I love the stark expanse of landscape in all these shots, the inconsequence of humanity; and also a certain sense of mystery…
I love the stark expanse of landscape in all these shots, the inconsequence of humanity; and also a certain sense of mystery…
I feel there is a sense of ‘drawing in’ in all these photographs; of summer’s end and winter on the way: a sense of season’s decay before renewal.
The light, the clouds, the sun do extraordinary things over the Menai Straits, the narrow sea channel between the island of Anglesey, Ynys Môn, and mainland Wales. This photograph was taken at midday in late December. I was standing on Beaumaris seafront and looking towards the mainland. To the southwest the mountains of Snowdonia were frosted with a light cover of snow. It was all very dreamlike. And it made me think that it was no accident that the Druid priests of the ancient Celtic tribes made the island their sacred stronghold, or that after the Romans withdrew from Britain, the early Celtic Christian missionaries established their sanctuaries and churches on the island. Whatever your faith, or even if you have none, such glorious vistas surely speak straight to heart, spirit and soul.
For more images of Ynys Môn see my earlier post Island of Old Ghosts.
© 2014 Tish Farrell
Surely Plas yn Rhiw is too lovely a place for visions of Hell? The ancient Welsh domain on the road to Aberdaron has a benign and slumbering air; here are gentle and delicate spirits.And it is not simply in the subtle shapes of the garden’s planting or the soft hues and scents of fading flowers;
or in the cobbled paths and woodland walks where wild strawberries and ferns grow alongside fuchsias and hydrangeas;
or in the fabric of this old, old house whose stones reflect the end-of-summer sky and the steely blue-greys of the sea below.
Even the air around the house feels strangely soft. It is the kind of late September softness that makes you want to lie down in the grass and dream for days and years, listening only to insect hum and the chatter of sparrows. The setting anyway is blissful; all enclosed by woodland at the foot of Mynyth Rhiw Mountain, and embraced by the seeming sheltering curve of Hell’s Mouth Bay (Porth Neigwl). So now you have it, an inkling that the tranquil surface overlays some deeper, darker currents.
Hell’s Mouth lies on the southerly tip of Llyn Peninsula, overlooking the broader sweep of Cardigan Bay. The calm view from Plas yn Rhiw is transfixing. How can it have such a name? Yet watch this space and see a different scene. For when the south westerly gales come roaring in, this bay becomes a death trap. Over the years it is said that some thirty ships have been run aground, their holdfast anchors dragging before the driving storm. Wrecks include the Transit that foundered with a cargo of cotton in 1839. In 1840 it was the Arfestone carrying gold. An Australian ship was lost there in 1865, and in 1909 the sailing ship Laura Griffith was wrecked. And there is more.
Reel back to the 8-900s AD and Llyn was the scene of bloody raids. At this time the Vikings occupied coastal Ireland across the bay. Llyn was then part of the Welsh Kingdom of Gwynedd and Powys and its prominent position made it seem an easy target from over the Irish Sea. The Welsh, under Rhodri Mawr (Rhodri the Great 844-878 AD) fought valiantly to keep the raiders at bay, although accounts of the time attest to their terrifying attacks. But whatever the truth, the sight of a raiding party, sixty five ships strong, and coming fast into the bay must have truly chilled the blood. By the 10th century Llyn was still holding its own against Viking incursion, but only through constant vigilance. And this is where Plas yn Rhiw comes in. Local history has it that Meirion Goch, great-grandson of Rhodri Mawr, was instructed to build a fortified house at Rhiw and hold the coast against invasion. It is also thought that this stronghold occupied the site of the present house, although no provable traces have been yet been found. The descendants from this royal dynasty appear then to have occupied Plas yn Rhiw for the next thousand years, eventually adopting, in the English fashion, the surname Lewis.
The Llyn Peninsula is the finger of land above Cardigan Bay. Hell’s Mouth is due north of the ‘d’ in Cardigan. The port of Dublin in Ireland was founded by the Vikings, along with other coastal towns that they used as raiding bases. (Map: Creative Commons).
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The house we see today, then, has its own stories – cycles of re-building, abandonment, decay, renewal. Now , as a National Trust property, it is frozen in time; as if its last elderly inhabitants, the Keating sisters, have simply popped out to the shops and left you to gaze upon their hats and gloves, and recently received letters. But more of these sisters in moment. First a quick history of the house. The lintel over the French window is carved with the date 1634, which probably marks the re-modelling of an existing medieval house by the then owner John Lewis. In 1820 the house was further extended and the grand Georgian facade and a further storey added. But in 1874 the long connection with the Lewis family ended and the house was sold for the first time in its existence. The new owner then let it to a succession of tenants, and it was possibly one of these, Lady Strickland, who created the gardens. She apparently also introduced the first bath tub to the district. And there is a tale of a ghostly visitation during her tenancy – a drunken squire roaming the house in search of a drink (lost spirits perhaps?). But by 1938, when the house was once more for sale, it was in a sad state of repair. The nearby millstream had left its bed and was running through the hall, rotting the staircase, brambles blocked the front door and the garden was a jungle. Enter the saviours, Welsh conservationist and architect, Clough Williams-Ellis (creator of Portmeirion ) and his friends the Keating sisters.
In this newspaper photo of 1960 (www.rhiw.com/) we see Eileen, Lorna and Honora Keating at Plas yn Rhiw. It is down to them that Llyn does not have a nuclear power station. They bought up coastal land to prevent it, and than gave the land to the National Trust. They also opposed overhead power lines and caravan parks, and in 1939 Honora received an OBE for her work for the National Council for Maternity and Child Welfare. They were the daughters of a Nottingham architect who was killed in a traffic accident when they were small. Their 32-year old mother Constance was left to bring them up, and she ensured, among other things, that they received a good education. Every year from 1904 the family spent their summers in Rhiw. In 1919 they bought a cottage above Hell’s Mouth, and it was from here that they first saw Plas yn Rhiw. In 1934, after Constance became an invalid, the sisters settled permanently with her in Rhiw. There are tales of them shunting mother around the locality in a wheeled bed. By this time Plas yn Rhiw was abandoned, and although there were hopes of saving it, the owner could not be found. Then in 1938 a FOR SALE notice went up. Six hundred pounds was the asking price, and it was Clough Williams-Ellis who alerted Honora. He sent her a telegram: “Will you invest savings Plas”. She replied: “Yes, but haven’t got much.”
The sisters bought the house, along with 58 acres of land that were all that remained of the original estate. With Clough Williams-Ellis to help and advise, the restoration began, and the following year the Keatings moved into the house. They then set about buying back the estate’s former land, which they gave to the National Trust in 1946 in memory of their parents. The house was donated in 1952, although the sisters lived there for the rest of their lives, the last and youngest sister, Honora, dying in 1981. Inside, the house has no pretensions to grandeur, although it is filled with personal treasures – everything from fine Meissen figures to the cottage vernacular of a Welsh spinning wheel. Along with the family portraits and antique furniture are paintings by Honora who studied at the Slade, and also works by M E Eldridge, the often overlooked artist wife of the poet R S Thomas. (When Thomas retired from being parish priest at nearby Aberdaron, the Keatings leased to him Sarn Rhiw, a stone cottage in the grounds below the house).
The Yellow Bedroom
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Honora’s room – alongside the Victoriana there is in the fireplace a c.1916 Royal Ediswan electric fire which operated by means of 250-watt bulbs. Beside the bed is an early Pifco Teasmaid.
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Today the National Trust is continuing to restore the house while staying true to the Keating sisters’ aesthetic sensibilities and conservation principles. The garden has its striking seasons: carpets of wild snowdrops along the woodland walks in winter, a magnificently flowering Magnolia mollicomata in spring, the early summer azaleas, the September cascades of crimson magnolia fruits and fuchsias. So perhaps the final words should be left to Clough Williams-Ellis. In a letter that now hangs framed in the hall, he writes to the sisters: “In these serene spring days your little kingdom must be heavenly indeed.”
Related: Arch Wizard of Wales: Clough Williams-Ellis Bright Fields on Llyn Warrior Wind-Singer of Llyn Post inspired by Sue Llewellyn’s A Word A Week: Delicate
I have written about this magnificent Welsh sculpture in more detail in an earlier post, Warrior Wind-Singer of Llyn, but I thought he/she deserved another viewing. This brave Celtic guardian surveys Cardigan Bay from the cliff top above Plas Glyn-y-Weddw, Llanbedrog, on the Llyn Peninsula. It is the work of local craftsmen Berwyn Jones and Huw Jones and replaces two earlier figureheads that met there doom there by fire and corrosion. It is known as the Iron Man of Mynydd Tir y Cwmwd, but as I say, I think it could also be a woman. After all, the Celts had fierce women like Buddug, known more widely today as Boudicca. She was the warrior queen of the Iceni, who took on the invading Romans.
I find the figure very moving, the remnant twist of sinew and ligament after bone and flesh have been weathered away. In the spaces between, the steel armature gathers the sea winds and sings. A metaphor, perhaps, for Welsh culture – the bardic verses and sea-sounds of the language that outsiders find so hard to get their tongues round. And for those of you want to hear some Welsh being spoken and see some superlative Welsh drama produced by BBC Cymru Wales, then look out for Hinterland, (Y Gwyll in Welsh), the so-called Celtic Noir detective series. It is currently showing on the UK’s BBC, but it deserves to go world-wide.
The winding cliff path to the Iron Man
© 2014 Tish Farrell
For more twist and metal follow the links:
Oh all right, I confess. My take on the WP photo challenge is a little tangential. Also I have combined it with Ailsa’s travel theme ‘illuminated’ and Frizztext’s ‘B’ challenge (links below). But for me, photographs are windows in their own right, focusing the eye, mind and sensibility. The ones in this post seem to reveal a glimpse of something that require my special attention. And while some shots do in fact include actual windows, most are about those tiny ah-ha moments: the event, image, artefact that opened a window in my mind, whether a crack, or a full-blown throw-back-the-shutters moment.
And so it was stormy September, and the holiday-season well and truly over when Nosy Writer and the Team Leader headed to Wales for a few days. G. had a brand new camera to learn. I, as ever, was happy to snap whatever caught my eye.
We stayed in an odd, but well-meant B & B in Llanbedrog, and set off each day to explore North Wales’ Llŷn Peninsula. The weather was deeply discouraging. Wales has much wet weather, and, with it, an oppositely equal lack of indoor places to visit, especially out of season. The first day it rained so hard there was no choice but to head for the nearest large town in hopes of finding something to do under cover. We drove up the coast to Caernarfon,and once there sat in a car park for an hour while the rain teemed down on the windscreen. Finally, it eased off enough to venture out. By then, the ludicrousness of coming on holiday to sit in a Welsh car park watching supermarket deliveries was beginning to grate.
Swathed in raingear we trailed around an impressive but dreary Caernarfon Castle, the remnant expression of Edward I of England’s systematic oppression of the Welsh people. In 1283 he extended a small Norman motte and bailey castle into a massive fortress – all the better to assert English rule over the Welsh and their princes. In design it is said to recall the walls of Constantinople, seat of Roman imperial power, thus invoking memories of more ancient times when the Romans also subdued the Welsh. These earlier invaders built the nearby fort of Segontium and, like the castle, it commanded the Menai Straits and the island of Ynys Môn (Anglesey) beyond.
Segontium was built in AD77 by the Roman governor of Britain, Gnaeus Julius Agricola, in preparation for the capture Anglesey (see Island of Old Ghosts). Over a thousand years later the castle was built as one in a circle of mighty fortresses to control the people of North Wales. In 1284 Edward’s heir, later Edward II, was born there, and thus proclaimed the first English Prince of Wales. Though English born and bred, I find this hard to swallow.
And so I think I would have found Caernarfon Castle depressing even in broad sunshine – too much death and domination. The best part of the day was definitely lunch in one of the town’s meandering back-streets. At the bistro Blas they welcomed us in from another downpour, and kindly allowed us to drip on their carpet while feeding us delicious food. Not only that, it was so soothingly lavender, both inside and out.
It was the next day, with the rain abating and the sea roiling over the Cricieth breakwater (beneath another Edward I castle) that we spotted the bright field in the first photo. G. thought it was a good opportunity to start getting to grips with his Fujicamera. I snapped the sea.
But seeing that bright field, so astonishingly luminous against the grey sky, reminded me of the poem of the same name, written by the great Welsh poet-priest R.S.Thomas. This craggy, slab of a man was as redoubtable as one of Edward Longshanks’ castles.
In fact he might have been hewn from the bed-rock of his native Wales. And like all such formations he had his fissures, faults and flaws. Many thought him morose, cantankerous, and rife with ambiguity and contradiction. For one thing, he abhorred the Anglicisation of Wales, yet he wrote in English despite being a Welsh speaker. In 1996 he was nominated for the Nobel Prize for Literature, but lost out to Seamus Heaney.
As a priest he was kindly and sympathetic to the hardships of his parishioners, although this would not stop him from hectoring them from the pulpit, urging them to foreswear any yearning for consumer durables such as refrigerators and washing machines. He could also be judgemental and, as a fierce Welsh Nationalist and political activist, withering about the failure of the Welsh to resist being swamped by Englishness.
Thomas’s poetry, then, can be both trenchant and transcendent. While I do not subscribe to his religion, I honour the spirit of his words. His poems are among those I love most. Here it is then:
The Bright Field
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I have seen the sun break through
to illuminate a small field
for a while, and gone my way
and forgotten it. But that was the pearl
of great price, the one field that had
the treasure in it. I realize now
that I must give all that I have
to possess it. Life is not hurrying
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on to a receding future, nor hankering after
an imagined past. It is the turning
aside like Moses to the miracle
of the lit bush, to a brightness
that seemed as transitory as your youth
once, but it is the eternity that awaits you.
R.S. Thomas
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On our final day it was with R.S. Thomas in mind, and with a little sun at last, we drove down the narrow lanes of the Llŷn Peninsula to Aberdaron where the poet served as a parish priest between 1967-78.
The ancient church of St. Hywyn’s stands right beside the sea. Since the Middle Ages, pilgrims have come there on their way to Bardsey Island, Ynis Enlli, Island of 20,000 Saints. Inside the church are two ancient grave stones belonging to Christian priests of the late 5th/early 6th century. There is also a welcome there: a bookshop full of R.S. Thomas’s poetry books; even a poem to take away. There are also piles of sea pebbles, shells for contemplating your journey, a kneeler that has been stitched with the single word cariad, beloved.
And beside the knave the clear glass window that needs no further embellishment looks out on the sea and islands of Gwylan Fawr and Gwylan Fach. And outside in the sea wind is the graveyard whose stones seem to cluster like a meeting of villagers in their own bright field. And so it is, as we ponder on all these things that our creedless souls, one atheist, one agnostic, know that we too are on a pilgrimage – to seek out the things that truly matter.

R.S. Thomas 1913-2000 Photo: BBC Cymru Wales Walesart
See this brief biography of the poet, made in 1996 when it was thought he would win the Nobel Prize for Literature.
Related: Warrior Wind-Singer of Llŷn
© 2014 Tish Farrell
It is said that the Iron Man of Mynydd Tir y Cwmwd sings in the wind. I can believe it too: bold laments of long ago battles, a proud Celtic warrior fending off invading Roman governors and power-hungry English kings. Sadly, the cause was lost on both fronts, although at least these days Cymru,* Wales, has its own Welsh Parliament, and Cymraeg, the Welsh language, is nurtured, learned in schools and spoken widely with great pride. And so it should be. It is one of the world’s wonderful languages, the words formed from the rush of sea on rocks, the wind whistling down from the heights of Yr Wyddfa** (Snowdon, Wales’ highest mountain). Under past times of English domination much was done to stamp out the Welsh culture altogether. It is what invaders do – belittle, ban, override heartfelt expressions of a conquered people’s culture.
{*roughly pronounced Kumree and Ur Oithva}
Llyn Coast Path, Mynydd Tir y Cwmwd
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Recently I have been writing much about preserving and respecting heritage (Valuing the Past…and also Is the Past past saving in The Heritage Journal) but I recognise, too, that nothing stays the same – at least not in the physical world. The Iron Man is a case in point.
The first man standing was a carved ship’s figurehead placed there in 1911 by Cardiff entrepreneur, Solomon Andrews. Andrews had bought the nearby grand house of Plas Glyn-y-Weddw some twenty years earlier and turned it into a public art gallery, the first of its kind in Wales. Today the house is the home of the wonderful Oriel Gallery, run by a trust, and the place where Welsh creativity is celebrated.
Oriel Plas Glyn-y-Weddw from Llyn Coastal Path
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The ship’s figurehead did not fare so well. In 1980, after it had been set on fire by vandals, local artist, Simon Van de Put replaced it with a figure of an ancient warrior made from recycled sheet steel. As had been envisaged, the warrior , exposed to the sea winds, weathered away until only his boots remained. But in 2002 reinforcements arrived, delivered to the headland by a helicopter and winch.
Today this new Iron Man surveys Cardigan Bay with the kind of stance that says he means to stay. In fact I’m not altogether certain that he might not also be a woman. This warrior, then, is the work of local craftsmen Berwyn Jones and Huw Jones.
To me the rope-like ironwork suggests sinew and muscle. It is thus simultaneously symbolic of both decay and regeneration; a rare act to pull off. The tilt of the head is dignified, but wistful too. I would like to feel I have the courage to stand up behind this guardian.
I am not Welsh of course. As far as I can tell my ancestors were Anglo Saxons and Normans. But if we do not celebrate the best of our culture, our own and other peoples’, then think how much is lost – all those things that make us truly well nourished humans – the poem, the saga, the dance, the metaphor, the hymn, the riddle, the rune, the touching words, the art – all that makes us recollect and care, confers insight and wisdom, gives us heart and good heartedness. For now though I take joy in the knowledge that when the wind blows across Mynydd Tir y Cwmwd (The Headland), even though I am not there to hear it, the iron warrior sings.
The cliff top path to the Iron Warrior
© 2013 Tish Farrell
Related:
For more on Oriel Plas Gwyn-y-Weddw
http://www.oriel.org.uk/en/home/lost-woodland/69-winllan-history
Frizztext’s WWW Challenge
And also: Ailsa’s Travel Theme: Sky
There are ancient, bloody-minded spirits here on Ynys Môn, the island where the Celtic druids made their last stand during the Roman conquest of Britain. This place, otherwise known by its Viking name of Anglesey, lies just off the coast of Wales, the narrow Menai Straits between. One Christmas morning we came here to Penmon on the island’s north-east tip. The light was very strange that day, darkness already gathering at noon. Then across the Straits, above the mainland, the sun bore down like a searchlight.
Penmon is the site of an early Christian monastery, founded in the 6th century by St Seiriol, but the roots of Ynys Môn’s sacred, and now mysterious practices, are far older than this. Across the island there are Neolithic and Bronze Age chambered tombs, and then there is the spectacular Celtic Iron Age hoard from Llyn Cerrig Bach, a seemingly sacrificial lake offering of weapons, chariots, slave chains, and highly crafted regalia. The Romans claimed that in their groves the druid priests made human sacrifices, but little is known of these people beyond the gory account in the Annals of Tacitus. What is known is that the Romans conducted a ruthless campaign against the Celtic clans of Wales. Anglesey, with its powerful druid priests, was the last bastion of British resistance. Here is how Tacitus describes the Menai Straits battle of nearly 2,000 years ago. Suetonius Paulinus, Governor of Britain, was in command.
He therefore prepared to attack the island of Mona which had a powerful population and was a refuge for fugitives. He built flat-bottomed vessels to cope with the shallows, and uncertain depths of the sea. Thus the infantry crossed, while the cavalry followed by fording, or, where the water was deep, swam by the side of their horses.
“On the shore stood the opposing army with its dense array of armed warriors, while between the ranks dashed women, in black attire like the Furies, with hair dishevelled, waving brands. All around, the Druids, lifting up their hands to heaven, and pouring forth dreadful imprecations, scared our soldiers by the unfamiliar sight, so that, as if their limbs were paralysed, they stood motionless, and exposed to wounds. Then urged by their general’s appeals and mutual encouragements not to quail before a troop of frenzied women, they bore the standards onwards, smote down all resistance, and wrapped the foe in the flames of his own brands. A force was next set over the conquered, and their groves, devoted to inhuman superstitions, were destroyed. They deemed it indeed a duty to cover their altars with the blood of captives and to consult their deities through human entrails.
Annals of Tacitus translated by Alfred John Church and William Jackson Brodribb 1884. XIV chapters 29-30. You can read the original work by following the link.
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For more about Anglesey