Month: April 2025

Cinematically Cornish

This week at Lens-Artists Sofia calls for a cinematic approach to our photography.

This is what she says:

“There are a few things that give a photo that cinematic feel: camera angles, bold and high-contrast colours, light, locations, just to name a few. The main objective is to take a shot that is part of a story, there’s mood and a sense of location; our image is but a snapshot of a much wider situation.”

The first four photos here were taken one bleak spring day on the edge of Bodmin Moor near Minions in Cornwall. This, Great Britain’s most south-westerly county is a land of dramatic vistas: of high moors and rugged shore-lines. There are stories everywhere, layered through time like the ‘pillows’ of this granite tor, known locally as the Cheesewring.

The tor has its own stories of course. The first is one of weathering over millions of years, wind and rain driving into its crevices. Then there is the Dark Ages tale, from the post-Roman times when Christian missionaries were beginning to make their presence felt. The proponents of new faith were not always welcomed, and so the formation of the Cheesewring is explained as the result a quoit-throwing contest between Uther the giant and a saintly missionary named Tue. If Uther won, then the Christian must go. Th giant lost of course.

The Cheesewring name itself has different derivations – either a straining device for making cheese, or else relating to cider brewing wherein the press of apples to a pulp is referred to as cheese.

There also some mystical notions, for it’s said that if you come to the Cheesewring as day dawns you will see the top ring turn three times. Which makes me wonder if that crow might have something to say on the matter.

Below the Cheesewring we step back into the remnants of a prehistoric landscape: three Neolithic stone circles called the Hurlers. But as to that figure apparently hovering on the horizon – who knows what time stratum he belongs to.

Looking through the Neolithic circle we come to another narrative: one belonging to the 1850s – 1890s when the South Phoenix Mine was churning out train loads of copper, a time when over 3,000 people were employed here – women and children included.

There is more about these stories at an earlier post: ‘Hurlers and Miners: 6,000 years of heritage on Bodmin Moor’ HERE.

Cornwall does have its own cinematic history. Several Cornish based novels by Daphne du Maurier have made it to the big screen, some in duplicate versions – Rebecca, Frenchman’s Creek, Jamaica Inn, My Cousin Rachel. Her deeply disturbing short story,The Birds, is also set in Cornwall, although Hitchcock chose to transpose it to San Francisco. Du Maurier’s works are usually classed as romances, but they also have dark undercurrents, sometimes touching on the paranormal, their settings the wilds of Bodmin Moor, brooding mansions, sheer-drop sea cliffs, rocky coves and crashing surf.

So here are some more Cornish photos, taken one gloomy December, and with a little nod to Daphne du Maurier’s sensibilities.

Lens-Artists: Cinematic This week Sofia at Photographias sets the theme.

It’s All Birds And Bees In Our ‘Castle’ Garden

Well, they do say an Englishman’s home is his castle. And for this English woman, this stronghold must obviously include the garden. At least I like to think the garden is my domain; my own small fiefdom.

The wildlife, of course, has other notions. This mama blackbird, for instance, is quite sure my purpose in life is to provide her with fresh feeding stations. As soon as I begin work in the garden she’s there, poised to snatch a worm or grub. If I do not provide quickly enough, she fixes me with that beady eye, and starts her own digging. This has led to us falling out somewhat. I’ve had to net all my vegetable beds to stop her rooting out my seedlings.

But she did keep me company while I cleared the boundary wall with our neighbour’s garage. It was a horrendous job, hacking out ingrowing and overgrowing hypericum (Rose of Sharon) that years ago had been planted along the top of the wall, and since turned itself into a stretch of brutal anti-tank wire, while inviting Spanish bluebells, ash trees and willow herb to join in the fray.

I’d been tackling the job on and off since last summer. But now it’s done.

I’ve planted the road end with a couple of trailing blackberries designed for hanging baskets and also some foxgloves which had grown themselves in the back garden. As for the rest, for this year I’m thinking of putting in various kales and perhaps courgettes; nothing permanent in other words. I’ve discovered that hypericum shoots and roots from the tiniest scrap of itself, so it will probably take a few seasons to clear the bed.

Meanwhile mama blackbird has been well fed, and the feeding clearly paying off. Two days ago, while planting a hornbeam sapling to fill a gap in our rear hedge of horrors, I had the sense of being watched. When I peered into the tangle of privet, holly and sycamore, there she was, sitting still as stone, on a very neat nest, looking straight back at me. I left her in peace.

As blackbirds go, I suspect she is rather elderly. Her tail feathers look more than a touch bedraggled. But she has us weighed up as non-threatening entities, choosing to nest right by the path that we use all the time. She is not afraid to leave it either, when she sees me with a spade. Yesterday, when I was unearthing some ash tree saplings further down the hedge, she was right there, just in time to gobble up a big juicy worm.

Male blackbirds don’t do nest duty, but I’m assuming this is papa. He’s taken to singing sweetly in the hawthorn tree just over the hedge. He shows up when I’m digging too, but not if mama is around. (She sees him off). He actually comes very close and tweets at me, if I’m not providing worms.

Earlier in the year it was the robin who would come nagging as soon as I set foot in the garden. He/she was especially pleased with operation dig-out-compost-bin, but now is perhaps too busy with egg minding to be around so much.

Other birdlife, as in pigeons, I’m not so pleased to see. They’re another reason for having netting all over the vegetable plots, though it doesn’t stop them from nibbling through the fine mesh if the plants grow too close to the edge. They like spinach, brassicas, chard, chicory, beetroot leaves, lettuce, young field bean leaves and lemon sorrel.

The garden is very much ‘a first draft’; there’s much to sort out (tidy) and much trial and error (given the lack of an actual plan). Next week a paling fence will start going up around the perimeter (from behind the greenhouse and round). It won’t be too tall but will create a boundary for fresh planting which might help focus this gardener’s mind.

For now we are enjoying the apple blossom, and especially the little tree which is flourishing between the compost bins, one open, one hot. I think it’s a Crispin. The black hot bin is not a pretty sight, but the mass of flowers is lovely and, in a spot of warmish afternoon sun, is alive with bee hum. Just look at the pollen sacs on the bees’ legs.

And there’s not only apple blossom. On the terrace wall we have tulips. They are presently looking rather glamorous:

So: spring is here in the Farrell domain aka Castle (also the locals’ name for the town), and in moments when the wind drops and you stand in the sun where the air is less frigid, it feels like it too. Cheers, fellow gardeners! Happy planting!

Six on Saturday: blackbirds, robins, bird defences, apple blossom, bees and tulips

copyrithg 2025 Tish Farrell

We’ve Been Having Blue Sky Days…

They arrived with the spring equinox on March 20th…

… days hot in the sun, but ice-cold in shade, as if the air came straight off a snow field…

…yet so enlivening, it had us one day walking (instead of driving) to the builders’ merchants on the edge of town…

…spotting, as we went, wild cherry blossom, the bright white blackthorn that is everywhere in drifts on farm hedgerows, and then the distant green of wheat fields and fresh grassland.

Meanwhile, the town lanes and gardens have been aglow with magnolias, daffodils, pussy willow, forsythia, camellias, fire-red japonica…

…and the cherry plum by the house has day by day been turning from pink to bronze, as blossom flutters off and gives way to leaves.

And so the Shropshire countryside has been drowsing in a haze of vernal glamour: an earth dream of a perfect spring come to life.

The blue sky days turned into weeks, three to be exact. Long enough for us to grow used to blissful weather, to think it ours forever.

In the garden, our faces turned often to the sun, we noted the little pear tree begin to flower…

…and the old apple tree by the compost bin burst with buds…

…that then begin to open…

…just in time for Sunday’s full moon and a complete change in the weather…

Today there is grey sky, racing rain clouds and a piercing wind that gusts down the chimneys. It feels like winter when we walk to the shops, clad in sweaters, quilted coats and woolly hats. We’re cast adrift in seasonal confusion. Bereft. Abandoned by spring. How could she do this when we so loved the sun, the light, the crisp air?

Ah, well. The weather people say the wind should lessen tomorrow, all but doubling temperatures from 6 to a soaring 11 degrees C. There might also be a view of the sun on Easter Sunday morning, but little to see in the following week. Instead, there will be rain, of which this gardener and the nation’s farmers are much in need. So it goes. All chop and change. Perhaps blue sky spring will be back in May.

Lens-Artists: abandoned This week Anne sets us the topic ‘abandoned’. Please see her post for more serious cases of abandonment.

Weather’s Untamed Ways…

…from heavenly ethereal to eerily supernatural:

Herewith some recent views across the Menai Strait – from the island of Anglesey above Beaumaris to the Welsh mainland.

We’ve just returned from a week’s stay on Ynys Mon. It was our first March visit to the island, our usual time-slot being late December, and our arrival coincided with both the spring equinox and a spring tide. In fact we had never seen the low tides so low. When the sea went out, sand banks never glimpsed before, became exposed.

You can just make them out in the first photo. This reminded me of the tales of the Roman invasion of Anglesey around 60 CE and how Governor Suetonius Paulinus equipped his army with flat bottomed boats to deal with the uncertain depths across the strait. But it is possible, too, that there are/were low-tide paths, known only to locals. Perhaps Suetonius Paulinus found himself an informer. The conquest anyway was bloody: the object to smash the power of the Celtic tribes’ druid priests who made their last stand on the island.

There’s more about this at an earlier post: Island of Old Ghosts.

For the mystically or meditatively inclined, you can see how weather watching can enthral; you never know what may happen next; all the elemental forces conspiring: the ever changing light, coastal winds, cycles of convection and condensation, the lunar-solar ebb and flow of tidal waters.

So much weather in a week on this tiny corner of the planet. We had hot sun, biting winds, cloudless blue skies, deep gloom, rain (though not so much for Wales), drizzle, mist, stormy and glass glittering seas.

Late one afternoon we watched, with some sense of awe, as this white cloud moved low along the mainland shore, spilling out like dry ice till it reached the Great Orme headland.

And then one evening…

At other times the mainland looked gauzy. It could be a mirage. Or there again it reminded me of the magic painting books we had as children – the wash of colours emerging from the empty page.

Lens-Artists: Wild This week Egidio at Through Brazilian Eyes wants to know what wild means to us. Go see what wild means to him.