rest of the notebook is filled with recipes, mostly of the ‘plain cooking’ variety, and clearly geared up to feeding a husband who worked out of doors. There are sturdy suet  crust puddings that required three and more hours of steaming – jam; prune; sausage and onion. There is also a steamed jam sponge called ‘Kiss Me Quick’ Pudding. She does not stint on butter, sugar, treacle, lard, dripping and eggs.

I was also surprised to find her using curry powder, and cayenne pepper, and in her ginger nut biscuit recipe, something that she calls ‘growing ginger’. I’m guessing she means fresh stem ginger. But then why should I be surprised? As a long-time employee in a Sainsbury’s upmarket grocer’s emporium, her cooking horizons were bound to have been  broadened.

I never met Alice. She died three years before I was born. But despite the stodgy sounding recipes, I do know she was a good cook. And I know this because my mother was not, but when on those occasions she prepared the dishes that Alice had taught her to make, the end result was invariably delicious. As a small child, I used to sit in my high chair, and post most of the food mother gave me into the dribbling mouth of our yellow labrador, Heather.  But there were some things I would never have shared, nor could eat enough of – Alice’s creamy long-baked rice pudding with a toffee-crisp skin, delicate egg custard dusted with nutmeg, fly-away Yorkshire puddings, shin beef broth, mouth-watering little oaty cakes. I can taste them still, decades on.

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Alice with Charlie in 1949, the year she died. Flanked by my parents, Peggy and Alex and RAF the dog. Alice is 66.


And so it was that Alice went on nourishing us, long after she had died. She had been an invalid for years, and sometimes wheelchair bound. Before Evelyn married in 1946, the burden of caring for Alice most often fell to her. Yet Evelyn herself had suffered much unaddressed trauma during the war, having been bombed while travelling on a train from Guildford to Cranleigh  (see The Many Faces of Evelyn Mary Ashford). She also had a full-time job in a department store, as well as spending nights on ambulance duty. But once Evelyn left home to marry her war-time sweetheart, it was Charlie, then around 75 and still working as a gardener, who took on the caring role.

In her last letter to Evelyn, the only one I have, Alice is clearly struggling to get over a bad spell, and has been occupying herself with knitting. She starts off explaining how she has adjusted a pattern to make a pullover of a length that she knows Evelyn’s husband, Geoff, would prefer. I gather from a parting comment that they were working on this project together, and Alice wants Evelyn to understand her adjustments. Despite her physical difficulties (and they are not explained) the tone of the letter is very cheery, and chipper.

It begins ‘My Dear Nip’,  Evelyn’s nickname, and a family joke. It is an allusion to the ‘nippies’ or speedy waitresses of London’s J Lyons & Co tea shops, and to Evelyn’s own swift way of doing things. Once the sweater details have been dealt with, Alice goes on to assure Evelyn that they are coping without her, and that although ‘Dad is down 35 shillings a week’ he is not going back to work until Alice is able to get about again. She says he has turned the mattresses on her bed and shaken them up well, and remade all with fresh linen, and how he has been to the village to order coal and pay the milk bill and buy three eggs. She then says,

he came back and made our lunch. While having it he said, “I don’t see why I can’t make some pastry, say an apple pie for Sunday.” Well, I said. It is easier than a cake to make, so I guess he will Have-a-go. Really, all he has cooked for me has been very nice. So you see us old folks can manage.

Alice then turns to family gossip, and ends the letter, ‘Ever your loving Mother,’ followed by a final knitting instruction: ‘Don’t forget length under arm.’

It seems a fitting note to end with. Also, I am suddenly seeing my grandfather in whole new light, one uncoloured by my father’s view of him. I think he was a good soul, and that he and Alice were good souls together.

Finally, here is Evelyn, Nippy incarnate (you can compare her to the original HERE), aged seven, and setting off to the 1930 Cranleigh Carnival with Ronnie Russ. The caption says ‘Nippy and Bob’ so I’m assuming they are based on comic strip characters of the day. Does anyone know?

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copyright 2015 Tish Farrell

Tales from the walled garden #3: when Alice met Charlie

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I think I can safely say that  my genetic make-up, in parts of its configuration, is down to a malfunctioning umbrella. At least this is what I gather from my Aunt Evelyn’s brief account of how her parents, my paternal grandparents got together.

But before we get into the umbrella business, please meet my grandmother, Alice Gertrude Eaton, a grocer’s cashier from Streatham, London (I have a notion that it was an early Sainsbury’s store because the emporium’s founders, John James and Mary Ann Sainsbury had the policy that ‘lady clerks made the stores run better’), and grandfather, Charles Ashford, head gardener, born in Twyford, Hampshire. You have seen them in their latter years in my earlier posts from the walled garden (see: #1, #2)

In  many respects they are an unlikely couple. Alice was a city girl through and through. She is perhaps unusual, too, in that, as a young woman, she had a responsible cashier’s job in a big grocery store. There were racy theatrical connections too. Her customers were the music hall stars of the day (The first Sainsbury store was in the theatrical quarter of Drury Lane so this may well have been where she worked). G H Elliott, a well known variety star, whose trademark act (I’m sorry to say) was to perform minstrel-style with blacked up face and wearing a white dinner suit, was also some sort of relative. He made his first recording in 1904, and had a long recording career. Alice was very proud of the family association. Then one of the witnesses on her marriage certificate is her older brother, Charles Kisber Eaton, a professional cricketer. It seems their father, also Charles, a plumber gas-fitter, had backed the winner of the Epsom Derby in 1876, the year his son was born. Kisber was the famous, Hungarian-bred racehorse that also won the Grand Prix de Paris the same year.

Charles Kisber Eaton: it’s quite a name. The Eaton family then, it seems, had a bit of urban edge, the kind of street-wise flair that grandfather did not. He was a countryman, my aunt said, to the soles of his well polished boots. And so how did he end up marrying a Streatham girl? Well here is the backstory according to my aunt:

I must now tell you a bit about my father.

He was born in a village called Twyford, near Winchester, the second son of a family of eight – four boys and four girls. He left school when he was 12 years old, and went to work at Twyford Vicarage as a pantry boy. He got up in the morning at 5 am – sometimes earlier – stoked the kitchen fire, cleaned all the boots and shoes. Next he filled the coal scuttles, got the wood and paper ready for laying the fires and all before cook and the house maids appeared at 6.15. Next job was to clean the front steps and polish the brass on the front door, and then sweep the drive down to the front gate. After this he had to help the maids carry cans of hot water for the family to wash or bathe.

After breakfast there were knives to clean, followed by further fetching and carrying for the rest of the day. Twice a week he would have to walk into Winchester (5 or 6 miles each way) to collect a special brown loaf for the vicar’s wife. The coach man would very often pass him on the way, but was not allowed to pick up little Charlie Ashford. But he was well fed at the vicarage and grew into a tall, strong boy.

Perhaps he grew tired of all the household chores for when he was about fifteen he went to work at a great house called Arle Bury Park, at Arlesford, north of Winchester.

This time Charlie Ashford went for outdoor work and became a garden boy, one of a staff of eight. There he lived in the gardeners’ bothy with some of the other men and boys, and had to take turns preparing meals for his elders. He was reasonably happy there, for although strict, the head gardener was a kind man who saw that the boys were fairly treated and taught to be good gardeners.

After several years of learning his trade, he went to Streatham in London, to a big house in Leigham Court Road where he worked for the proprietor of the Church Times. It was a good job with plenty to do, and he could spend his spare time exploring 1900s London.

And so here we have countryman, Charlie, roaming London’s streets in his spare time. The 1901 census has him lodging on Barcombe Avenue, Streatham. By now he is 26 and his landlady is Louise Eaton, a 54-year old widow, who is ‘living on her own means’. She is Alice’s mother, and the means appear to be income from running a boarding house. It is a substantial red-brick three-storey terrace house. Alice is also living there with her three sisters Ellen, Harriet and Jessie (the last two are listed as dressmakers) and brother Charles, of race horse fame and the professional cricketer. There are three other boarders besides Charlie, all gardeners. And at the time of the census there are also two visiting grooms. A full house then.

My own feeling about Charlie Ashford is that he was a taciturn, self-contained man, who needed a bit of a prod when it came to courting young ladies. Perhaps Alice, who was nine years younger, had worked this out. Perhaps her sisters had dared her. In any event, one Sunday afternoon at Barcombe Avenue, when it was too rainy for Charlie to go out on his usual city explorations, there was a loud knock at his door. When he opened it, there before him was a slim young girl in her Sunday best. She was flushed and agitated. She thrust an umbrella into his hand and stammered, ‘T-t-take my umbrella. The t-t-top’s come off’.

And so it began. Alice and Charlie were married in September 1905 at St. Leonard’s Church, Streatham Common. In January 1910, their first child, my father, Alexander Charles Ashford was born. Here we have another ‘grand’ name, although to be fair to my grandmother she had simply wanted to call him Alec. For some reason the vicar thought this was not a real name, hence the Alexander. My father always told me that when he joined the armed forces in WW2, and the recruiting sergeant asked for his name, the scathing response on hearing it had been ‘And who the devil do you think you are? A ruddy author?’

In fact my father was always a fame-seeker, hoping to be ‘discovered’ at every turn. Perhaps it was his mother’s tales of meeting people like Marie Lloyd in her shop, or hearing her admiring talk of G H Elliott. He was anyway a ‘mummy’s boy’, and increasingly so as he persisted in earning his father’s disapproval. Alex rather revelled in the tale of the day when his father grew so enraged, that he threw an axe at his wayward son.

And now for the full picture from which I extracted the portraits of Alice and Charlie. Here, between them, is Alexander Charles aged three. As family portraits go, I feel this is quite striking:

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And next, here is a photo taken around 1919 when grandfather was engaged as head gardener at Redhurst, and moved his family from Streatham to live in a country estate cottage. Alex is eight or nine here, and isn’t he so pleased to pose – and with that barely felt touch of his mother’s protecting hand on his shoulder:

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This next photo is of Charlie by himself at Redhurst and was also taken around 1919. Perhaps he does have a bit of dash after all:

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But mostly his life was about doing the ‘right thing’ without making a big show of it. I discovered among my aunt’s papers a little book that was Charlie’s school prize at the age of six.  The inscription to the little boy in this ‘improving’ slender volume is telling. I think he probably took its message well and truly to heart: waste not, want not…

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And finally another glimpse of the kind of man he was. The following is an inscription from a gravestone in the village graveyard of his Twyford birthplace that he has written down, perhaps from  memory in later life. I think the word ‘earth’ should be ‘death’, but either way these words still resonate:

This world is a city with  many a crooked street.

Earth is a market place where all men meet.

If life were a merchandise that men could buy,

The rich would live, and the poor would die.


As for Alice, she spent much of her life from middle age onwards as an invalid, and died aged 65. It is not clear what ailed her exactly, but the burden of care usually fell on my teen-aged Aunt Evelyn. Evelyn was born when Alice was 40, thirteen years after Alex. My mother used to say that Charlie claimed that Evelyn wasn’t his when he first found out that Alice was pregnant again. Evelyn herself said she grew up feeling that her parents had reached a stage in their life where they didn’t want to be bothered with rearing a child. She said she never knew her father with anything other than his snow-white hair.

And so were they a happy family? Who can tell? This last photo from Evelyn’s album would seem to say so. And yet…?


copyright 2015 Tish Farrell

Tales from the Walled Garden #2: back to the potting shed


This is my Aunt Evelyn in around 1927. I’m guessing she’s about four years old when this photo was taken. She’s in the walled kitchen garden at Redhurst Manor, Surrey, where her father, my grandfather, Charles Ashford, was head gardener. In Tales from the Walled Garden #1  I included an excerpt from Evelyn’s description of what she calls her father’s ‘holy of holies’, the potting shed. She spent much time there as a small child, ever under strict instructions to be good. Here’s some more of what she remembered:

The potting shed was filled with a wonderful mixture of smells of the sort you find in a ‘20s hardware store. Tarred string was the main one. Then there was the strange jungly smell of the raffia hanks hanging on the door. It suggested faraway places. There was bone meal, fish meal, sulphate of ammonia, Clays fertilizer, Fullers Earth, Hoof and Horn – everything to help bring in good crops – and all stored in wooden bins with brass bands and rivets and a wooden bushel or half-bushel measure on top.



And now Evelyn will show you around some more of her father’s gardening domain. She’s even drawn you a map:


Let me take you down the steps from the potting shed and into the kitchen garden. To the left there is a very long, narrow border under the high brick wall. This is where the herbs are grown for the kitchen. Either cook comes herself, or she sends the little kitchen maid to pick what is required for the day. It might be mint or parsley, chives, tender little spring onions or sprigs of fennel for the fish course – all the herbs in their season. If cook comes to the garden in summer, she also makes a quick inspection of the fruit cage to see what is ready.

With the exception of strawberries, all the soft fruit is grown in the big cage: fat red or yellow gooseberries, raspberries, luscious loganberries, all the currants – red, white, black, and later in the season the enormous cultivated blackberries. Many times I have slipped into that big cage to pick the huge fruits, especially the gooseberries, crouching down between the rows, hoping I wouldn’t be seen. These large red varieties, Prince Rupert, Wonderful  and Roaring Lion are hardly seen now, but those monsters of my childhood were a joy to eat straight from the bush. I never liked cooked gooseberries.

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Our kitchen garden soil was heavy yellow Surrey clay, and so enormous quantities of lighter stuff had to be dug in each autumn. Also a number of green manure crops were grown to be ‘turned in’ before food crops were planted. One of my father’s favourites was groundsel. This was dug into the big plot where brassicas would be planted.

In spring I would be sent out with a bucket and thick leather gloves to gather the lush green tops of nettles. This was not my favourite task. These nettles went in trenches beneath the seed potatoes because they contained a lot of iron. All sorts of natural substances were added to the soil of that garden. The only chemical preparation my father bought was Clays fertiliser and perhaps Bordeaux Mixture. Everything grew extremely well for him. Everything was tended with loving care. Season after season this was the pattern of things in the gardens of our estate.

Within the mellow brick walls the sun beat down, warming the fruit in the cage, the trained trees on the walls, and giving warmth to all life in the rich soil so that all the fruit and vegetables flourished.

On the walls were trained the top fruit: William pears, yellow plums, Victoria plums, nectarines, quinces, medlars, and some very special apples. Tucked into the angle of the south facing wall, which was the warmest spot, were a fig tree and a lovely peach. Below each wall was a deeply dug bed, and towards the potting shed there were artichokes, celery, spinach and, surprising for those days, sweet corn. My father was very good at growing sweet corn, and it was a great favourite with the Major.

Next to the big fruit cage a few rows of catch crops were grown. These included lettuce, carrots, early peas, and beetroots – anything else that had a short season. Across the grass path was the asparagus bed. This would have taken a long time to prepare and bring into production. It would have been a Sabbath Day’s job to dig the trenches north to south, two feet deep at least and filled with well rotted manure, light compost and a good sprinkling of silver sand worked in well. The raised bed should be salted as this is helpful to the plants and discourages slugs and weeds. A good bed should last twenty years.

My father grew wonderful asparagus. There was plenty for cook to prepare for the house, and the surplus was sold at the village greengrocer. I can still recall succulent dishes of this delectable vegetable, dripping with butter and served up for Sunday dinner at home.

We didn’t know how lucky we were all those years ago. So many good things to eat every day, and game from the numerous shoots that the Major held on his land. All the fruit we could eat in due season, and a good roof over our heads in the gardener’s cottage at the edge of estate.

To be continued.

copyright 2015 Tish Farrell

Tales From The Walled Garden


No, this is not the Tish Farrell ancestral pile, although my young aunt (standing) and my grandfather do look very much at home here. They are in the garden of Redhurst Manor, Surrey, where my grandfather, Charles Ashford was head gardener during the 1920s and ‘30s. My Aunt Evelyn was born in the gardener’s cottage on the estate, so you could say, in a way, that Redhurst  was their domain – at least for a time. Grandfather certainly ruled the garden and the men who worked under him. He was fastidious in his gardening discipline, and much else besides, and expected the same from others; a true Victorian then.

And given his sense of propriety, I think one can be pretty sure that this particular Ashford family gathering, with Grandmother Alice Ashford (nee Eaton) sitting so comfortably on the lawn (she’s the one in the dark frock, busily chatting) would not have been happening if the Major and his lady had been within.

When I was editing this photograph, I thought about cropping off a good deal of that velvet smooth lawn. But then I thought, no. The fine state of it was down to Grandfather and his team with the horse-drawn mower. I also know that  when Evelyn was small her mother used to smack her legs for rolling down that bank and getting her Sunday silk frock all green and grassy. Not the sort of the thing the very proper young lady in the photo would be doing.  She was very tall for her age, so was probably only fifteen or sixteen when captured here.


I gathered from family stories that Grandfather’s employer was an Anglo-Irish cavalry man who had been burned out of his home in Ireland during the troubles. He had another house up in Yorkshire, where he and his wife would often go.

Sometimes Grandfather accompanied them if they were going up for the shooting season. He had the reputation for being a fine shot. Even so, however you look at it, this was a  most uncommon situation: a gentleman inviting his head gardener to a shooting party. My mother always said the Major’s lady was rather keen on Charles Ashford, and would invite him into her boudoir when he came to present her with the first peaches from the hot house. She would be dressed only in her silk negligee, reclining invitingly on a chaise. Mother could have made this up of course. In any case, Charles Ashford would have chosen not to notice such a state of shocking déshabillé in the presence of a member of the outdoor staff. 

All the same, I do know he would take her sprigs of winter jasmine, arranged in little silver vases provided for him by Johnny the Butler, and selected specially by Grandfather from Johnny’s Butler’s Pantry. I also have a postcard sent to Grandfather in early March 1937, after he had left Redhurst and the Major moved permanently to Yorkshire. A touch of Lady Chatterly light?


“Thank you so much for the lovely violets which arrived beautifully fresh. Hope you are all well. T.B.B.”

On the reverse side is this photo of what I assume is T.B.B.’s Yorkshire home. I am touched to think of Grandfather carefully packaging up the first spring violets to send to his former employer. I imagine him wrapping the stems with damp moss, adding swathes of paper to protect the flowers and placing all in a sturdy cardboard box, then taking the parcel to Cranleigh post office.



Here are my grandparents at around the time the postcard was sent. They are in the garden of their house on Mount Road, Cranleigh. Just look at those delphiniums.  They were Grandfather’s favourites, along  with heleniums. At the manor he had cultivated a big herbaceous border of mixed delphiniums and heleniums, using them to create a stunning screen between the walled kitchen garden and rest of the grounds. Such a planting scheme – spires of blue soaring through the golds, reds and oranges of heleniums, surprises me somehow; it sounds very modern – very nouveau garden designerish.

The kitchen garden was walled on three sides, and about half an acre in size. This was where Grandfather had his command post, and the reason I know this is because one of the treasures inherited from Evelyn were the notes of her talks given to her local gardening club. Charles Ashford was very much a feature. As  a small child she followed him around, taking in everything he did, although he expected her to work too. Here is her description of her father’s work place. It reveals  much about the man:

Imagine that we are standing in the holy of holies, my father’s potting shed. It was not all that large and the space was taken up with deep shelving on three sides of the shed. There was a door into the kitchen yard and another into the garden itself. On the back of one door were three large coat hooks to take the jackets that my father needed and also his green baize apron. On the other door hung his clean alpaca jacket which was worn when he went into the house, a dust coat to be used in the fruit room and his leather pruning apron with its thick, left-handed coarse leather glove sticking out of the pocket. These garments comprised his head gardener’s uniform; there was almost a ritual about putting them on for the various tasks.

My father’s own tools were hung in neat and spotless order on hooks to the left of the garden door. He insisted on clean tools and, after every task, the men had to be sure to wash, and then rub dry on old sacking any tool that had got even the slightest bit dirty. A little spot of oil was rubbed into the spades and trowels and forks until the metal shone. Wooden handles were treated with linseed oil which was thoroughly worked in. Only then could the tools be stored away. That is why, to this day, I am still using a well worn spade and fork that belonged to my father. There have been times when, if in a hurry I have hung my spade up dirty, I have gone scurrying back to give it a ‘a lick and a promise’. I can almost hear my father saying, ‘That won’t do, miss. Dirty tools make bad workmen.’

Reading these notes, I wish I had known him. I only remember meeting him twice. After Grandmother died, he lived with my aunt down in Wiltshire, and we lived miles away in Cheshire. But this next photo suggests that my father at least made one effort to visit him.

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I’m about two years old here, and I’m guessing that this was Grandfather’s eightieth birthday. I have my own distinct  mental snapshot of him. Before lunch he was out in the vegetable garden in his shirt sleeves, sifting the stones from the soil in a big garden riddle. I remember being fascinated by this strange activity. My other snapshot is when he came to stay with us in Cheshire at Love Lane House. It must have been summer for I see him sitting in the sunshine outside the front door, shelling peas into a colander. I remember too, that he bought me a very beautiful little sailing yacht with a coffee coloured hull and ivory sails. I don’t think we had much luck sailing it though.  But although I did not know him, and grew up mostly with my father’s tales of Grandfather’s monumental temper, I do often think of him  -when I’m up at the allotment digging and weeding and seed sowing. I know he would be pleased to see me gardening, but I also know he would have some sharp words to say about my sloppy gardening habits.

copyright 2015 Tish Farrell

P.S. There will be more walled garden tales to follow