The Abstracted Writer ~ That Would Be Me

Thinking that just maybe it’s never too late to be a ‘poster girl’, and especially if some serious photo-editing is involved, I thought I’d give myself the Warhol treatment for this week’s Daily Post Photo Challenge. It’s perhaps also a metaphor for the state of me – spreading myself in too many directions at once.

Abstract

April’s Changing Seasons: Fifty Shades Of Grey And A Little Bit Of Blue

P1030781

We Brits are renowned for an unbridled capacity to talk about the weather, and this month there has been so much of it, and sometimes all at once. In the Farrell household the question has been  hourly batting back and forth between he and she who live in our house: have you seen the weather forecast?

He has a major earth-moving project in the back garden – dismantling a raised bed, and sawing up next winter’s firewood supply since we keep using the logs that have already been chopped. She has a major earth-moving project up at the allotment – filling raised beds with a recycled compost mountain. There is also seed sowing, hardening off and planting out of vegetables to consider, all of which are dependent on weather conditions in general, and knowing how long arctic winds and icy rain will last in particular.

But what can one say about British weather that our greatest poet, William Shakespeare has not already said, since even he, with all he had to write about, was somewhat climate-fixated:

With hey, ho, the wind and the rain…

For the rain it raineth every day.

He’s not too heartening for next month either:

Rough winds do shake the darling buds of May.

Oh well. Better hang on to the woolly hats  and vests, wellies and waterproofs.

*

Cardinal Guzman The Changing Seasons April 2016 Go here to see the Cardinal’s take on April, plus his rules for the challenge. Then join in!

Oh, my love’s like a red, red…radish? Or the joy of growing one’s own dinner

IMG_2099

Even if I say so myself, with radishes as beautiful as these, you can see why Mother of Rapunzel so craved them that she sent poor Father of Rapunzel scrabbling over the witch woman’s garden wall on nightly radish-scrumping missions.

We all know what trouble that led to, and hopefully there will be no similar repercussions (whether the enforced letting down of over-long hair from tall towers or the scratching out of princely eyes ) from eating these dear little Cherry Belle radishes. Because eaten them we have. They took pride of place in the salad that accompanied Friday night’s dinner.

And the secret of this particularly successful, if small-scale production, was to grow them in a large plastic flower pot inside my allotment polytunnel. You can see them growing in the bottom left-hand corner, along with the component parts of many other future dinners:

IMG_2105

 

This week at the Daily Post photo challenge the theme is:
Dinnertime

Apologies to Robert Burns for the radish intrusion.

Also I don’t think Jude has yet featured radishes in her April garden close-ups challenge.

Passing Glory ~ Three Old Roses

100_7676

This lovely rose grows up the wall in our back garden. Please meet Gloire de Dijon, also known less picturesquely in English as Old Glory. It’s a cross between an unknown tea rose and Souvenir de la Malmaison, an old Bourbon rose, and was introduced to the world by one Pierre Jacotot in 1853. He lived in Dijon, France, a place also famous for its mustard.

When the rose is fully opened it has dense whorls of pale peachy-pink petals that change colour as they age. Their scent is mesmerizing – notes of clove and jasmine that transport me back to Zanzibar where jasmine sprigs were nightly placed beside our plates at the hotel where we ate dinner.

And once the roses have passed their best, even dead-heading them is a delight – crushing fading petals  between my hands, inhaling their last fragrance that also soaks into the skin, and can be smelled for hours.

Like Sue Judd at WordsVisual, I’m drawn to the aesthetic of decaying plant life. I think there is great beauty here – these lingering shades of erstwhile glory.

*

Thursday’s Special: Three of a kind

Please visit Paula to see her own lovely study for this challenge. And definitely go and see Sue Judd’s stunning daffodil study at the link above

Black & White Sunday: Delicate

P1020250

“There’s magic in the web of it”

The quote is from Shakespeare’s play Othello. And the web is from a shady corner in my garden, captured on a foggy morning last autumn.  It’s also my interpretation for this week’s Black & White Challenge at At Lost in Translation. Paula is  inspiring us towards a delicate frame of mind.

Black & White Sunday: Delicate

Nice By Night ~ Hotel Negresco

Hotel Negresco, Promenade des Anglais

“If only I were at Nice, I would recover.”

So said Queen Victoria on her deathbed in 1901. She has a point. Who would not feel better after a stroll along La Promenade des Anglais, one’s gaze filled with the perfect Côte d’Azur blue of the La Baie des Anges. For a monarch, who had made a career of mourning  the death of her consort, Prince Albert, Nice was the one place where she sparked into life. She would travel there under the name of Lady Balmoral, and go exploring the backstreets of Nice in a donkey cart. The Hotel Negresco, however, was after her time, opened in 1913. It dominates the La Promenade des Anglais. Past guests include Salvador Dali, Princess Grace of Monaco,  Duke and Duchess of Windsor, Ava Gardner, and Edith Piaf. This night shot looking up to the characteristic terracotta cupola, and the cool blue of the illuminated sign, somehow sums up the Nice-ness of Nice.

*

Thursday’s Special

This week Paula’s guest is Cardinal Guzman. He challenges us to post some night photography, and provides lots of useful tips.

Bee In My Bean Blossom

100_5619

In April at The Earth Laughs In Flowers, Jude wants to see our garden macros. This is also the Day 5 of the 7-day nature photo challenge. So here we have a bumble bee heading for my field bean flowers. I don’t blame it. They smell divine on a still, spring day.

This photo was taken up on my allotment, probably last year. At the moment the current crop of field beans, sown in September-October and overwintered, is only a hand’s width tall, but they’re looking quite healthy. Once they get going, they will grow as tall as I am, and need some support. The photo also shows bean weevil damage on the leaves. This is one of the drawbacks of allotment gardening. Pests like this become endemic. On the whole, though, the beans seem to carry on regardless.

Field beans are related to the broad bean (aka fava or faba) and they look much the same, but are less than half the size. Mostly they are grown in the UK as a green manure, the plants dug in before flowering. I grow them to eat. They make great re-fried beans, soup and a bean version of guacamole, which is astonishingly good.

My crop was so productive last year, I was able to eat and freeze them, and save masses of seed to dry and sow for this year’s crop. It’s the first time I’ve done this, so it will be interesting to see how they turn out.  In consequence, I probably have grown too many. But once I see how the plants are faring, I shall sacrifice some of them. I mean to chop them down and leave them to rot on the soil surface, rather than digging them in. This will let the worms do the work, and keep the soil covered until I want to cultivate it.

I am beginning to see that digging is a very bad thing to do the earth. It wrecks the surface soil structure every time you do it, and so compromises fertility. Instead, the No Dig method relies on covering the soil surface with organic matter/compost every year, and then planting through it. The only problem is you need masses of compost. It also helps if you do your planting in raised beds. This way you do not walk on the soil, and can keep building up the fertility. Raised beds are easier to manage, and mulching the plants should massively cut down on the weeding, and the need to feed, or to water during dry spells.

Since last autumn I have been doing heavy labour on the new allotment plot that came with my polytunnel. (I hadn’t taken this into account when I got all excited about inheriting the tunnel from allotmenteers who were off to new territory.) The ground all round was heaving with dandelions and buttercups. And since this was before I discovered the no dig approach, I admit to using the quick and dirty method (though NOT weed killer) and slicing off the top layer of weeds, and dumping it in compost bins to rot down for a few years. The ground zero method of gardening.

I then commissioned He Who Does Not  Garden But Lives In My House to construct and install on my plot several raised beds made out of recycled builders’ yard pallets. A couple went into action straight away, and were planted up in October with over-wintering onion sets. The others I have been filling up over the past few weeks. So far the onions are looking healthy and a few weeks ago I sprinkled organic hen manure pellets over their beds, an alternative to sulphate of ammonia, which I didn’t have to hand.

By now you will be beginning to grasp the lengths that this writer will go to in order not to sit in front of her computer and cultivate the master work. So far I have shifted around 30 barrow-loads of an old garden rubbish heap that has apparently been in the corner of the allotment for the last forty years, and until recently was covered in brambles and nettles. Strangely too, it was my idea to recycle it.

Off course when I say heap, I really mean small mountain. It’s full of bonfires past, rodent nests, and decomposed leaves from the nearby ash tree, as well as nearly half a century of weeds and waste. There’s also broken glass, bits of plastic fertilizer bags, and all sorts of unidentifiable metal items that gardeners of yore thought could be disposed of in such a manner. As I sift through the heap, I think how good it is that I’m putting the field practice of my long ago archaeology degree course to some sort of use.

In fact I have been keeping an eye out for old coins, remembering that a few years ago I uncovered a 1725 halfpenny right outside my shed door. It helps to keep me amused during the boring process of extracting unwanted detritus and plant roots.

100_6630

I’ve also filled myself with a big enthusiasm infusion by deciding to dedicate one of the raised beds to growing flowering annuals to attract more bees. I shall also use it to grow on perennials (verbascum, heleniums, echinops) and biennial foxgloves that I’ve just germinated on the kitchen window sill. The thought of a raised bed bursting with summer flowers is so heartening. Doubtless you will see the results as time goes on.

But for now that’s enough talk about gardening. The sun is shining, and the weather forecast tells us we have a brief window of opportunity before the rain returns, so I’m off to the allotment with my pea and beetroot seedlings. I  may even sow some parsnips. Happy Sunday one and all.

 

#7-daynaturephotochallenge

March: Windswept

P1030512

It was blowing a gale when I took the February #ChangingSeasons  photo on Windmill Hill. So too for this March photo. On Sunday the wind was so fierce I could hardly hold the camera steady, and these poor daffodils at the foot of the hill were being whooshed off their roots. You can almost hear their trumpeting distress calls.

So if, as the saying goes, March means to go out as a lamb, and not persist in roaring at us, then it needs to go in a corner and think some calming, and softly woolly thoughts. It does not need to cover us in snow as it did in the early hours of Monday morning. Not that I saw it for myself. I was up far too late, by which time it had melted. Even so, we are left with icy draughts that zoom inside any gap in one’s under-layers, or sting the ears that are silly enough to go outside without a hat.

So what is going on with all this gust and bluster? Is this more El Nino effect? In between the rain and wind storms, spring seems to have been teasing us here in the UK since December. That was when I photographed the first daffodils, albeit in the slightly milder climes of south-coast Cornwall. Meanwhile at home on Sheinton Street, the tulips have been pushing out of the garden pots since January, accompanied by flurries of white flowering currant blossom – all far too early. So spring, if you truly do mean to come this year, please get on with it, and cut out the frigid blasts. Now please visit Changing Season’s host, Cardinal Guzman. This month not only does he give us fine photos, but also a master class in sofa assembly.

Cardinal Guzman: Changing Seasons

There are two monthly Changing Seasons 2016 challenges, and you can join in at any time. Here are the Cardinal’s rules:

The Changing Seasons 2016 is a blogging challenge with two versions: the original (V1) which is purely photographic and the new version (V2) where you can allow yourself to be more artistic and post a painting, a recipe, a digital manipulation, or simply just one photo that you think represents the month. Anyone with a blog can join this challenge and it’ll run throughout 2016. It doesn’t matter if you couldn’t join the first month(s), late-comers are welcomed. These are the rules, but they’re not written in stone – you can always improvise, mix & match to suit your own liking:

Rules for Version 1 (The Changing Seasons V1)

  • Tag your posts with #MonthlyPhotoChallenge and #TheChangingSeasons
  • Each month, post 5-20 photos in a gallery.
  • Don’t use photos from your archive. Only new shots.
  • Rules for Version 2 (The Changing Seasons V2):
  • Tag your posts with #MonthlyPhotoChallenge and #TheChangingSeasons
  • Each month, post one photo (recipe, painting, drawing, whatever) that represents your interpretation of the month.
  • Don’t use archive stuff. Only new material!

Related: My chosen location for tracking the changing seasons is Windmill Hill  and its associated Linden Field – a few minutes walk from my house in Much Wenlock, Shropshire.  Here are the  January and February posts.

It’s in the stones: messages from alien ancestors?

P1020749

P1020750

I discovered these rocks on Seaton Beach when were down in Cornwall at Christmas. My attempts to find some sensible information about the geology have so far proved fruitless. So I’m just going with my initial interpretation – that here we have a mythic precursor to runic script left by some race of Northern Giants.

But what are they telling us? Have they left us instructions on how to find a parallel universe? Or could these be warnings to mankind to take better care of the earth? Or maybe they are the crossings-out of an infant Northern Giant learning to write. Can anyone out there crack the code before the rising sea levels claim them?

*

This my response to Meg’s ‘calligraphy’ challenge. She is Paula’s guest at this week’s Thursday’s Special.

On The Rocks

P1020559

 

P1020558

Over at Lost in Translation Paula is challenging us to show her ‘moody’. So here are my moody seaside shots in Looe, Cornwall, captured on Christmas Day on my Lumix’s Dynamic Monochrome setting. There was hardly any light, but I liked the silhouettes these young people were creating between rocks and surf.

Please visit Paula for more bloggers’ moody views.

copyright 2016 Tish Farrell