Expressions Of Power ~ Secular And Spiritual?

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These Saxon carvings in Wirksworth’s St. Mary’s Church in the Derbyshire Peak District are around 1,300 years old. They appear to have been randomly placed in the walls during the rebuilding of the church during the thirteenth century. Nothing more is known about them, or of their precise age and origins.

At the time they were carved, Wirksworth, located in the English East Midlands, was part of the great Saxon kingdom of Mercia, whose kings and sub-kings held dominion over most of England between AD 600 – 900. i.e. until the Vikings arrived and spoiled it all with the imposition of Danelaw.

Mercia also included my West Midlands home county of Shropshire and, though seventy odd miles apart, it turns out that Saxon, and indeed later, Wirksworth has much in common with Much Wenlock; so much so, I think the towns should be twinned.

One of the Mercian kings’ cunning strategies to cement their power over their extensive territory was the spreading of Christianity, and the setting up of religious foundations and church minsters on their royal estates. These were ruled by abbesses, kings’ daughters and noble women who had been thoroughly educated for the job.

In Much Wenlock we have Milburga, daughter of King Merewald  who ruled over the Wenlock dual monastic house (monks and nuns) from around 680 AD. Her sisters and mother also had charge of religious houses across Mercia, and this function further included the management of the considerable estates and the resources that went with them.

The spread of Christianity across Mercia had its beginnings some thirty years earlier when Elchfrida (also Alchfliad), daughter of King Oswui of Northumbria married Peada, son of Penda, the last great pagan king of Mercia. According to Bede, Oswui had murdered Penda, and the later marriage of his daughter to Penda’s son was part of a peace treaty between Northumberland and Mercia, conditional on Mercia adopting the new faith. Elchfrida thus travelled south into Mercia with an entourage that included missionary priests, and it is supposed that one of them, Betti, founded the church at Wirksworth in 653 AD.

Which brings me back to the Saxon carvings. We clearly have a king. And so perhaps also his queen? It would be nice to give them names – say, Elchfrida and Peada? On the other hand the looks they are giving us are a little disturbing; Sphinx-like, enigmatic; as if they know something they cannot now reveal. Even the wild boar that has been popped in beside them by the thirteenth century mason re-cyclers looks to have something worrying on his mind.

But there is a post-script to this story. It would seem that not long after the marriage, Elchfrida betrayed her king, which led to his murder. For a brief time, then, her father King Oswui held sway over Mercia, until the uprising of 658 AD when another of Penda’s sons, Wulfhere, restored Mercian authority. It makes one wonder if Elchfrida, Christian or not, wasn’t a double agent all along. I wonder what became of her.

Wulfhere apparently went on to implement the ‘dynastic power and faith’ model with the founding of Repton Abbey near Derby. Here he installed his daughter Werburgh (later sanctified like Much Wenlock’s St. Milburga) as the first abbess. So here we have yet another example of ‘Princess Power’ Saxon-style – of royal women extending and consolidating the temporal power of their fathers through the exercise of spiritual authority.

Back in Wirksworth a document from 835 AD indicates that at this time the Wirksworth township was under the jurisdiction of Abbess Cynewaru. But there was serious trouble afoot. It seems she was being forced to cede some of her land holdings to Duke Humbert of Tamworth. She was especially afraid that this would compromise the sending of a gift of lead, valued at 300 shillings, which she made every year to Christ Church, Canterbury. (Wirksworth had been an important lead-mining area since Roman times).  Just to make sure that Duke Humbert knows where his duty lies, and who has the upper hand spiritually speaking, she proclaims in the charter that ‘if anyone should take away this my gift from Christ Church, Canterbury, may he be smitten with perpetual anathema, and may the devil possess him as one of his own.’

Fascinating stuff all this power-wielding.

copyright 2016 Tish Farrell

 

Black & White Sunday: Expression

Stone-smitten ~ Saxons awestruck by ancient spa

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It’s silly, I know, but I tend to think that valuing heritage is a rather modern concept, very British – probably kicking off in the eighteenth century with all those landowners filling their bosky domains and deer parks with Grecian grottoes and Roman temples, and Lord Elgin using diplomatic privilege to ‘save’/ make off with the Parthenon’s marbles. So years ago, when I first discovered this Saxon poem in Penguin Classics’ The Earliest English Poems,  I was both amazed and captivated.

Even in its fragmentary, fire-damaged state, and some thirteen hundred years after it was written, the words come powering through.  It has been well translated of course by Michael Alexander. In his introduction he says he believes it to be a description of  the ruined Roman spa city of  Bath – Aquae Sulis (Somerset, England), and written some 300 years after the Romans left Britain. I’m posting it as a source of inspiration for all poets writing in English. All those alliterative compound nouns – showershields and gravesgrasp – don’t they just hit the mark!

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The Ruin

Well-wrought this wall: Wierds broke it.

The stronghold burst…

Snapped rooftrees, towers fallen, the work of Giants, the stonesmiths mouldereth.

Rime scoureth gatetowers

rime on mortar.

Shattered the showershields, roofs ruined,

age under-ate them.

And the wielders and wrights?

Earthgrip holds them – gone, long gone,

fast in gravesgrasp while fifty fathers

and sons have passed.

Wall stood,

grey lichen, red stone, kings fell often,

stood under storms, high arch crashed –

stands yet the wallstone, hacked by weapons,

by files grim-ground…

…shone the old skilled work

…sank to loam-crust.

Mood quickened mind, and a man of wit,

cunning in rings, bound bravely the wallbase

with iron, a wonder.

Bright were the buildings, halls where springs ran,

high, horngabled, much throng-noise;

these many meadhalls men filled

with loud cheerfulness: Wierd changed that.

Came days of pestilence, on all sides men fell dead,

death fetched off the flower of the people;

where they stood to fight, waste places

and on the acropolis, ruins.

Hosts who would build again

shrank to the earth. Therefore are these courts dreary

and that red arch twisteth tiles,

wryeth from roof-ridges, reacheth groundwards…

Broken blocks…

There once many a man

mood-glad, goldbright, of gleams garnished,

flushed with wine-pride, flashing war-gear,

gazed on wrought gemstones, on gold, on silver,

on wealth held and hoarded, on light-filled amber,

on this bright burg of broad dominion.

Stood stone houses; wide streams welled

hot from the source, and a wall all caught

in its bright bosom, that the baths were

hot at the hall’s hearth; that was fitting…

……………..

Thence hot streams, loosed, ran over hoar stone

unto the ring-tank…

….It is a kingly thing

…city….

Copyright Michael Alexander 1966

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You can buy an e-pub copy at this link:

The Earliest English Poems Penguin Classics 

The Earliest English Poems

Anglo-Saxon poetry was produced between 700 and 1000 AD for an audience that delighted in technical accomplishment, and the durable works of Old English verse spring from the source of the English language.

Michael Alexander has translated the best of the Old English poetry into modern English and into a verse form that retains the qualities of Anglo-Saxon metre and alliteration. Included in this selection are the ‘heroic poems’ such as Widsith, Deor, Brunanburh and Maldon, and passages from Beowulf; some of the famous ‘riddles’ from The Exeter Book; all the ‘elegies’, including The Ruin, The Wanderer, The Seafarer, The Wife’s Complaint and The Husband’s Message, in which the virtu of Old English is found in its purest and most concentrated form; together with the great Christian poem The Dream of the Rood.

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