In the last post I said I’d show some of the artworks from Mary Elliot’s ‘Drawn from the Earth’ exhibition, hosted last week by Wildegoose Nursery.  The setting is a series of garden ‘rooms’ created in an old and magnificent walled garden. The late summer plants and grasses made an otherworldly backdrop for Sharon Griffin’s ceramic figures.

Her work is haunting. To come upon her pieces, as if by chance, in a garden that is slipping into autumn, gives them added drama; a life almost. There’s a sense of ‘old gods’ invoked; forgotten stories being retold.

Or in her own words:

I make work which explores the universal human condition…clay allows me the freedom for pure expression; a re-connectivity with the land and ancestral storytelling…

Faun with a shadow face and deer ears

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‘Not so blind that I can’t see’

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And on the plants for sale table: ‘The Gardener’

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I only came upon this one work by sculptor, Glen Farrelly.  It’s called ‘Formation’. I perhaps find it more personally appealing than the Sharon Griffin works. i.e. in the sense I could see myself living with it. I loved its setting amongst the pale green Patrinia seedheads and red sedum, the spires of dying flower stems and grasses.

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And finally some more views of the gardens – plants making their own end-of-season artworks.

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Mary Elliot’s drawings and paintings can be seen HERE.