Wednesday Walk Into Wenlock ~ Ancient Remains And Some Animals

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I’m standing on the path we call the ‘long way’ into town, otherwise locally known as the Cutlins. It cuts across the meadow between what was once the railway station (shades of decimating Beeching man again) and the Wenlock Priory ruins. The cottages you can see in the middle ground front onto Sheinton Street. Many date from medieval times, and originally they would have been shops with heavy wooden shutters. When the shop was open for business the shutters came down to make trestle counter tops. Behind each of the commercial frontages were workshops and living quarters, and then a long strip of land for cultivation or the keeping of livestock, still surviving today as domestic back gardens.

These gardens backing onto the field, then, are the town’s last surviving evidence of medieval burgage plots. Until the Dissolution of the Monasteries in 1540, the town that grew up around Wenlock Priory was ruled by the Prior. The Pilgrim Trade (to visit the relics of St Milburga, the Saxon princess whose family founded the 7th century religious house over whose remains the later, grander Cluniac Priory was built) made Wenlock a prosperous place. By 1247 there was a merchant elite known as burgesses. They paid the Priory one shilling a year to rent the burgage plots.

The trades they operated there included carpentry, shoe making, tool making, tailoring, the provision of legal and secretarial services. Other trades that grew up in and around the town included breweries, tanneries, lime burning, quarrying and the making of paper, nails, and clay pipes. All in all, it would have been a pretty foul-smelling place. Not the bucolic scene we enjoy today.

The Priory is hidden behind the trees at the foot of the path, the burgage plots to the right out of shot:

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And after stopping to look at the new Highland calf, at the foot of the path near the Priory I met a lamb. It felt like a meeting of minds – a slightly odd Little Bo Peep moment:

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And finally a glimpse of the Priory ruins: surviving remains of a dissolved roof – which, incidentally, is exactly what happened once Henry VIII’s monastic re-purposers had stripped off the protective and very valuable lead from such premises:

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Roof Squares 15

New Works For Old ~ From Foundry To Teddy Bear Factory And More Besides

We’re standing on a riverbank just upstream from the Iron Bridge, at the foot of the Coal Brook that once powered the furnaces of the Coalbrookdale Company (the place where coke-fuelled iron casting was invented in 1709), and across the road from a little lane surprisingly called Paradise, which long ago was my daily route to work. As retail parks go, then, this site of re-purposed industrial workshops, it is pretty unusual.

The roof-lit buildings once belonged to the Severn Foundry. They were built in 1901  when Alfred Darby II, last of the dynasty of Coalbrookdale ironmasters, was company chairman. By this time the business was contracting – that is to say, it was moving away from heavy industry to more domestic production, and operating only within the Coalbrookdale Valley. Even so, in 1900 the company still employed 1,100 men, a huge workforce for a small semi-rural community.

The reasons for the new foundry, built on the site of an old timber yard, seem rather remarkable now. Demand for its products came from unexpected quarters in faraway London.  From the late C19th the then new London County Council had begun clearing the city’s slum dwellings and putting up council houses – this in response to the passing of the Housing of the Working Classes Act of 1890. Requirements for improved living standards included cast-iron fireplaces and gas cookers, both of which were produced by the Coalbrookdale Company.

Iron founding is of course a dangerous, if highly skilled trade. The pouring of red hot molten metal from handheld crucibles into moulds provided plenty of scope for industrial accidents.  The workforce undoubtedly benefited from the better lighting conditions of these roof-lit premises. Although not for long. The London County Council contract was short-lived, and the foundry closed in 1917. Thereafter, the former industrial prosperity of Severn Gorge and the Shropshire Coalfield went into rapid decline, and the foundry buildings were left empty…

…until 1930 when, in another odd twist, along came Merrythought – a small family business producing high quality soft toys and handmade mohair teddies. They took over the foundry buildings and, also benefiting from the well-lit workshops, went into production. By 1940 they were employing 200 workers, mostly women. And yes, those noses and paws are all hand-stitched with, it is said, much pursing of lips by fastidious craftswomen who liked to get the job done without inflicting too much pain to their creations.

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And the firm is still going – into the fourth generation, and run by the two elder daughters of the previous chairman, Oliver Holmes, a man with great flair and drive, who sadly died before his time. The company is Britain’s last surviving teddy bear maker. It has had to fight to hold its own against competition from cheap soft toy producers and now specialises in limited edition bears, which it also sells in the Teddy Bear Shop just round the corner from the factory. The shop was the brainchild of my sister – back in the 1980s when she was running the Ironbridge Gorge Museums’ shops and did a deal with Oliver, who until that time only traded through the famous London toy store Hamleys.

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Recently, after Oliver Holmes’ death, Merrythought developed the former foundry site, providing new retail spaces in all the buildings not needed for teddy bear production. So now we have a fine little art gallery specialising in prints and print-making equipment, an antiques centre with riverside cafe, a bespoke kitchen fitters, and a small Co-Op store. Oh yes, and the Teddy Bear Shop just around the corner, with Guardsman Bear outside the door, overseeing Paradise.

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copyright 2018 Tish Farrell

Roof Squares 13

Ironbridge Cooling Tower As Seen From Under Another Severn Bridge

I’m standing under the Albert Edward Bridge to take this photo. It was built in 1863 and opened the following year, named for Queen Victoria’s eldest long before he became the totally notorious  King Edward VII.

You might also say the Albert Edward Bridge is the ugly great great grandchild of Darby’s Iron Bridge just downstream; and the end of the line too – in all senses. It is the last large cast iron railway bridge to be built in the UK, and originally carried the Severn Junction Railway across the river to meet up with the Severn Valley Railway (one of England’s loveliest lines decimated by Mr. Beeching in the 1960s). In more recent times it was used to carry coal to the power station.

It may not be as striking as its ground-breaking elder (and it certainly proved very hard to photograph) but it has much in common with Darby’s bridge. Designed by Sir John Fowler, the single 200 foot span comprises 4 cast iron ribs, each of 9 parts bolted together. The moulds for the spans were prepared nearby at the Darby family’s Coalbrookdale Company ironworks. The steel deck that you can see in the photo was installed in 1933, replacing the original timber and wrought iron deck.

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Now that the power station has run out of steam, one wonders what will become of Albert Edward. Fortunately it is a Grade II listed building  so it will be preserved. At least one hopes it will.  Also the local Telford Steam Railway enthusiasts have their sights set on it to extend their rather limited rail track, and since there is presently a 5mph speed limit on the bridge due to its age, one can conjure a slow and splendid steam-train trundle across the Gorge to Buildwas – poop-poop!

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Roof Squares 12 Not quite a roof, I know, but I was standing under it for the header shot. Please pop over to Becky’s for a plethora of rooftops.

Many Reflections On The Iron Bridge

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Last week we were in Ironbridge inspecting the restoration works on the C18th cast iron bridge that gave the town its name. People come from all over the world to see the bridge, so to find most of it shrouded in plastic would doubtless be a big disappointment. English Heritage, the conservation body whose engineers are carrying out the repairs over the next few months, thoughtfully decided to make a spectacle of their operations. Just beneath the main span they have constructed a walkway with perspex covered viewing portholes along its length. Now visitors have once-in-a-lifetime access to view the structural parts at close quarters.

And while doing this I happened to notice that, at certain angles, the portholes and their surrounds created multiple reflections. Suddenly the town appeared meshed in the dove-tailed struts and roundels of the bridge supports. It seemed fitting somehow – the town within the bridge that gave rise to it; a glimpse of the Gorge whose lucky combination of natural resources: iron ore, coal, fire clay, limestone, made the construction of the world’s first cast iron bridge in this location possible: the now quiet resort place that some call the crucible of Britain’s Industrial Revolution, a once horrifying hell-hole of pounding steam hammers, sulphurous fumes, and streams of white-hot iron.

Thursday’s Special: reflective

copyright 2018 Tish Farrell

P.S. Click on the English Heritage link above for more about the restoration project and a very good short video.

Full Frontal Privies And Still Time For The Chelsea Chop

Reading Ali’s recent post at The Mindful Gardener reminded me that I meant to write about the Chelsea Chop. As Ali says, this somewhat alarming sounding garden procedure is more than dead-heading spent flowers to encourage further blooming, or cutting to the roots plants that will have a second flush in late summer (e.g. oriental poppies).

The Chelsea Chop is scheduled for late May – early June around the time of the annual Royal Horticultural Society’s Chelsea Flower Show. It involves using sharp shears to cut back later flowering herbaceous perennials by one third to a half. The plant will then grow vigorously, but flower later, so extending the flowering season.

This of course can work very well in large borders as part of a complex growing scheme – and especially in public gardens where the floral show must go on through the summer-into-autumn season. But  in my small garden I would end up with gaps. I was therefore very pleased to hear TV gardener, Monty Don, say you can have the best of both worlds by some judicious cutting into a potential flower clump.

This means reducing only some of the growing stems.  Phlox, Helenium, Golden Rod, Echinacea, Rudbeckia, Sedums and Anthemis  all respond well to this treatment. You can also do the same with mint and other herbs, so keeping some stems for cooking, while letting others flower. The bees will definitely be happy with this arrangement.

Meanwhile in this morning’s garden, the oriental poppies are on the wane, the foxgloves are still flowering, and rose Teasing Georgia is bursting out all over and giving us a lovely bowery vista from the kitchen door. Oh yes, and the pink-mauve shaded aquilegias have given way to yellow ones that look like garden sprites with their little wings:

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Some Ironbridge Towers ~ The River Between

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Following on from yesterday’s Iron Bridge visit, this first photo is for Jude. She wanted to know if the Ironbridge cooling towers still existed. The power station, just upstream from the Iron Bridge, has been recently decommissioned. There are plans for demolition, and the site to be developed for housing.

There are four cooling towers, and if you walk along the river they loom dramatically above you. Love them or hate them,  Jude and I are for them. They are anyway part of our industrial heritage, though mainly I like them because they look like giant flower pots. And I like them even more now they aren’t giving off dirty-coal fumes.

Across the river, just downstream of the cooling towers is the Severn Warehouse – now part of the Ironbridge Gorge Museum (where I used to work). This building has much smaller towers, but they are impressive in their own way. Built in the gothic style by the Coalbrookdale Company in 1834, it was used to store the factory’s iron goods until they could be shipped by barge to Bristol and thence out to the wide world. You can see the tramway down to the wharfage (bottom left). A veritable citadel of industry then, though a spot of weeding looks to be called for up in the castellations:

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If you would like to take a very interesting walk around the Ironbridge Gorge there is an excellent trail guide HERE

 

Roof Squares  See Becky’s very unusual Portuguese bread oven

Six Word Saturday  And some marvellously commemorative artwork from Debbie

Rooftops Galore In The Severn Gorge ~ Even The World’s First Cast Iron Bridge Has One

Yesterday we treated ourselves to a Big Day Out, and on our own doorstep. We went to Ironbridge – all of five miles from the Farrell domain. We wanted to see what English Heritage was up to with Abraham Darby III’s monumental bridge – the high-tech PR stunt of 1779 in which a Coalbrookdale ironmaster set out to demonstrate that cast iron was the building material of the future.

He built a single arch bridge at the site of a notoriously dangerous ferry crossing, over a river prone to massive flooding while also accommodating the passage (without de-masting) of the large sailing barges (trows) that plied the Severn from Worcester.  All the numerous other Severn bridges required the trows to lower their masts. Doubtless this novel feature alone would have made the new bridge the talk of the river.

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Here’s a pre-wrapped winter view, glimpse of the toll house on the far right (since the Iron Bridge was always intended to make money too):

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Interestingly though, and here’s where the new ‘roof’ comes in, while Darby’s construction was daring in its vision and materials, its design has distinctly retro features – the  cast iron components were fabricated and assembled according to tried and tested carpentry methods with lots of dove-tail joints. On top of that, there has been much ground movement, general wear and tear and even structural shrinkage, so now the bridge is in serious need of restoration. While the work is underway, much of the bridge is shrouded in plastic. A walkway has been constructed along the north side of the bridge with viewing windows created at various points  so visitors can view the underbelly of the bridge at close quarters and see the restoration work in progress. It is one stunning enterprise.

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There may well be some controversy ahead though. Once the work is done, the bridge will be repainted – in its original colour on the opening day of 1781: a reddish-brown research has shown. For decades the bridge has been black or slate grey. Reddish-brown will be a real turn-up for the Severn Gorge location and doubtless a shock to some people’s systems. I can’t wait to see it – completion date is set for November just in time for a pleasing backdrop of autumn leaves.

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Here’s a view of the Wharfage from the Iron Bridge. The town of Ironbridge owes its existence to the bridge, which attracted tourists right from its opening in 1781. In 1784 the handsome Tontine Hotel was built overlooking bridge, and today is still a popular place to stay. The Severn Gorge is now a World Heritage Site.

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For more about the restoration project including a brilliant short video see:

English Heritage Saving The Iron Bridge

 

Roof Squares 8  Please pop over the Becky’s to join in the June Roof Extravaganza

Welcome To The Sunset Garden With Privy View

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Here’s a side glimpse of one of our C19th privies. I’m guessing the little aperture above the brick pile was there to provide some light on the situation. The adjoining facility also has one on the farther side. The privies share an internal wall – limestone – a good half metre wide, which seems a bit over-engineered to us, and at present stops short of supporting the roof rafters. He Who Builds Sheds is therefore wondering if he might remove it to make one useful shed instead of two impossible sheds, and all without altering the outside.

Meanwhile here’s the other shed, 2017 vintage, designed and built from scratch – with rubber roof. The double-glazed windows and door were cast offs from chums:P1060456 sunset sq2

And now the garden full of early evening sunshine plus a few roof glimpses:

Roof Squares

 

Last Night In Downtown Oakengates, Looking For Roofs, Real Ale, And Having A Slight Fit Of The Edward Hoppers

Just in case you think Shropshire is all ‘blue remembered hills’, we do have our urban quarters. Oakengates in Telford (New Town) to the east of the county has ancient roots. The Romans came marching through these parts in their bid to quell the Welsh, leaving us the remains of a military fort – that’s to say an on-the-hoof marcher camp (nicely squared earthen ramparts reduced to a field crop mark). Then there was a lot of monkish settlement (physical evidence obliterated), but it was during the C19th that the town truly came to prominence and prosperity, its coal and clay deposits making it one of the key settlements of Shropshire’s Industrial Revolution.

Since then, though, the once traditional street scene has somehow had its heart ripped out. Well, mostly. There are still some good old pubs. In particular the  Crown InnTHE watering hole for real ale lovers, and the place where we were heading last night to meet good chum Andy. And just by chance I had taken my camera, and I was struck by the evening light, and the strangely compelling surrealism of the streets that someone had kindly tried to prettify with bunting, and there were a few rooftops too and I had that feeling that I get when I look at Edward Hopper’s paintings: a spinal twinge of fascinated  displacement and disquiet (for his work is nothing if not about light and shadow in all connotations) – hence this set of photos, taken before and after a glass of good Mild Ale…

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Roof Squares