And Another Odd Capture

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It’s hard to know how to follow yesterday’s yarn about my recent small-hours radio ‘haunting’, but since Shropshire landscapes cropped up in it, I thought I’d have a ‘rummage’ through that particular photo file. And so I found this one of me, courtesy of he-who-builds-sheds-and-greenhouses in the days before he did such things.

It must have been taken in the second winter after we left our life in Kenya. We had settled in Rochester, Kent. For the eight years we’d been living in Africa, Graham had been employed by the Natural Resources Institute (NRI), once the scientific arm of British Government overseas aid, but now part of the University of Greenwich. Its offices were based in the old Chatham dockyard, just up the road from Rochester. (Odd factoid: both locations have strong Charles Dickens connections). And so Graham was returning to base, though he had never had a desk there. It was a strange situation.

Neither of us wanted to be there. For one thing we were overwhelmed by the hemmed-in urban congestion of the Medway five towns: Strood, Rochester, Chatham, Gillingham and Rainham massing together so closely so that once in their midst, you could not see out or move for traffic. The one source of local relief was the River Medway that wound between them. We had bought a house there – in one of the new riverside developments that were sprouting up along its banks.

A little oddly too, our particular townhouse enclave was on the site of the old Short Brothers Empire flying boat factory, the craft that had served Imperial Airways during their 1930s pioneering of air travel to Africa, India and beyond. Later Imperial morphed into BOAC (British Overseas Airways Corporation), and I remembered that some of the first flights to Kenya used to land on Lake Naivasha and, while the crew put-up in the cottages of the Naivasha Country Club (where we ourselves had once stayed), travellers to Nairobi would have to complete the last sixty miles by dirt road.

The connection was a small ‘haunting.’ Added to when one of our first house guests, an expat friend from Nairobi (actually an Englishman who had settled in Australia)  told us that his father had been a steward with Imperial Airways. (This was the same person who, on another visit from Australia, came to stay with us in Much Wenlock, and on arrival told us he had a cousin living up the road).

Imperial Airways flying boat 1937 public domain

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But back to the header photo. One of my adjustment strategies to UK life was to go to T’ai chi classes. This then explains the pose. I think I am in the throes of grasping the sparrow’s tail.

But what of the location?

One reason we didn’t want to be living in Kent was because family and friends were mostly faraway in the West Midlands: Shropshire and Staffordshire – and between them and us was the evil M25 London orbital car park motorway. We could access it in either direction from Rochester. It never made any difference. The jams seemed to last for days.

But then the photo shows we must have broken out. Here we are in Shropshire in late December 2001. It is one of the county’s most mysterious locations: Mitchell’s Fold, a Bronze Age stone circle, sitting on the borderland with Wales. I don’t remember now why we chose to be driving round the Shropshire hills in such wintery weather, but there’s more about that visit and the circle’s folk lore associations with wicked witch Mitchell here: Witch Catching In The Shropshire Hills

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Copyright 2022 Tish Farrell

The Square Odds #3

Night Waves Oddities: When The Voice On The Radio Is Mine

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Photo: detail of glass vase taken at an odd angle

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This post isn’t actually about the vase, though the photo is as close a visual cue as I can muster for the very odd thing that happened last week . It went like this.

When I wake in the night, I often plug in an ear bud and listen to Radio 4 Extra, the blessedly news-free zone that continuously recycles BBC broadcasts: drama, book readings, poetry, quizzes, whodunnit Miss Marples and Sherlock Holmes. Imagine the shock, then, when in the dark hours of Wednesday morning, I switch on and the voice that emerges on the digital air waves is mine. What on earth…?

The voice (familiar yet unfamiliar) speaks of seizing the day, of the fallacy of perfect landscapes whose ‘loss’ we continue to mourn. And accompanying the words, my unrehearsed, off-the-cuff words, are the heart-haunting strains of George Butterworth’s Rhapsody, the orchestral epilogue to his song cycles that had set some of A E Housman’s A Shropshire Lad  poems to music.

It is all about loss – Housman’s song-like stanzas of Shropshire’s young men going off to war, written in reaction to the Boer War; Butterworth’s later musical echo, premiered in 1913, followed by his own death on the Somme in 1916.

Listening in the small hours of 26 January 2022, I struggle to believe what I’m hearing. Soul Music is a popular Radio 4 series, featuring several people’s stories and responses to a particular piece of music. In June 2014 I’d taken part in the programme’s recording. It was a special production for Remembrance Sunday November 2014. Yet here I was, randomly switching on, in the middle of the night, eight years later, just at the moment when the repeat broadcast was being aired. Had I become my own oracle? Was some entity trying to tell me something?

As I said, I was only one of several contributors whose thoughts on Butterworth and Housman were used to create the programme. Shropshire broadcaster, Sybil Ruscoe, provided the narrative thread, telling of the loss of her young great uncle who, like Butterworth, had died on the Somme.  So it was stranger still to next discover that it was my sound bites that had been edited to create a trailer for that week’s Soul Music reprise. Over the next couple of nights, there I was again, several times over – talking to me. As odd experiences go, and days later, it’s still hard to process.

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P.S. The story of how I came to be involved with the programme in the first place, my words being recorded by producer Maggie Ayre out in a Shropshire wheat field on Wenlock Edge  can be found here. It was all down to her reading a post I’d done on Butterworth and landscape.

Some of you may be able download the programme here: https://www.bbc.co.uk/programmes/b04nrw25

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Square Odds  This month Becky, Doyenne of Squares, wants our header photos to feature all manner of oddities and oddnesses – however they come so long as they’re square.