You can see why this part of Shropshire falls within an Area Of Outstanding Natural Beauty. These shots were taken on the viewpoint just past Hilltop on Wenlock Edge and I’m looking south-west towards the Shropshire Hills. You can see, too, why poet, A E Housman called them ‘blue remembered hills’. They seem like a memory even if you have never clapped eyes on them before.
And so when presented with the kind of blissful panoramic views that the Edge provides, it is tempting to try to capture all of it. And that usually does not work, not unless the light is perfect, and your photographic skills are considerably greater than mine. Even this landscape view is only a small segment of the 180 degree vista. I chose it because I liked the visual flow of man-made fields towards the grassy uplands, and the here-and-there accents of hedgerow and woodland; the many shades of green. Also, despite the millennia of human intervention here, you can still discern the landscape’s natural rhythms beneath the pastoral surface.
It’s a soothing scene to look AT. But the portrait version, I feel, is doing something rather different. It invites you into the landscape as if stepping through a door; it is therefore more actively affecting. Just my thoughts anyway. Also a thank you to Paula for stirring us up to think about the different effects of landscape and portrait composition.