Humour

“the undiscovered country from whose bourn no traveller returns” ~ Or Is It?

Every other Thursday we’ve taken to popping along Wenlock Edge to Church Stretton. This used to be Graham’s daily commute – eighteen miles of Shropshire hills, old quarries, small villages and neat farm fields. Oh yes, and the occasional deer. Just now the Edge woodlands along the road are a haze of blue bells and bursting greenery. We never fail to think how lucky we are to live in such a place.

The object of the excursion is to stock up on organic and other ethically produced foodstuffs at my sister Jo’s brilliant shop – Entertaining Elephants (a name coined by the previous owners from Maurice ‘Where the Wild Things Are’ Sendak’s Alligators All Around alphabet book.

With the shopping done, a few picnic items gathered together, and the weather apparently in spring-mode, we decided to head west around the southern end of the Long Mynd towards Bishops Castle and the Welsh Border, and so to the Bronze Age stone circle of Mitchell’s Fold.

The last time we were there was at least twelve years ago and it had been snowing (see header photo). I don’t remember what prompted us on that occasion to drive out to so remote a place in such bad weather. We weren’t even living in Shropshire at that time, but in the midst of Christmas visiting from Kent. I remember tramping up the icy track to the circle, and despite the bitter cold, being entranced. All of Wales spread before us. It was like standing on top of the world – a parallel universe of Celtic warriors, old gods, poets and shamans.

On Thursday our notions of spring proved deceptive. Once out of the valleys the wind was vicious. We huddled in the car on top of Stapeley Hill to eat the picnic since attempts to stand outside blew the food away. While doing this we observed and were observed by a passing police Range Rover, which carried on over the hill track on a route that was distinctly signed ‘no vehicles’ and disappeared into Wales.

Police car – what police car. There it was gone. Very odd.

Having got ourselves this far, we determined not to give into wimpishness, and inappropriate clothing, and pressed through the gale to Mitchell’s Fold. Of course it was not ideal photographing conditions due to wind, haze, midday light and cold fingers.

An English Heritage information board had made an appearance since our last visit, although I thought its proximity to the circle rather insensitive. It anyway did not have a great deal to tell us, other than the monument is now believed to be at least 3,000 years old, and that the largest of the standing stones was once one of a pair, probably forming an impressive portal. I’m assuming that the presumed partner is the one you can see lying prone beside it. The stones are local dolerite.

As stone circles go, it is no Stonehenge, but it does have the edge (in all senses) when it comes to setting:

Looking back into Shropshire from the circle (and on maximum Lumix zoom) you can see the cairn-like summit of the Devil’s Chair on the ridge of hills known as Stiperstones, a wild terrain of old mine shafts, ghosts, satanic dread and legend:

And then when I turned back to the stone circle, there was that strange lone figure loping through the stones. Here he is again (btw the title quote is from Shakespeare’s Hamlet ).

It seemed like a good moment to leave, although not before agreeing that we would return in summer – with hopefully more warmth and some clearer skies.

As ever, as we return to the car, Graham is in my shot. Here though he is providing a convenient marker for some ancient medieval rig and furrow plough marks. You can just make out the light and dark stripes running north-south in the cropped grass behind him. At least I’m assuming that this is Graham and not another traveller from the undiscovered country of Shakespeare’s imagined after-life. In places like Mitchell’s Fold you just never do know.

P.S. For more on the earlier trip to Mitchell’s Fold see my long ago post Witch-catching in the Shropshire Wilds – also including the legend about the wicked witch Mitchell, who gave the place its name.

Even though she’s off on her travels again, and by way of wishing her the best of times, I’m linking this to Jo’s Monday Walk

Trying Not To Dig The Plot And 30 Minutes Of Weird Weather

On a very dull Tuesday afternoon I thought I’d brave the cold wind and walk across the field to the allotment. On went the woolly hat, quilted coat (over three layers) and the wellies.

Unsurprisingly I had the allotment to myself – not another mad gardener in sight. I set about emptying one of the compost bins, and spreading the contents (a hand’s width deep) over a metre wide stretch of ground that had been cleared of over-wintering sprouts and broccoli. It seemed a good day to do it, and I was glad I had prised myself from the house.

This year I’m experimenting with the ‘no dig’ system of cultivation, so apart from tweaking out one or two noxious weeds, I resisted the temptation to get out my favourite spade. The objective is to cover the soil with enough interesting organic matter to excite the worms in the soil below. They then do the digging, and other soil-friendly organisms get going too so that, hopefully, the later seasons’ crops – cabbages and sweet corn – can be planted out on the much improved, and better nourished ground.

I was thus in the middle of this very absorbing activity when someone upstairs switched off the lights and I turned to find a tempest sneaking up on me.

Yikes! By the time I had scooted across the plot to the shelter of my polytunnel, we were having a small, but very concentrated snow and hail blizzard. It was far too stormy to think of making for home. Instead, I pottered about in my tunnel sowing some purple Brussels sprouts seeds in modules, while trying to remain hopeful that this truly was a passing squall and not the heavens falling in as the heavyweight clouds suggested.

I forgot to record the actual blizzard that followed, so here are some Précoce de Louviers pointy spring cabbages that are growing most happily in the tunnel.

When I stuck my nose out of the tunnel some twenty minutes later, this was the view over Much Wenlock:

By which time it was too late, and the ground too wet to go back to compost spreading. As I walked home across the allotment, I watched strange, but less threatening clouds gather over the hills:

And when I stepped through the hedge into the wheat field behind our house, the sky looked as if butter wouldn’t melt in its mouth: snowstorm, what snowstorm?

Clearly the figment of a delusional, non-digging gardener then:

The Abstracted Writer ~ That Would Be Me

Thinking that just maybe it’s never too late to be a ‘poster girl’, and especially if some serious photo-editing is involved, I thought I’d give myself the Warhol treatment for this week’s Daily Post Photo Challenge. It’s perhaps also a metaphor for the state of me – spreading myself in too many directions at once.

Abstract

April’s Changing Seasons: Fifty Shades Of Grey And A Little Bit Of Blue

We Brits are renowned for an unbridled capacity to talk about the weather, and this month there has been so much of it, and sometimes all at once. In the Farrell household the question has been hourly batting back and forth between he and she who live in our house: have you seen the weather forecast?

He has a major earth-moving project in the back garden – dismantling a raised bed, and sawing up next winter’s firewood supply since we keep using the logs that have already been chopped. She has a major earth-moving project up at the allotment – filling raised beds with a recycled compost mountain. There is also seed sowing, hardening off and planting out of vegetables to consider, all of which are dependent on weather conditions in general, and knowing how long arctic winds and icy rain will last in particular.

But what can one say about British weather that our greatest poet, William Shakespeare has not already said, since even he, with all he had to write about, was somewhat climate-fixated:

With hey, ho, the wind and the rain…

For the rain it raineth every day.

He’s not too heartening for next month either:

Rough winds do shake the darling buds of May.

Oh well. Better hang on to the woolly hats and vests, wellies and waterproofs.

Cardinal Guzman The Changing Seasons April 2016 Go here to see the Cardinal’s take on April, plus his rules for the challenge. Then join in!

Oh, my love’s like a red, red…radish? Or the joy of growing one’s own dinner

Even if I say so myself, with radishes as beautiful as these, you can see why Mother of Rapunzel so craved them that she sent poor Father of Rapunzel scrabbling over the witch woman’s garden wall on nightly radish-scrumping missions.

We all know what trouble that led to, and hopefully there will be no similar repercussions (whether the enforced letting down of over-long hair from tall towers or the scratching out of princely eyes ) from eating these dear little Cherry Belle radishes. Because eaten them we have. They took pride of place in the salad that accompanied Friday night’s dinner.

And the secret of this particularly successful, if small-scale production, was to grow them in a large plastic flower pot inside my allotment polytunnel. You can see them growing in the bottom left-hand corner, along with the component parts of many other future dinners:

This week at the Daily Post photo challenge the theme is:
Dinnertime

Apologies to Robert Burns for the radish intrusion.

Also I don’t think Jude has yet featured radishes in her April garden close-ups challenge.

A Pattern For Writers? (Safety note: No spiders included)

The web, then, or the pattern: a web at once sensuous and logical, an elegant and pregnant texture: that is style, that is for the foundation of the art of literature.

So wrote Robert Louis Stevenson (1850-94) in The Art of Writing. You can download the full text in various formats at this link.

Anyway I’ve taken the liberty of adding a visual aid to go with the quote so we writers can be absolutely clear about what we are supposed to be aiming for.

Actually for me this image says more about the snaggled webs that are my thought processes – all sorts of knotty, misshapen bits, unwanted intrusions, and many dropped stitches. Oh yes, and also fog-bound. And if you look at the photo with X-ray eyes you will just make out a more finely woven web overlapping the larger web – their centres more or less aligned in the upper third of the image. I’m good at doing that too – getting two separate works mixed up with each other so they are impossible to pull apart. So today, you can tell, the writing has not been going well – all hitched up and back-to-front, and too many projects stitched in one.

But as I said – it’s something to aim for – this sensuous, logical web. And the ‘do-over’ is ever an option. Time to unravel the messy bits then, re-string the loom and get weaving. And to all fellow writers out there – may your threads remain untangled and the elegant and pregnant texture be with you.

P.S. I always find myself fascinated by the fact that Robert Louis Stevenson was a rebel writer, broken away (in the face of domineering paternal ambition) from a dynasty of obsessive compulsive, but oh so intrepid, and brilliant lighthouse builders. I feel this may tell us something important about his work.

This web is also for Jude at The Earth Laughs In Flowers because she says she likes webs. She is looking for macro and close-up garden photos this month.

March: Windswept

It was blowing a gale when I took the February #ChangingSeasons photo on Windmill Hill. So too for this March photo. On Sunday the wind was so fierce I could hardly hold the camera steady, and these poor daffodils at the foot of the hill were being whooshed off their roots. You can almost hear their trumpeting distress calls.

So if, as the saying goes, March means to go out as a lamb, and not persist in roaring at us, then it needs to go in a corner and think some calming, and softly woolly thoughts. It does not need to cover us in snow as it did in the early hours of Monday morning. Not that I saw it for myself. I was up far too late, by which time it had melted. Even so, we are left with icy draughts that zoom inside any gap in one’s under-layers, or sting the ears that are silly enough to go outside without a hat.

So what is going on with all this gust and bluster? Is this more El Nino effect? In between the rain and wind storms, spring seems to have been teasing us here in the UK since December. That was when I photographed the first daffodils, albeit in the slightly milder climes of south-coast Cornwall. Meanwhile at home on Sheinton Street, the tulips have been pushing out of the garden pots since January, accompanied by flurries of white flowering currant blossom – all far too early. So spring, if you truly do mean to come this year, please get on with it, and cut out the frigid blasts. Now please visit Changing Season’s host, Cardinal Guzman. This month not only does he give us fine photos, but also a master class in sofa assembly.

Cardinal Guzman: Changing Seasons

There are two monthly Changing Seasons 2016 challenges, and you can join in at any time. Here are the Cardinal’s rules:

The Changing Seasons 2016 is a blogging challenge with two versions: the original (V1) which is purely photographic and the new version (V2) where you can allow yourself to be more artistic and post a painting, a recipe, a digital manipulation, or simply just one photo that you think represents the month. Anyone with a blog can join this challenge and it’ll run throughout 2016. It doesn’t matter if you couldn’t join the first month(s), late-comers are welcomed. These are the rules, but they’re not written in stone – you can always improvise, mix & match to suit your own liking:

Rules for Version 1 (The Changing Seasons V1)

Tag your posts with #MonthlyPhotoChallenge and #TheChangingSeasons
Each month, post 5-20 photos in a gallery.
Don’t use photos from your archive. Only new shots.
Rules for Version 2 (The Changing Seasons V2):
Tag your posts with #MonthlyPhotoChallenge and #TheChangingSeasons
Each month, post one photo (recipe, painting, drawing, whatever) that represents your interpretation of the month.
Don’t use archive stuff. Only new material!

Related: My chosen location for tracking the changing seasons is Windmill Hill and its associated Linden Field – a few minutes walk from my house in Much Wenlock, Shropshire. Here are the January and February posts.

Not Something You Often Think Of ~ Self-Renewing Onions

Here are my allotment Welsh Onions as seen late last summer. They are simply bursting to make lots of little onions. The flowers are white, a good 2-3 centimeters across, and the stems are around half a meter tall. And so yes, they do look like giant chives, but with more vigour and verve. I anyway like their style (admittedly a little Triffid-like) as they try to outdo their globe artichoke neighbours.

The artichokes are also intent on self-renewal, and it’s often a toss up between eating them and wanting to enjoy their wonderful mauve flowers. But then this is what I love most about my allotment – the endless cycle of regeneration. It’s the same for the gardener too, in spirit, if not in body, though I often wonder if I might not respond well to a good dosing with liquid seaweed fertilizer – just about now I should think, with spring at last upon us.

This week’s guest challenge at Paula’s Lost in Translation is Renewal. Please follow the link to see some inspirational shots from Michelle Lunato.

The Monochrome Garden: Dandelion Delight?

I know most of us gardeners curse dandelions, but don’t they look lovely in sepia? Little constellations. Firework bursts. Spreading those all too viable seed parachutes here, there and everywhere. You can’t keep a good weed down.

But these plants do have their uses too. Young leaves are excellent in salads. Dandelion leaf tea has long been used by herbalists to cleanse the kidneys and lower blood pressure, while the root is mainly a liver remedy, helping to boost the immune system. I do quite like dandelion coffee, perverse as this may sound, although it has to be the real roasted roots, and not the instant stuff, and it’s definitely improved with a sprinkle of raw cacao powder, and a pinch of cinnamon.

The plants of course can develop prodigious root systems. The main tap root drills down into the depths of poor soil, and so helps bring up trapped nutrients. This is one of the reasons why they are so darned difficult to dig up – they are so very busy nourishing the ground. Well that’s their story anyway. I have tried roasting the roots to make my own coffee. Very fiddly. A lot of scrubbing. And then I ate the crunchy roasted bits and didn’t have any left to make coffee. They tasted like root vegetable crisps – weird but vaguely compelling.

And I suppose I have to say too (somewhat grudgingly) that the flowers’ bright yellow faces are very cheering, although I was a bit cross to find them already grinning at me up at the allotment. In February, for goodness sake? Please give us a break, dandelions. How about a September blooming instead?

Anyway this is my entry for the last week of Jude’s monochrome garden photo challenge. With this particular composition, I’m also thinking a little of Sue Judd’s negative space challenge over at Paula’s. But please drop in at Jude’s The Earth Laughs In Flowers to see what she and others have been doing with their monochrome compositions. Next Sunday there will be a new theme: garden wild life, and a chance to show off visiting my reptiles. Yay!

In A Glass Darkly: Traces of the Past

As a child I was fascinated by Lewis Carroll’s Alice Through The Looking Glass. I would stare into my full length bedroom mirror for ages and ages and wonder if it really might be possible – somehow – to access that other world behind the glass. Unlike Alice, I wouldn’t even have to climb on to the drawing room mantelpiece, which to my mind looked distinctly hazardous and was likely to attract unwelcome attention from mother.

John Tenniel’s illustrations were anyway profoundly disturbing, yet ever drew me to plumb their bottomless depths. All of which is the excuse of the very much older me to spend Monday morning playing with my camera in Bridgnorth Antiques Centre.

See! Just like Alice, I’ve finally arrived in Looking Glass Land. All it took was my magic little Lumix digital. But sorry, folks, I can’t hang around. Must catch up with the White Knight or I might never make it out again.

Sir John Tenniel illustrator 1820-1914 ~ Alice Through The Looking Glass by Lewis Carroll

N.B.

In A Glass Darkly is a collection of strange tales featuring demons, dopplegangers and even a lesbian vampire published by Irish writer, Sheridan Le Fanu in 1872. The vampire story apparently greatly influenced Bram Stoker in his writing of Dracula. I haven’t read these works, but I think they might be worth tracking down.

Please visit Paula at Lost in Translation for more Traces of the Past.

Tish Farrell

Writer on the Edge