Release Your Inner Artist

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We are each of us born brimming with potential, creators in the making. But then something happens – at least for most of us it does. Somewhere between the childhood dreaming, and the adolescent wake-up call we make a decision. For each of us this will be the result of particular, often very painful circumstances, but the outcome will be the same. From that point on we will tell ourselves we are not good enough, and what we do is not good enough and that even if we toil until the crack of doom, it never will be good enough. We give up. Surrender, often before we have given ourselves half a chance. Somehow – through repeated expressions of contempt, denigration, ridicule, bemusement from peers and elders – we learn that it is dangerous to be too extraordinary, and that if we persist in following our dream we will end up alone, and worse still, hated.

At the same time, reinforcing our sense of uselessness, the dominant culture peddles the notion that geniuses are born, and that true talent is ‘natural’. In other words Beethoven’s symphonies, Shakespeare’s plays and Picasso’s Blue Period simply manifested themselves via the gifted hands and minds of said geniuses.

This model of spontaneous creation, artist as divine conduit, somewhat like spontaneous combustion, does not take into account the actual years of preparation that preceded the creation of these works.

To compound this whole misunderstanding of the creative process, there is then the popular belief that ‘inspiration’ is the be all and end all, when in fact it is only the starting point for any work. Added to this are the ideas that you must ‘wait for it’ and thus be someone ‘special’ to receive it at all. Yet in reality ideas do not happen in a vacuum. They  need triggers, and you need to actively invite those triggers otherwise it is indeed a self-fulfilling prophecy; do not engage and sure enough, nothing will come.

I have no idea whether or not geniuses are born rather than nurtured, but my own feeling is that the nurturing has an awful lot to do with it. We all have capacity to create something. We are all artists. What we go on to create, should we be determined enough to follow our inclinations, will be influenced by our experiences, past, present, conscious and subconscious, and by the encouragement, assistance and wisdom we may receive from considerate others.

Sometimes we are lucky to have long-lasting mentors who are generous enough to stand by, ready to open our eyes to new ways of looking and making; sometimes we have to do much of this work for ourselves.  In this sense, then, it is a quest, an honourable labour. The learning process can take a huge amount of time and dedication. It might take a lifetime. There are craft skills to learn and hone, stimuli to absorb and decipher. Most of all, there are failed attempts and mistakes to learn from.  But nothing in this process is ever wasted: every part informs another part, even if you are the only person who knows it is there.

The final onslaught that the dominant culture visits on the creative process is the commoditisation of art, judging it by its selling power. I include in this the idea of competition, and the presumption that it is in some way useful to judge one piece of well-crafted work against another piece of well-crafted work.  Of course it creates publicity, and boosts sales, but this is a distraction from what really matters – the work itself, and how it ‘speaks’ to people.

Creating art is a mediumistic pursuit not a commercial production. Our gut reactions, whether as creators or observers tell us the difference. It is about integrity, craftsmanship and telling the truth at some level. It is about doing the best we can. And we can all choose to take this path, and make of the journey what we will. The things we create are worth creating. So I say again, we are all artists. And if you don’t believe me, imagine yourself at life’s end when you still have hidden, and unrealised in your heart that story you longed to tell, the picture you did not finish, the film script lying in a box in the attic. How does this make you feel – not to have seen them through?

So what are you waiting for then? Set free the captive. Who knows what wonderful things will happen next.

copyright 2015 Tish Farrell

 

This post was inspired by Bill at Pinklightsabre and his poem Moon Song for Marz

Thank you, Bill Star

 

Related:

How I Write: telling the truth in fiction

“Tell my wife I am trolling Atlantis…

 

…and I still have my hands at the wheel.”

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My mind seems to be drawn to the sea just now, hence the posting of this video. But what a line this is – “Tell my wife I am trolling Atlantis…” As a writer and teller of tales, I have a huge admiration for the storytelling talents of songwriter, Billy Joel. He is a troubadour of our times (well of mine anyway); a poet, musician and social commentator. So I hope you enjoy this multi-stranded creation, musical flash-fiction if you like, and so well constructed. Please do look at the full lyrics too, at the link below.

The Downeaster Alexa by Billy Joel

Full lyrics HERE